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Muchachito is Jairo Perera Viedma, born in 1975 in Santa
Coloma de Gramenet, Barcelona city outskirts and a
welcome city for immigrants, mostly southern Spain
families at those times.
At six he felt like a guitar player, performing at home Peret,
Gato Pérez or Michael Jackson covers. Drawing was also a
hobby. At 13 his drawings appeared in a fanzine published
in Santa Coloma, El Komikaze, together with his close
friend Santos de Veracruz, nowadays travelling and
scenarios mate. Soon he left drawing for guitar playing. His
older brother, Joni, introduced him to the rock&roll,
discovering and take him to see bands like Johnny Guitar
Watson, Stray Cats, The Blues Brothers, Los Del Tonos or
Jonathan Richman.
It was a matter of time until he formed a band. So he
played with some groups born in the quarter before he
created Trimelón de Naranjus in 1993, with which he
played in cities all around Spain and Europe.
At the end of 2000 Trimelón officially broke up.
After those eight years, Jairo felt quite disappointed with
the music scene and went to start from the scratch.
He started to play at pubs and so the “rumboxing" was
born: rumba plus swing at top speed in his particular way,
in crowded dens where hardly place to perform was found
and where he ended up injured. From there, the “boxing”.
In 2003 Jairo started to play in quartet format, with Lere at
the bass, Héctor Bellino at half drums and Josué at the
trumpet. Incidentally, in a jam session nine hours long (!)
he met Tito Carlos. The alliance of Tito and Josué, jazz and
studio musicians, along with the trio Lere, Héctor and Jairo,
street musicians, ran perfectly and Muchachito Bombo
Infierno became established.
April 2004 was a turning point, the day they filled the Sala
Apolo with a keen and devoted audience. From then on, the
Bombo’s flame spreads out. At the beginning of 2005 they
published Vamos que nos vamos, an album that amazed
both the media and the public.
Every concert made their fame increase, along with the
band. Live at stage appeared Gigoleto Brass band in full.
Josué as conductor and David “el Niño”, Martín García,
Oscar Bas and also Alberto Pérez, all of them reinforced like
no one the swing of the band. Jairo calls up also his friend
from childhood (and youth), Santos de Veracruz, who was
already working in the concert posters design and the
record graphic art, and asked him to make a painting while
performing. This macro family goes together throughout
Spain for two years and the success allows them shift to
self-management.
The fruit of this roving and playing was the meeting and the
connection with kindred souls, and deep friendship was only
one step ahead. Muchachito Bombo Infierno, Los
Delinqüentes, Kiko Veneno and Tomasito met up on stage
and, with it, the crazy idea of doing something all together.
Between June and July 2006 they met up many times
(partying) in Jerez de la Frontera and almost spontaneously
aroused the legendary G-5 recording, Tucaratupapi.
But the machine doesn’t stop. In 2007 they released Visto
lo visto, the second part of a “four records” trilogy. Just
when the sessions with their 13 songs were done, Jairo
went to suffer a throat operation. Bad times for somebody
who is not at ease quiet and with his mouth shut up. But
good sense got back and when his suffering voice took his
place frenzy concerts got back too.
In just a few years Jairo had shifted from playing in bars
that allowed him to live off music, to building up a structure
formed by about twenty people, to the self management
and to the total independence, though to much more work.
In 2009 Jairo sent the band on holiday and he allowed
himself a sabbatical year (theoretically). Just stopping by,
took a pallet turning it into an instrument, percussion under
his feet, and started up a short solo show tour, “longing for
feeling audience closer”, returning to the same format with
which he previously used to go over the country to play in
en several bars.
That same year, he started to produce the rough cut of
what will be the first solo album of his companion and
friend from Trimelón, Miguel Escolá, alias Melón Maguilaz.
In 2010 he produced his third album, Idas y vueltas, a
stillness made work where the first record freshness
reappeared, with instantly composed themes that
immediately became classical. The recording was made in
his studio, La Cueva, and mixed by Joe Dworniak in the
United Kingdom. There was also a change in the band:
Manel (ex Trimelón) replaced Héctor Bellino.
Again the sold out notice was hanged at the door of
Razzmatazz hall in the premiere concert of the new record.
The day before, more than thousand friends were invited to
a rehearsal concert with a three hours session in full
performance.
Again, he started up a tour of concerts for all over the
country, most of them with sold out tickets.
But Jairo is suffering of creative incontinence and found a
new performing format, “Sólo Muchachito”: one man band,
playing guitar, bass drum, drum and thousands of gadgets
and devices, with his wholehearted mate Santos de
Veracruz, “the paintbrush musician”, contributing with
draws and painting and singing also in some song.
With this show he visited Argentina for the first time in
November 2010, enjoying a three hours concert at the
Niceto Club in Buenos Aires. They also visited New York and
Austin, Texas.
2011 was a year full of concerts with the band, especially in
Spain, and visits to Italy, France, Portugal and the United
Kingdom.
“Idas y vueltas” tour ended on October 22th 2011, with a
concert for more than 6,000 people in the Forum of
Barcelona, who during 3 hours and 37 minutes enjoyed
Muchachito Bombo Infierno and the surprise appearance of
a lot of his best friends: Albert Pla, Bebe, El Chipi de La
Canalla, Josele Sangüesa (from Caníbala), Pepe Begines
(from Los Chanclas), Los Delinqüentes, Estopa, Joan
Garriga, Kiko Veneno, la Excepción, Maguilaz, Tomasito...
and an unforgettable end of the party.
Jairo focus his attention on Melón Maguilaz’s album.
Throughout this work, the old companions from Trimelón
reappeared: Danilillo, Donato Nosferatu and Manel Cabello,
who together with Germán Díaz (Che), Coque Alejo and
Serafín Escolá, Miguel’s brother, formed a band in order to
carry out the project. Unfortunately, in the middle of this
process, in January 2012, Miguel passed away.
After a while, and not yet recovered, Jairo gathered his
courage and together with La Banda del Melón, (the name
adopted by the band) decided to record an album. The
recording of Un puñaíto de canciones ends by the end of
the year and the album was launched in Santa Coloma on
September 2013 in a tribute concert.
Earlier in 2013, Muchachito, Albert Pla, El Canijo de Jerez,
El Lichis and Tomasito, started to work in a very crazy and
fresh adventure, that will take them to carry out a summer
tour: La Pandilla Voladora. With a staging that feels straight
out from a comic book, they played the most popular pieces
of each one of them. The tour was headed “Del deporte
también se sale”, and they recorded a single and a video
clip of the theme song.
In the middle of 2013 and in parallel with his activity in La
Pandilla, Muchachito joined his mate Diego “el Ratón”, from
Los Delinqüentes, and accompanied by their friend Santos
de Veracruz, they started a tour in trio format that took
them to play all over Spain and Italy, and to visit Brazil for
the first time. The explosive sum of Jairo’s and Diego’s
guitars, jazzed up with the colors of Santos de Veracruz,
gave shape to the new design of Muchachito, who
presented himself like “Muchachito y sus compadres”, an
energetic live show filled with rumba-rock and swing, his
typical personal touch and his usual connection with the
audience.