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To Kill a Mockingbird – Style
The most important element of style is the narrative
viewpoint –that of a child who is writing as an adult.
The main effect of this is that we can track Scout’s
innocence and her growth. She brings a childish perspective
which allows the reader to put an interpretation on what she
tells us.
Motifs and symbols –the mockingbird, the rabid dog, Boo
Radley,
Slow revelation of character-lots of incidents which add to
the understanding and growth of Scout and Jem
Multiple characters –not always fully developed but with a
function –usually to give more information about a main
character or to develop a theme e.g. Miss Gates, Mrs
Dubois, Aunt Alexandra
Contrast between characters –Stephanie Crawford and Miss
Maudie; Boo Radley and Bob Cunningham
Humour
Colloquial Language
Style in To Kill a Mockingbird
Technique
person narration-an
adult remembering what
it was like when a child
A naïve narrator
Explanation
A child narrator is often
innocent and forces the
reader to put their own
interpretation on
events.
The adult uses more
sophisticated language
than the child would.
The reader can track
Scout’s innocence and
growth.
Curious
Honest
Trusting of adults
Adds suspense because
reader knows more
Detailed descriptions
Makes the reader
understand that this is
important. Things that are
glossed over or not
described at all are not
important.
Differences between
characters
1st
Dialogue
Examples from text
Colloquial
Creates drama
Creates realism
Creates a sense of place
Childish + adult (Scout)
Symbolism
Minor characters
Contrast
“I seen that black nigger
yonder ruttin’ on my
Mayella” (Bob E ch 17)
Humour
Juxtaposition
Focus on particular
incidents
By putting unlikely
episodes/images
together, different things
can be achieved.
(Humour, irony, etc)