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Walter Bailey
Associate Professor
Associate Professor of Musicology and Music
History
e-mail:[email protected]
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B.M. (1976) Lewis and Clark College
M.A. (1979) University of Southern California
Ph.D. (1982) University of Southern California
Primary Department
Shepherd School of Music
Research Areas
Musicology: Early Twentieth-Century Music; Music of Arnold Schoenberg; American Music
Teaching Areas
Twentieth-century Music; Schoenberg; Stravinsky; Strauss, Satie; American Music
Selected Publications
Refereed articles
"'For the serious listeners who swear neither at nor by Schoenberg': Music Criticism, the Great
War, and the Dawning of a New Attitude Toward Schoenberg and Ultra-Modern Music in New
York City." Journal of Musicology 32/2 (Spring 2015), 279-322.
Walter B. Bailey "’Will Schoenberg Be A New York Fad?’: The 1914 American Premiere of
Schoenberg’s String Quartet in D Minor." American Music, 26/1 (Spring 2008) : 37-73.
Bailey, Walter B. "The American Patron Ima Hogg and her Experiment in Audience Education:
The Rice Lectureship in Music (1923-1933)." Submitted
Articles
"The American Patron Ima Hogg and Her Experiment in Audience Education: The Rice
Lectureship in Music (1923-1933)." Submitted
Books
Walter B. Bailey et al "The Schoenberg Companion."
Book chapters
“Nadia Boulanger’s Three Lectures on Modern Music: Context, Content, and Reception,” in
Nadia Boulanger: Histories and Legacy, edited by Johanna Keller, University of Rochester
Press.
Book reviews
Bailey, Walter B. "Review of Carolyn Livingston's "Charles Faulkner Bryan: His Life and
Music"." The Journal of Southern HistoryIn Press
Other
"Review of Houston Grand Opera's Rom¿o et Juliette." Opera News, 70/1 (July 2005): 47-48.
"Review of Houston Grand Opera's The Little Prince." Opera News Online, March 2005
Walter B. Bailey "Review of Houston Grand Opera's production of Jenufa." Opera News, 68/10
(June 2004) : 71-72.
Walter B. Bailey "Review of Houston Grand Opera's production of Julio Cesare." Opera News,
68/8 (June 2004) : 57-58.
Walter B. Bailey "Review of Houston Grand Opera's production of The Magic Flute." Opera
News Online, June (2004)
Walter B. Bailey "Review of Houston Grand Opera's production of Tosca." Opera News Online
(Jan. 2004)
Bailey, Walter B. "Review of Houston Grand Opera's performance of Massenet's
Manon." Opera News On-Line (Aug. 2003)
Bailey, Walter B. "Review of Houston Grand Opera's world premiere of Rachel Portman's
opera, The Little Prince." Opera News, 68/2 (Aug. 2003) : 65.
Bailey, W. "Review of Houston Grand Opera?s production of Carlisle Floyd?s Of Mice and Men.
." Opera News, 66/11 (May 1902) : 92-93.
Walter B. Bailey "Review of "Schoenberg and His World"." Notes, 56 (September 2000) : 143144.
Walter B. Bailey "Six Songs, Opus 3, Eight Songs, Opus 6, and Six Orchestral songs, Opus
8." In: Schoenberg--Interpretationen seiner Werke (2001)
Walter B. Bailey "Britain, Radie." The Revised New Grove Dictionary of Music and Musicians
(accepted)
Walter B. Bailey "Schoenberg, Arnold.." The Twentieth-century Music Avant-garde: A
Biocritical Sourcebook (accepted)
Presentations
Invited Papers
"Nadia Boulanger's Three Lectures in Houston." Nadia Boulanger and American
Music/University of Colorado, Boulder, Colorado. (8 October 2004)
Invited Talks
""Folklorism and Modernism in the Works of Smetana, Prokofiev, and Lutoslawski: A
Preconcert Talk for the Shepherd School Symphony Orchestra, 30 September 2016. ." (30
Sept. 2016)
"Wagner's Influence on Early Twentieth-century Composers." At "Diving Deeper: A Ring Study
Day" for Houston Grand Opera patrons, March 21, 2015. In conference room at Vinson &
Elkins Law Firm.
""Alban Berg's Wozzeck: Preparing for Houston Symphony Orchestra's Concert
Performance."." (13 Feb. 2013)
"Do You Hear What I Hear? A Musicologist Listens to Mozart." Rice University Alumni College,
Rice University. (March 2004)
Other
""An Important Source for Documenting the Musical Consciousness of Houston in the 1920s:
The Rice Lectureship in Music." Twenty-Fifth Annual Converence of the Sonneck Society for
American Music, Fort Worth, Texas. (March 10, 1999)
"An Important Source for Documenting the Musical Consciousness of Houston in the 1920s:
The Rice Lectureship in Music." American Musicological Society Southwest Chapter Meeting,
Baylor University. (April 17, 1999)
Supervised Theses & Dissertations
Elizabeth Buck, Doctor of Musical Arts The Orchestral Flute Audition: An Examination of
Preparation Methods and Techniques. (2002) (Co-Director)
William Curt Thompson, Doctor of Musical Arts The Fourth Sonata for Violin and Piano,
"Children's Day at the Camp Meeting," by Charles Ives: Contextual, Structural, and Stylistic
Considerations. (2002) (Thesis or Dissertation Director)
Marcus St. Julien, Doctor of Musical Arts Lynnwood Farnam, American Classic Organist. (2002)
(Thesis or Dissertation Director)
Kathryn Giorgio, Bachelor of Music Dating the Songs of Gustav Mahler's Kindertotenlieder.
