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5
Italian Keyboard Composers
The Republic of Venice in northern Italy was
an important commercial center and tourist
destination in the late Renaissance. It was famous
for its canals, opera houses, and carnivals. The
renowned music at St. Mark’s Basilica in Venice
attracted many musicians. They came to study
with the cathedral’s resident composer, organist,
and teacher Andrea Gabrieli (ca. 1532–1585). His
nephew Giovanni Gabrieli (ca. 1557–1612) and
student Claudio Merulo (1533–1604) followed
as organists at St. Mark’s. These three composers
are best known for their impressive organ works
and for developing the concertato style—a style
with instrumentalists and choirs performing in
alternation and together from two separate
choir lofts. Keyboard works from this period
include elaborate scale passages and are some of
the first works to include dynamics. Merulo’s
toccatas (virtuoso keyboard pieces) alternated
imitative sections with free, florid sections.
An illustration of concertato style
(with two choir lofts)
Giovanni
Gabrieli (1594)
by Annibale Carracci
(1560–1609)
Merulo
A keyboard piece called a
“canzona” by Frescobaldi
Girolamo Frescobaldi (1583–1643)
composed pieces in a dramatic
style. He focused primarily on
writing keyboard works and was
one of the first composers to notate
changes of tempo. He influenced
many important composers of the
Baroque period.
Piazza San Marco,
Venice, Italy (ca. 1709)
by Luca Carlevarijs
(1663–1730), showing
St. Mark’s Basilica