Download UMT Complete Rudiments Course Final Exam

UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
Total Score: ____
100
Name: _______________________________ UMTS Number: ____________
1.
a) Name the following intervals.
___
10
__________
__________
__________
__________
__________
b) Invert the above intervals in the Treble Clef. Use whole notes. Name the inversions.
__________
__________
__________
__________
__________
c) Write the following harmonic intervals below the given notes. Use whole notes.
Major 7
Perfect 12
Augmented 9
minor 10
Major 3
d) Invert the above intervals in the Bass Clef. Use whole notes. Name the inversions.
__________
__________
__________
__________
__________
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Final Exam - Advanced - Page 1 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
2.
___
10
For each of the following seventh chords, name:
a) the key to which it belongs.
b) the type of seventh chord (Dominant seventh or diminished seventh).
a)
____________
___________
___________
___________
___________
b)
____________
___________
___________
___________
___________
c) Write the following seventh chords in the Bass Clef. Use the correct Key Signature
and any necessary accidentals. Use whole notes.
i.
ii.
iii.
iv.
v.
The diminished seventh chord of g sharp minor in root position
The Dominant seventh chord of B flat Major in 3rd Inversion.
The Dominant seventh chord of E Major in 2nd inversion.
The Dominant seventh chord of e flat minor in 1st inversion.
The diminished seventh chord of b flat minor in root position.
i.
ii.
iii.
iv.
v.
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Final Exam - Advanced - Page 2 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
3.
___
10
The following melody is written for Clarinet in B flat.
a) Name the key in which it is written.
b) Transpose it to concert pitch, using the correct Key Signature. Name the new key.
Key: ____________
Key: ____________
The following melody is written for French Horn in F.
c) Name the key in which it is written.
d) Transpose it to concert pitch, using the correct Key Signature. Name the new key.
Key: ____________
Key: ____________
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Final Exam - Advanced - Page 3 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
4.
Write the following scales and modes ascending and descending one octave.
Use accidentals. Use whole notes.
___
10 a) Relative Major scale of b flat minor in the Alto Clef.
b) Tonic minor scale, natural form, of C sharp Major in the Treble Clef.
c) Enharmonic Tonic minor scale, melodic form, of d sharp minor in the Bass Clef.
d) Phrygian mode starting on C sharp in the Treble Clef.
e) Mixolydian mode starting on A flat in the Tenor Clef.
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Final Exam - Advanced - Page 4 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
5.
For each of the following melodic fragments:
a) Name the key.
b) Write a cadence in Keyboard Style below the bracketed notes.
___
c) Name the type of cadence (Perfect, Imperfect or Plagal).
10
Key: ____________
___________________
Key: ____________
___________________
d. Complete the following chart by providing the new key names for each transposition.
Original Key Name
Interval of Transposition
B flat Major
Up a Major 6
D Major
Down an Augmented 2
d sharp minor
Up a minor 3
G Major
Up a diminished 4
New Key Name
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Final Exam - Advanced - Page 5 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
6.
For each of the following chords:
a) Name the chord type as: triad, Dominant seventh chord, diminished seventh chord,
cluster or quartal chord.
___
b) Rewrite the chord in the specified type of open score.
10
c) Name each voice/instrument in the open score. Do not use abbreviations.
Modern Vocal Score
________________
________________
Chord Type:
________________
_______________________
________________
Open Score for String Quartet
________________
________________
________________
Chord Type:
_______________________
________________
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Final Exam - Advanced - Page 6 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
7.
a) Add rests below each bracket to complete each measure.
___
10
b) Add the correct Time Signature at the beginning of each of the following excerpts.
c) Add bar lines to complete each of the following rhythms.
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Final Exam - Advanced - Page 7 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
8.
For each of the following triads, name:
a) the root.
b) the quality/type (Major, minor, Augmented or diminished).
___
c) the position (root pos, 1st inv or 2nd inv).
10
a)
_____________
_____________
_____________
_____________
b)
_____________
_____________
_____________
_____________
c)
_____________
_____________
_____________
_____________
d) Identify the name of the scale which contains all of these triads.
A Major scale
E Major scale
c sharp minor harmonic scale
f sharp minor harmonic scale
e) Add accidentals where necessary to form the following triads.
i) the Leading note triad of e minor melodic.
ii) the Dominant triad of a flat minor harmonic
iii) the Submediant triad of D Major
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Final Exam - Advanced - Page 8 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
9.
a) Match each musical term with its English definition. (Not all definitions will be used.)
Term
___
10
Definition
a) be silent
molto
_____
b) always
sempre
_____
c) with
senza
_____
d) suddenly
sopra
_____
e) sustained
pesante
_____
f) much, very
arco
_____
g) above
tacet
_____
h) too much
troppo
_____
i) loud
subito
_____
j) without
sostenuto
_____
k) weighty, with emphasis
l)
for stringed instruments: resume bowing
after a pizzicato passage
b) Give the English definition for each of the following musical signs.
%
______________________________________________________________
15 ma
______________________________________________________________
Sz
______________________________________________________________
______________________________________________________________
fp
______________________________________________________________
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Final Exam - Advanced - Page 9 of 10
UMT - COMPLETE MUSIC THEORY COURSE
FINAL EXAM - ADVANCED RUDIMENTS
10.
Analyze the following excerpt by answering the questions below.
___
10
The Lonely Willow
S. McKibbon
Adagio e dolente
D
A
E
B
C
F
G
a) Name the key of this excerpt. ____________________________________________
b) Explain the tempo of this excerpt. _________________________________________
c) Add the Time Signature directly on the music.
d) Give the term for the relationship between
the notes at the letters A and B. __________________________________________
e) For the triad at C, name: Root: ____ Type/Quality: ________ Position: _________
f) Give the term for the relationship between
the notes at the letters D and E. __________________________________________
g) For the triad at F, name: Root: ____ Type/Quality: ________ Position: _________
h) Identify the number of: Ties: _________
Slurs: _________ Triplets: __________
i) Give the technical degree name of the root of the triad at G: ____________________
j) Locate and circle a Tritone. Name the interval. ______________________________
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Final Exam - Advanced - Page 10 of 10