Download ambience sound

ambience sound
Sounds in the background in the location where the taping occurs.
Ambience sound is added to the video production to keep the sense of
realism in the recorded material.
audio
The sound portion of video and its production.
audio dubbing
Adding sound to a previously recorded tape.
audio mixer
An electronic device that blends sounds from various sources.
audio track
The area of the videotape used for recording the audio information.
bidirectional
A microphone pattern where the sound can be heard best from two
opposite sides
cardioid
A unidirectional microphone pickup pattern.
condenser microphone
A high-quality, sensitive microphone for critical sound pickup. Used
mostly indoors. A condenser microphone requires an additional power
source (battery).
dynamic microphone
A relatively rugged microphone. Good for outdoor use. Needs no
separate power source
lavaliere
A small microphone that is clipped onto clothing. Also called a lapel
microphone
level
(1) Audio: sound volume.
line-level input
The input channel on a mixer or audio console for relatively high-level
audio sources
mic
Shortened form of the word, microphone.
mic-level input
Input channel on mixer or audio console for relatively low-level audio
sources, such as microphones.
mini plug
1/8” connector used for some consumer audio equipment
omnidirectional
A pickup pattern of a microphone where sound is heard equally well
from all directions.
pickup pattern
The territory around a microphone within the mic can hear well.
MPEG
A digital compression technique developed by the Moving Picture
Experts Group for moving pictures.
MPEG2
Another digital compression standard for motion video
omnidirectional
A pickup pattern of a microphone where sound is heard equally well
from all directions
RCA phono plug
Small connector used for most consumer video equipment and audio
shotgun microphone
A highly directional (unidirectional) microphone with a long, extended,
shotgun-like barrel for picking up sounds over a great distance.
XLR
sweetening
The manipulation of recorded sound in postproduction
unidirectional
A microphone pickup pattern where the sound is best heard from the
front
volume
The relative intensity, loudness of sound.
volume-unit meter (VU meter)
A device that measures the relative loudness of amplified sound
windscreen
An acoustic foam rubber cap that is placed over a microphone to cut
down on wind noise.
windsock
A mop-like cloth put over a windscreen to further reduce wind noise.
wireless microphone
A system that sends the audio signals over the air rather than through
cables. A small transmitter sends the audio signals to a receiver unit.
top
XLR connector
A professional, three-wire (X - ground, L - left, R - right) connector for
audio cables
There are a handful of audio file types you should be familiar with if you are planning to copy
music off the Internet or even copy a CD. If you aren't sure what file types you are working with,
you can distinguish any file type on your computer by the extension in the file name. The
extension is the set of letters that follows the dot, as is in: seashore.wav.

Waveform Audio (.wav)
Waveform Audio (.wav) is a common file format. Created by Microsoft and IBM, WAV
was one of the first audio file types developed for the PC. WAV files are defined as
lossless, meaning that files are large and complete; nothing has been lost. Professionally
recorded CDs are also a lossless audio source.
In contrast, the three audio formats listed below are lossy-redundant and non-auditory
data is removed to allow for more compact storage; in essence, some data has been lost.
This process of removing data to shrink the file size is called compression.
The three file formats below must begin with a lossless format-such as a store-bought CD
or a computer WAV file-then compress it. Most lossy formats boast little or no detectable
change in sound quality. But because each compressing format selects the deleteable
data differently, converting one compressed file into another lossy format will sometimes
result in lower quality audio. Again, always start with a CD or WAV file, th

MPEG-1 Audio Layer 3 (.mp3)
MPEG-1 Audio Layer 3 (.mp3) is a common, compressed WAV file. MPEG-1 files are
about one-twelfth the size of WAV files. This is why MP3 players can accommodate
hundreds of songs on a tiny chunk of storage space.

Windows Media Audio (.wma)
Windows Media Audio (.wma) was developed to compete with the MP3 format for
Windows Media Player. Microsoft claims that the WMA files are compressed three times
more than MP3s yet retain their original sound quality.

Ogg Vorbis (.ogg)
Ogg Vorbis (.ogg) is another compressed source code similar to MP3, but like WMA,
more compressed. Ogg Vorbis is also open source (free to all, unlicensed, no strings
attached). While MP3 compresses data at a constant bit rate, Ogg uses a variable bit
rate. To illustrate-if you are copying chunks of silence into MP3 format, the compression
bit rate stays the same as if you were compressing the sound of an entire orchestra. But
if you are copying chunks of silence into Ogg, your compression rate will drop to nothing.
The rate varies with the need.
Other Audio File Types

Musical Instrument Digital Interface (.midi)
Musical Instrument Digital Interface (.midi) is commonly used for computer keyboards
and other computer-based musical tools. MIDI files contain musical notes, rhythm
notation and other information often needed by a composer.

Audio Interchange File (.aif, .aifc or .aiff.)
Audio Interchange File (.aif, .aifc or .aiff.) was developed for the Macintosh computer to
store audio files.

Sun Audio (.au)
Sun Audio (.au) or Audio/Basic was developed by Sun Microsystems for use on UNIX
systems.

Emblaze Audio (.ea)
Emblaze Audio (.ea) was created by Geo and offers compression similar to MP3 formats,
but its purpose is to be played with a JAVA applet-a miniature Internet program. Online
greeting cards often use JAVA applet programs for motion and .ea sound files to play
music.