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Garnock Academy Listening Concepts Checklist – Higher NAB 002 Place a tick in the relevant box when you have been taught and understand the concept Level Melodic √ Harmonic √ Rhythmic √ Ascending Chord Repetition Single Line Descending Chord Change Faster, Slower Unison/ Octave Discord Pause Stepwise, Leaping Access 3 Structural Broken Chord Accented √ Timbre Styles/ Forms √ Sound/ Silence Baroque Louder/ Softer Jazz Harmony Sustained, Staccato, Legato Rock Solo Striking, Blowing, Bowing, Strumming, Plucking, Slapping Pop Scottish Repetition Beat/ Pulse Ensemble Orchestra: Woodwind, Brass, Strings, Percussion Sequence Simple Time: 2/3/4 Beats in a Bar Ostinato/ Riff Bands: Brass, Pipe, Rock, Steel, Scottish Dance, Wind/ Military March Phrase On the Beat, Off the Beat Round Groups: Folk, Pop, Jazz Strathspey Accompanied Instruments: Electric Guitar, Acoustic Guitar Reel Unaccompanied Drumkit Waltz Repetition, Contrast Keyboards: Piano, Organ, Synthesiser Latin American Section Accordion, Fiddle, Pipes Question/ Answer Pattern Drum Fill Scotch Snap √ Voice, Vocal, Choral, Lead Vocals, Backing Vocals Chord Progressions using I, IV, V in Major Down Beat, Up Beat Chords Crescendo Tonality: Major Anacrusis Cluster Diminuendo Minor Compound Time Arpeggio Individual instruments: Ornament Vamp Speed Change: Accelerando Walking Bass Orchestra Romantic Scales: Pentatonic Drone Rallentando Descant Keyboard Opera Major Change of Key Rubato Contrary Motion Folk Musical Canon Scottish Fanfare Binary, Ternary String Concerto AB, ABA, AABA Recorders, Pan pipes Symphony Minuet and Trio Voices: Soprano, Alto, Tenor, Bass Rondo Effects: Bending, Rolls, Distortion, Reverb, Delay Theme and Variations Electronic Drums Bothy Ballad Ghanaian drum ensemble Waulking Song Gamelan Mouth Music Latin percussion ensemble Slow Air Theme Intermediate 1 Variation Imitation Minor Chromatic Semi-tone Tone Scat Singing Syncopation Programme Middle 8 Blues Ragtime Gaelic Psalms Ceilidh Band Chamber Music Swing Scots ballad Ghanaian Indonesian gamelan Improvisation Jig Samba Salsa Level Melodic √ Intermediate 2 Modulating Relative Minor Relative Major Tonal Atonal Grace Notes Trill Harmonic Chord Progressions using I, IV, V & VI in Major and Minor Keys Modulation Modulation to the Relative Minor Perfect Cadence Syllabic word setting Imperfect Cadence Tierce de Picardie Suspension √ Rhythmic √ Groupings in Simple and Compound Time Cross Rhythms Triplets Dotted Rhythms Structural √ Voices: Mezzo-soprano, Counter Tenor, Baritone Pedal Timbre √ Styles/ Forms Dixieland Inverted Pedal Muted/ Con sordino Boogie-woogie Ground Bass Glissando Impressionist Alberti Bass Flutter tonguing Minimalist Double stopping Aleatoric Arco Classical Pizzicato Scherzo Homophony Polyphony Contrapuntal Passing Note Obbligato Interval Countermelody Word Painting Consonance Strophic Interval Dissonance Through-composed A cappella Blues Scale Coda Register Hymn Tune Whole-tone Scale Cadenza 12-string Guitar Pibroch Slide Guitar Recitative Fretless bass Guitar Aria Melismatic word setting Col legno Tremolando/ Tremolo Cantata Vibrato Sitar √ Oratorio Passion Tabla Chorale Chorus Soul Country Indian Mode Harmonic Minor Melodic Minor Acciaccatura Appoggiatura Turn Higher Tritone Tone row Interrupted Cadence Dominant Mordent Microtone Plagal Cadence Time changes Episode Harmonics Renaissance Pulse and Beat Irregular metres Exposition Coloratura Nationalist Sprechgesang Serial 7th Three against two Diminished chord Hemiola Diminished 7th Augmentation Augmented chord Added 6th Polytonality Diminution Subject Countersubject Consort Transition Ripieno Bridge Concertino Bass Continuo Sonata Form Antiphonal Inversion Retrograde Leitmotiv Stretto Ritornello Late Romantic Jazz-funk Musique concrète Pavan & Galliard Tonal Answer Real answer Neo-classical Plainchant Mass Motet Madrigal Overture Sonata Suite Concerto Grosso Anthem Air Chant Chorale Prelude Ballett Chaconne Passacaglia Fugue Lied, Song cycle Symphonic/ Tone poem Da Capo Aria
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