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附件十 美國塞基諾州立大學 Dr. Robert Drew 履歷 1 ROBERT S. DREW 827 Sutton Street Saginaw, MI 48602 Tel.: 989-249-4941 Department of Communication Saginaw Valley State University 7400 Bay Road University Center, MI 48710 Tel.: 989-964-7495 Email: [email protected] EDUCATION Ph.D. in Communication, Annenberg School for Communication, University of Pennsylvania, 1994. M.A. in Communication, Annenberg School for Communication, 1986. B.A. in English, Columbia University, 1983. ACADEMIC WORK EXPERIENCE Associate Professor, Department of Communication, Saginaw Valley State University, 2002-present. Assistant Professor, Department of Communication, Saginaw Valley State University, 1998-2002. Visiting Assistant Professor, Department of Communication, University of South Florida, 1995-1998. Visiting Assistant Professor, Department of Communication, State University of New York at Albany, 1994-1995. Instructor, Annenberg School for Communication, University of Pennsylvania, 1992-1993. FIELDS OF PROFESSIONAL INTEREST Media Studies Cultural Studies New Media Popular Culture Qualitative Research Methods COURSES TAUGHT Saginaw Valley State University Media, Meaning, and Audience (Graduate), 1998-2004. Capstone Course (Graduate), 1999. 2 Communication in Marketplace and Media, 1999-2005. Communication and Popular Culture, 1999-2006. New Media and Society, 2001-2005. Research Methods in Human Communication, 1999-2000, 2004-2006. Human Communication Theory, 1998-1999. Fundamentals of Human Communication, 1998-2006. University of South Florida Popular Forms of Communication, 1996-1997. Rhetoric of Mass Media, 1995-1996. Relationships in Film, 1996-1998. Communication Theory, 1997. Interpersonal Communication, 1995-1998. State University of New York at Albany Introduction to Mass Communication, 1995. Popular Culture and Communication, 1995. Mass Media Criticism, 1995. Communication Research Methods (Graduate), 1994. Interpersonal Communication, 1994. Public Speaking, 1994. Annenberg School for Communication Art as Communication, 1993. Introduction to Mass Communication, 1992. PUBLICATIONS Books Karaoke Nights: An Ethnographic Rhapsody. Thousand Oaks, Calif.: AltaMira Press, 2001. Journal articles “Review of Media Audiences and Identity.” Journal of Communication Inquiry, 30:4, October 2006. “Lethargy Begins at Home: The Academic Rate-Buster and the Academic Sloth.” Text and Performance Quarterly, 26:1, January 2006. “Review of Where the Ball Drops: Days and Nights in Times Square.” Space and Culture, 8:4, November 2005. “Once More, With Irony: Karaoke and Social Class.” Leisure Studies, 24:4, October 2005. 3 “Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Popular Music and Society, 28:4, October 2005. “Old Habits and New Media: Ethnography Meets Cyberspace Studies.” Symbolic Interaction, 28:3, Summer 2005. “Review of Rock Over the Edge: Transformations in Popular Music Culture.” Popular Communication, 1:1, Fall 2002. “Rough Trade: Cruising for Music in the Big Box Record Store.” Bad Subjects: Political Education for Everyday Life, 59, February 2002, http://eserver.org/bs/59/drew.html. “Karaoke and the Utility of the Already Sung.” Bad Subjects: Political Education for Everyday Life 56, Summer 2001, http://eserver.org/bs/56/drew.html. “Embracing the Performer's Role: How Karaoke Bar Patrons Become Regular Performers.” Journal of Contemporary Ethnography 25:4, January 1997. “Review of Top Ten Academic Books on Popular Music.” RPM: The Review of Popular Music, 21, Winter 1995. “Review of 1990 ICA Panels on the Public Domain.” Antenna: Newsletter of the Mercurians Special Interest Group, Society for the History of Technology, 3:1, October 1990. “A Short History of Graffiti.” Antenna: Newsletter of the Mercurians Special Interest Group, Society for the History of Technology, 2:2, October 1989. Book chapters “Popular Communication and Social Class.” In The International Encyclopedia of Communication, edited by Wolfgang Donsbach. Malden, Mass.: Blackwell, forthcoming. “’Scenes’ Dimensions of Karaoke in the U.S.’ In Music Scenes: Local, Translocal, and Virtual, edited by Andy Bennett & Richard A. Peterson. Nashville, Tenn.: Vanderbilt University Press, 2004. “’Anyone Can Do It’: Forging a Participatory Culture in Karaoke Bars.” In Hop on Pop: The Pleasures and Politics of Popular Culture, edited by Henry Jenkins, Tara McPherson, and Jane Shattuc. Durham, N.C.: Duke University Press, 2003. “The Cosmic and the Local: The Burden of Stardom in Karaoke.” In Looking Back, Looking Ahead: Popular Music Studies 20 Years Later, edited by Kimi Kärki, Rebecca Leydon, and Henri Terho. Turku, Finland: IASPM-Norden, 2002. “American Karaoke Performers as Amateurs and Professionals.” In Popular Music: Style and Identity, edited by Will Straw, Stacey Johnson, Rebecca Sullivan, and Paul Friedlander. Montreal: Centre for Research on Canadian Cultural Industries and Institutions, 1995. “Graffiti as Public and Private Art.” In On the Margins of Art Worlds, edited by Larry Gross. Boulder, Colo.: Westview Press, 1995. Journalism and criticism “The Mekons: Still Riding the Punk Wave.” Tampa Weekly Planet, May 1, 1996. “Buy a Record, Save a Life.” Philadelphia Welcomat, October 13, 1993. “Forget Woody—What About Mia’s Movies?” Philadelphia Welcomat, June 23, 1993. 4 “WDRE: Alternative Music Finds Its Market Niche.” The Graduate Perspective, April 1993. “Skeptical Rock.” The Graduate Perspective, February/March 1993. “Nothing to Lose but Her Chains: Madonna’s in Control, but of What?” The Graduate Perspective, December 1992. “On the Hook.” The Graduate Perspective, March 1992. PRESENTATIONS AND CONFERENCE PAPERS Refereed conference papers “Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Presented at the annual meeting of the National Communication Association, Chicago, November 2004. “Emcees Who Love Too Much: Sincerity and Cynicism on the Karaoke Circuit.” Presented at the annual meeting of the International Communication Association, Acapulco, May 2000. Winner of Top Three Paper Award of the Popular Communication Division. “The Authority Song: Encouragement, Judgment, and Emotional Labor among Karaoke Emcees.” Presented at the Society for the Study of Symbolic Interaction Couch/Stone Symposium, St. Petersburg, January 2000. “Looking a Gift Horse in the Mouth: Corporate Sponsorship of Educational Multimedia.” Presented at the annual meeting of the National Communication Association, Chicago, November, 1999 (with Chi-Feng Tsai). “Relating in the Limelight: Karaoke Performance as Pathway to Public Life.” Presented at the annual meeting of the National Communication Association, Chicago, November, 1999. “The Corporate Sponsorship of Multimedia in Educational Settings.” Presented at the Communication and Technology Conference of the National Communication Association, Washington, D.C., July 1999 (with Chi-Feng Tsai). “Rough Trade: Cruising for Music in the Big Box Record Store.” Contributed to seminar, “Perspectives on Communication and Consumption,” National Communication Association, New York, November 1998. “Singing the Self: Identities Performed and Transformed.” Contributed to seminar, “Narrative and Alternative Ethnography,” National Communication Association, Chicago, November 1997. “Anyone Can Do It: Forging a Participatory Culture in Karaoke Bars.” Presented at the annual meeting of the Society for the Study of Symbolic Interaction, Toronto, August 1997. “The Socialization of Karaoke Performers.” Presented at the annual meeting of the International Communication Association, Albuquerque, May 1995. “Ambiguities of the Performance Frame in Karaoke Bars.” Presented at the annual meeting of the Speech Communication Association, Chicago, November 1992. “Karaoke Performers as Local Musicians.” Presented at the annual Conference on Social Theory, Politics, and the Arts, Philadelphia, October 1992. 5 “Graffiti as Public and Private Art.” Presented at the annual Conference on Social Theory, Politics, and the Arts, Philadelphia, October 1992. “Issues of Stardom, Authorship and Identity in Karaoke.” Presented at the annual meeting of the International Association for the Study of Popular Music, Chicago, October 1991. “Regulation of Membership and Negotiation of Status within Graffiti's Art World.” Presented at the annual meeting of the International Communication Association, Dublin, June 1990. Winner of Top Two Student Paper Award of the Popular Communication Division. “The Myth of Graffiti as ‘People's Art.’” Presented at the Conference on Culture and Communication, Philadelphia, October 1989. Panel presentations “D.I.Y. Culture and the Gift of the Mix Tape.” Presented at the annual meeting of the National Communication Association, San Antonio, November 2006. “Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Presented at the annual meeting of the Midwest Popular Culture Association, St. Louis, October 