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DANCE is unique in nature. It is an artform, but dancers also use their bodies like athletes. Unlike the majority of sports, 70% of injuries that dancers sustain are to the foot and ankle. This is because of the movement performed requires a great range of motion and force through the foot and ankle. Positions such as demi plié demands a robust, full weight-bearing dorsiflexion while dancing en pointe demands an extensive (or supernormal), full weight-bearing plantar flexion – and the artist may have to quickly shift from one extreme to the other in a matter of seconds. Applying correct technique is one way dancers can help themselves from incurring further injury. Proper Positions for Standing Flat and En Relevé/En Pointe: WHEN standing in turnout position, don’t let the midfoot arches roll towards the floor or grip the toes on the floor. These actions can strain the tendons. Particularly common when trying to force turn out not originating at the hips. This overcompensation throws the body out of alignment and can also lead to injury in the knees, hip and lower back. • Instead, create a stable foundation with arches lifting, feet relaxed on the floor and control the turnout with the hip external rotators. WHEN pointing the foot, or standing on relevé, keep the ankle neutrally plantarflexed using both invertors and evertors to support the ankle. This creates a better aesthetic line and healthier base of support for balance when in relevé. AVOID inverting or sickling the foot by having the toes point inwards. A sickled foot can cause instability in the ankle and lead to ankle sprains. GOOD posture is important. Even when standing in turnout positions, posture should always start with a neutral pelvis and lumbar spine, and the upper trunk and head should stack nicely on top of the hips and legs.