(2002) (Thesis or Dissertation Director)
Andrea Jaber, Doctor of Musical Arts Warren Benson's Five Lyrics of Louise Bogan. (2002)
(Committee Member)
Michael Zuraw, Doctor of Musical Arts Frederic Rzewski's North American Ballads. (2002)
(Committee Member)
James Bishop, Doctor of Musical Arts The Phoenix for Orchestra. (2003) (Committee Member)
Sergio Ruiz, Doctor of Musical Arts The Chamber Music of Enrique Granados. (2003) (Thesis or
Dissertation Director)
Jimmy Louis Haisler, Master of Music in Musicology Interpretive Approaches to the Lieder of
Clara Schumann. (2003) (Committee Member)
Milton Rub¿n Laufer, Doctor of Musical Arts Isaac Alb¿niz and La Vega: A Publication History
and New Edition. (2003) (Thesis or Dissertation Director)
Doctor of Musical Arts The Figures de r¿sonances and 2 pr¿ludes of Henri Dutilleux: Analysis
and Context. (2003) (Thesis or Dissertation Director)
Julia Michele Grenfell, Doctor of Musical Arts The Influence of Traditional Asian Music on an
Australian Composer: A Study of Thee Works for Flute and Piano by Anne Boyd. (2003)
(Committee Member)
Sergio Hermosillo Ruiz, Doctor of Musical Arts The Chamber Music of Enrique Granados.
(2004) (Thesis or Dissertation Director)
Doctor of Musical Arts Adventurous Music: Lukas Foss' Thirteen Ways of Looking at a
Blackbird. (2004) (Thesis or Dissertation Director)
Huay Ming Ng, Doctor of Musical Arts Strike!. (2005) (Committee Member)
Aidan Soder, Doctor of Musical Arts Arnold Schoenberg's Pierrot lunaire: A Study of
Sprechstimme and Vocal Performance Practice through Sound Recording. (2005) (Thesis or
Dissertation Director)
Hae-Young You, Doctor of Musical Arts Western Music in Modern Korea. (2005) (Committee
Member)
Elaine Evans Walters, Doctor of Musical Arts Everyone Dance: An Analysis of Calvin
Hamption's Five Dances for Organ. (2005) (Committee Member)
Francesca Deflorian, Master of Music Marco Anzoletti. A Preliminary Catalog of his
Instrumental Works. (2005) (Thesis or Dissertation Director)
Hannah Mowrey, Master of Music Unification By Replication; Music, Architecture, and the
Imperial Image of Ercole I d'Este. (2005) (Committee Member)
James C. Hall, Doctor of Musical Arts An Analytical Study of John Mustos Encounters for Tenor
and Orchestra. (2006) (Thesis or Dissertation Director)
Thomas Conroy, Doctor of Musical Arts Symphonic Metamorphosis on a Theme of Carl Maria
von Weber. (2006) (Committee Member)
Ying Zhang, Doctor of Musical Arts A Stylistic, Contextual, and Musical Analysis of
Rachmaninoff's Rhapsody on a Theme of Paganini, Op. 43. (2008) (Thesis or Dissertation
Director)
Kirsten Annica Yon, Doctor of Musical Arts A Distinctive Legacy: The Musical, Histoical, and
Practical Evolution of the American Concertmaster from the 1950s to the Present. A
Comparative Examination of the Concermaster Position and Concertmaster Lineage in Modernday America. (2008) (Thesis or Dissertation Director)
Michael Esch, Doctor of Musical Arts The Meditative and the Bacchanalian: A Comprehensive
Examination of Structural and Aesthetic Nuances, and Possible Pedagogical Applications Within
Francois Morel's Deux Etudes de Sonorite (1954). (2008) (Thesis or Dissertation Director)
Cameron Mitchell Smith, Doctor of Musical Arts Folk and Western Influences in Pancho
Vladigerov's Rhapsody Vardar. (2008) (Committee Member)
Kendra Wharton, Master of Music Schottisches and Scars: Finding the Unity in Music During
the Division of the Civil War. (2009) (Thesis or Dissertation Director)
Matthew Nelson, DMA Clarinet Music of Morton Feldman. (2010) (Committee Member)
Sarah Spencer Rawley, DMA He Luting: Musical Defiance in Maoist China. (2010) (Thesis or
Dissertation Director)
Kana Mimaki, DMA Piano Technology/Performance. (2010) (Committee Member)
Ornan Seth Ward, DMA New York Morning (Original composition for orchestra). (2010)
(Committee Member)
Brian Nelson, DMA [original composition]. (2010) (Committee Member)
Nicolai Jacobsen, DMA Skitter (original composition for chamber orchestra). (2010)
(Committee Member)
Katherine Lewis, DMA Extramusical Elements in Selected VIola Works of Libby Larsen. (2010)
(Committee Member)
Craig Hauschildt, DMA Golijov and Ayre. (2013) (Thesis or Dissertation Director)
Mark Whatley, DMA Songs of Pizzetti. (2014) (Thesis or Dissertation Director)
Marcus DeLoach, DMA Ralph Vaughan Williams's Walt Whitman Settings. (2014) (Thesis or
Dissertation Director)
Qingfan Jiang, MM Reconstructing the Musical Past in Fin-de-Siècle France. (2014) (Thesis or
Dissertation Director)
Lachezar Kostov, DMA DMA document on Prokofiev Cello Concerto. (2016) (Thesis or
Dissertation Director)