2005. “The Regime of the Hook: Shopping for Music in the Post-Millennial Megastore.” Presented at the bi-annual meeting of the International Association for the Study of Popular Music, Montreal, July 2003. “Scenes Dimensions of Karaoke in the U.S.” Presented at the bi-annual meeting of the International Association for the Study of Popular Music, Montreal, July 2003. “Once More, With Irony: Karaoke and Social Class.” Presented at the annual meeting of the International Communication Association, San Diego, May 2003. “Teaching New Media When Your Students Know as Much as You.” Presented at the annual meeting of the National Communication Association, New Orleans, November 2002. “The Cosmic and the Local: The Burden of Stardom in Karaoke.” Presented at the biennial meeting of the International Association for the Study of Popular Music, Turku, Finland, July 2001. “Lost in a Supermarket: The Anomie of Music Megastores.” Presented at the annual meeting of the International Communication Association, Washington, D.C., May 2001. “Writing Ethnographic Alternatives.” Presented at the annual meeting of the National Communication Association, Chicago, November 1999. “Some Observations on the Quotidian Aspects of Rock and Pop Performance.” Presented at the annual meeting of the Eastern Communication Association, Pittsburgh, Pa., April 1995. “Between Onstage and Offstage: The Amateur Aesthetic in Karaoke Performance.” Presented at the annual meeting of the Eastern Communication Association, Washington, D.C., April 1994. “Karaoke Performers, Local Musicians, and the Amateur-Professional Continuum.” Presented at the biennial meeting of the International Association for the Study of Popular Music, Stockton, Calif., July 1993. 6 Invited presentations “The Space Between: Copyright, Consumer Rights, and Home Audio Mixing.” Visiting Scholar, Department of Communication, Saint Louis University, October 2003. “Media Coverage of the Iraq Crisis.” Teach-In for Peace, Saginaw Valley State University, March 2003. “Reading and Book Signing for Karaoke Nights: An Ethnographic Rhapsody,” Saginaw Valley State University, December 2001. “Studying the Role of Popular Music in Everyday Life through an Ethnography of Karaoke Bars.” Conference on “Rethinking The Development of Qualitative Methodologies in Communication Studies,” Shih Hsin University, Taipei, Taiwan, December 2000. “Anyone Can Do It: Forging a Participatory Culture in Karaoke Bars.” Valley Scholars Lecture Series, Saginaw Valley State University, March 1999. “Embracing the Role of Performer in Karaoke Bars.” Department of Communication Lecture Series, University of South Florida, December 1995. Other conference participation Panel respondent, “Action! Ethnography and Media/Cultural Studies,” annual meeting of the National Communication Association, Chicago, November 2004. Panel chair, “Technological Transformations and the Production of Popular Culture: Reporting, Reading, Revising,” annual meeting of the National Communication Association, Chicago, November 2004. Panel respondent, “Music as Popular Communication,” annual meeting of the International Communication Association, San Diego, May 2003. Panel respondent, “American Consumerism Represented and Enacted through Media,” annual meeting of the National Communication Association, New Orleans, November 2002. Panel respondent, “Popular Communication about the Environment, Animal Rights, and Natural Resources,” annual meeting of the International Communication Association,” Acapulco, May 2000. Panel chair, “Critical Perspectives in New Media of Communication,” annual meeting of the Michigan Academy of Science, Arts and Letters, Saginaw, Mich., March, 2000. Panel respondent, “Ethnography and Mediated Communication,” annual 7 meeting of the National Communication Association, Chicago, November 1999. Panel chair, “Community, Technology, and Popular Culture,” annual meeting of the International Communication Association, Montreal, May 1997. Panel chair and co-organizer, “Teaching Popular Culture,” annual meeting of the International Communication Association, Chicago, May 1996. SERVICE Departmental Participant, departmental assessment of communication program, Department of Communication, Saginaw Valley State University, 2006. Honor’s thesis advisor (2), Department of Communication, Saginaw Valley State University, 2005. Mentor to adjunct faculty, Department of Communication, Saginaw Valley State University, 2004. Participant, departmental assessment of General Education courses, Department of Communication, Saginaw Valley State University, 2001-2004. Participant, departmental assessment of Teacher Certification Program, Department of Communication, Saginaw Valley State University, 2002. Chair, Faculty Search Committee (3), Department of Communication, Saginaw Valley State University, 1999, 2001, 2006. Member, Faculty Search Committee, Communication and Multimedia Program, Saginaw Valley State University, 2000. Member, Faculty Search Committee (2), Department of Communication, Saginaw Valley State University, 1998, 2004. Master’s thesis advisor (3), Communication and Multimedia Program, Saginaw Valley State University, 2000-2003. Master’s thesis committee member (2), Communication and Multimedia Program, Saginaw Valley State University, 2001-2002. Multimedia capstone project advisor (11), Communication and Multimedia Program, Saginaw Valley State University, 1999-2005. Multimedia capstone project committee member (20), Communication and Multimedia Program, Saginaw Valley State University, 1999-2005. Independent study supervisor (9), Department of Communication, Saginaw Valley State University, 1999-2004. Independent study supervisor (5), Communication and Multimedia Program, Saginaw Valley State University, 2000-2005. Program planning faculty member, Communication and Multimedia Program, Saginaw Valley State University, 1998-2005. 8 Faculty sponsor, Communication and Multimedia master’s student participation in Association of Internet Researchers conference (2), Saginaw Valley State University, 2001. Author, new course proposals for Communication & Popular Culture and New Media & Society, Saginaw Valley State University, 2000. Evaluator of adjunct faculty (2), Department of Communication, Saginaw Valley State University, 1998, 2000. University Secretary, Faculty Association Executive Committee, Saginaw Valley State University, 2004-2006. Co-chair, Student Evaluation of Teaching Committee, Saginaw Valley State University, 2004-2005. Member, University Strategic Planning Committee and Technology Subcommittee, Saginaw Valley State University, 2004. Author, Student Satisfaction Survey and Report, Communication and Multimedia Program, Saginaw Valley State University, 2004. Member, Communication and Multimedia Program Task Force, Saginaw Valley State University, 2003-2004. Member, Contract Review and Planning Committee, Saginaw Valley State University, 2004-2005. Chair, Faculty Evaluation Team (3), Saginaw Valley State University, 2002-2005. Member, Faculty Evaluation Team (9), Saginaw Valley State University, 2000-2005. Co-Chair, Distance Learning Action Team of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 2001-2002. Member, Distance Learning Action Team of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 1999-2001. Member, Steering Committee of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 2001-2002. Member, Art Department Search Committee, Saginaw Valley State University, 1998-1999. Participant, Faculty Strategies for Student Success Workshop, Saginaw Valley State University, 1998. Member, Faculty Board of the Communication Guild, Saginaw Valley State University, 1998-1999. Internship Supervisor (2), University of South Florida, 1996, 1997. Member, Grievance Committee, University of South Florida, 1995. Culture Editor, Graduate Perspective, University of Pennsylvania graduate student newspaper, 1991-1993. Member, Graduate Student Association Council, University of Pennsylvania, 1989-1990. Community Source for article, “Fans Bid Farewell to Close ‘Friends’,” Saginaw News, May 5, 2004. Source for article, “Hip-Hop Dropped: Fears of Violence Spur Some Pubs to Ban the Popular Dance Music,” Saginaw News, April 22, 2004. 9 Source for article, “Karaoke for Dummies,” Flint Journal, March 14, 2004. Source for article, “Perfection is … Karaoke,” Portland Mercury, March 4, 2004. Source and subject of profile, “Scholar Studies Songs in the Heart,” Saginaw News, February 6, 2004. Source for article, “Faux Fame,” Herald News (West Paterson, N.J.), January 11, 2004. Source for phone interview on Karaoke Nights by students in course on Ethnographic Research Methods, Dickinson University, October, 2003. Participant in class discussion of Karaoke Nights in course on Ethnographic Methods, Saint Louis University, October 2003. Participant in listserv discussion of Karaoke Nights in course on Writing Cultural Studies, Millersville University, February 2003. Source for email interview on Karaoke Nights by students in course on Ethnographic Writing, University of South Florida, February 2003. Interviewee for story on copyright and Internet file sharing, “The Palm” (student-produced news), QTV-Delta College, December 2002. Source for article, “The Pull of Gossip,” Saginaw News, December 1, 2002. Source for article, “Theaters Come Alive Thanks to Audience Participation,” The Observer-Reporter (Washington, Pa.), October 4, 2002. Source for email interview by students in course on Writing Cultural Studies, Millersville University, August, 2002. Interviewee for senior thesis film on karaoke, Fairleigh Dickinson University, December 2001. Source and subject of profile, “SVSU Professor’s Karaoke Research Takes the Stage at State Meeting,” Bay City Times, March 8, 2000. Interviewee for radio program on federal anti-drug campaign, “Cameron Knowles Show,” WSGW, 790 AM, Saginaw-Bay City, January 14, 2000. Source for series, “The 20th Century: A Century for Change,” Bay City Times, March-May 1999. Source for article, “The Strange Allure of Karaoke,” The Ottawa Citizen, May 29, 1994. Source and subject of profile, “Scholar Finds Art, Social Tradition in Graffiti,” Chronicle of Higher Education, November 8, 1989. Source for article, “The Scrawls on City Walls,” Philadelphia Inquirer, September 20, 1989. Supervisor, Graffiti Clean-Up and Public Art, West Philadelphia Improvement Corps, Bryant Elementary School, Philadelphia, 1985-1986. Journals and presses Manuscript reviewer, Communication Theory, 2003-2005. Book manuscript reviewer, University of Minnesota Press, 2002-2003. Editorial board member, Popular Communication, 2002-2006. Manuscript reviewer, Popular Communication, 2002-2006. Book manuscript reviewer, St. Martin’s Press, 1999. Manuscript reviewer, Critical Studies in Mass Communication, 1995-1996. Manuscript reviewer, Journal of Contemporary Ethnography, 1990. Scholarly associations 10 Member, Awards Committee, Critical and Cultural Studies Division, National Communication Association, 2004. Conference paper reviewer, Critical and Cultural Studies Division, National Communication Association, 2004. Conference paper reviewer, Ethnography Division, National Communication Association, 1999-2004. Chair, Awards Committee, Ethnography Division, National Communication Association, 2003. Conference paper reviewer, Popular Communication Division, International Communication Association, 1995-2002. CONTINUING PROFESSIONAL DEVELOPMENT Faculty Summer Institute (40 hours), Saginaw Valley State University, 1998. Active Learning Workshop (80 hours), Center for Teaching Enhancement, University of South Florida, 1996. HONORS Nominee, All-University Research Award, Saginaw Valley State University, 2006. Best Book Award for Karaoke Nights, Critical and Cultural Studies Division, National Communication Association, 2003. Visiting Scholar, Department of Communication, Saint Louis University, October 2003. Nominee, Faculty Association Scholarship Award, Saginaw Valley State University, 2004. Nominee (3), Faculty Award for Innovative Use of Technology in Teaching, Saginaw Valley State University, 2002, 2003, 2004 Best Book Award for Karaoke Nights, Ethnography Division, National Communication Association, 2002. Top Three Paper Award, Popular Communication Division, International Communication Association, 2000. Faculty sponsor of Graduate Student Writing Award winner, Saginaw Valley State University, 1999. Dissertation Research Fellowship, Annenberg School for Communication, 1991-1992. Top Two Student Paper Award, Popular Communication Interest Group, International Communication Association, 1990. Full Scholarship, Annenberg School for Communication, 1984-1986, 1988-1990. REFERENCES Dr. Carolyn Marvin, Annenberg School for Communication, 3620 Walnut Street, Philadelphia, PA 19104. Phone: 215-898-7374. Email: [email protected]. 11 Dr. Larry Gross, Annenberg School for Communication, University of Southern California, 3502 Watt Way, Los Angeles, CA 90089-0281. Phone: 213-740-3770. Email: [email protected]. Dr. Mark Neumann, School of Communication, Northern Arizona University, P.O. Box 5619, Flagstaff, AZ 86011-5619. Phone: 928-523-2232. Email: [email protected]. Dr. David Schneider, Department of Communication, Saginaw Valley State University, University Center, MI 48710. Phone: 989-964-4398. Email: [email protected]. 12