Download Curriculum Vitae - Faculty Activity Reporting (FAR)

yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Document related concepts

Theatre of France wikipedia, lookup

English Renaissance theatre wikipedia, lookup

Theatre of the Oppressed wikipedia, lookup

Theatre wikipedia, lookup

Augsburger Puppenkiste wikipedia, lookup

Medieval theatre wikipedia, lookup

Actor wikipedia, lookup

History of theatre wikipedia, lookup

Drama wikipedia, lookup

Improvisational theatre wikipedia, lookup

Development of musical theatre wikipedia, lookup

Theatre of the Absurd wikipedia, lookup

Theatre of India wikipedia, lookup

K. Jew (January 2016)
Kimberly M. Jew, Ph.D.
95 Woodridge Lane
Lexington, VA 24450
H (540) 463-4165, W (540) 458-8004
C: (540) 460-3357
University of Utah
Associate Professor of Theatre and Ethnic Studies
Diversity Scholars Instructional Coordinator (beginning Fall 2016)
Full-time teaching instruction in script analysis, dramatic theory, theatre history,
introduction to ethnic studies, Asian Pacific American women, Pacific Islander Literature
2004 2015
Washington & Lee University
Associate Professor of Theatre; Director of Teacher Certification in Theatre, Affiliate
Faculty member of Women and Gender Studies, Medieval and Renaissance Studies, and
Film Studies; Interim Department Head of Theater and Dance (Fall 2011), Faculty
Advisor for Alpha Psi Omega, Interim W&L Faculty Representative for Advanced
Studies in England.
Full-time teaching instruction in script analysis, theatre history, dramatic literature,
introduction to theatre, theatre education and special topics courses; direction of student
productions, advising of first year students, Theatre majors, minors and honors club,
university and department committee work.
University of Pittsburgh at Greensburg
Assistant Professor of Theatre Arts
Responsibilities included managing a one-person Theatre program, full-time instruction
of theatre courses; direction of student productions; development of new Theatre Arts
curriculum and “Interdisciplinary Arts” major; supervision of part-time theatre instructors
and designers; newsletter writing; advisement of theatre club; general responsibilities in
budget management and scheduling.
New York University, New York, NY, Ph.D., Educational Theatre
Areas of study: modern drama, American theatre
Georgetown University, Washington D.C., M.A., English
University of California at Berkeley, Berkeley, CA, B.A., English
Lenfest Summer Research Grant, Washington and Lee University
Summer Student Independent Research (SSIR) faculty sponsor, W&L
RE Lee Scholar faculty sponsor, Washington and Lee University
Hewlett Mellon Grant for sabbatical year support
Glenn Summer Research Grant, Washington and Lee University
Mellon Fellowship, Harry Ransom Humanities Research Center,
University of Texas at Austin
Central Research and Development Fund, University of Pittsburgh
awarded but declined
Pre-doctoral Teaching Fellow, University of Pittsburgh at Bradford
Teaching Fellow, Department of Educational Theatre, New York University
Research and Teaching Interests:
American theatre with a special focus on Asian American and Pacific Islander theatre; modern and
contemporary theatre and drama, script analysis, educational theatre, devising and creating new works,
directing plays, ethnic studies, Asian American and Pacific Islander studies
Spring 2012
(PERFORMANCE) Lexington’s Letters to the Editor, compiled and edited by Kimberly
Jew, performance at the Theater at Lime Kiln, Lexington, VA, directed by Rob Smith
Fall 2011
(BOOK) Lexington’s Letters to the Editor in Dear Editor: Two Hundred Years of Water
Under the Bridge, Mariner Media, edited by Doug Cumming
Spring 2011
(PERFORMANCE) Lexington’s Letters to the Editor, compiled and edited by Kimberly
Jew, performed at the Theater at Lime Kiln, Lexington, VA, directed by Rob Mish
Accepted and forthcoming:
“A Place of War and Home: Two Visions of Rockbridge County Seen Through the
Writings of Alexander Sterrett Paxton,” Home in Appalachia, University of Tennessee
Press, edited by Leslie Worthington and Jurgen Grandt, Fall 2016.
“Island Voices: Modern Asian American Drama in Hawaii,” in Asian American Dance,
Performance and Theatre History, publisher t.b.a., edited by Esther Kim Lee and Ron
“The Female Immigrant as Subject: Poetic Twins and Triplicates in The Last Virgin in Paradise
and Frangipane Perfume,” in Pacific Asia Inquiry, University of Guam, edited by Elizabeth
“Perspectives on Asian American Performance Art: Contexts, Memories and the Making of
Meaning on Stage,” in MELUS, Journal for the Society of the Study of the Multi-Ethnic Literature
in the United States, “Special Volume on Asian Performance,” edited by Tina Chen
“Reclaiming Ritual: Feminism and Post-Colonialism in Two Plays by Victoria Nalani Kneubuhl”
in Rites of Passage, Rodopi Press (Cross Cultures Series), edited by Pauline Dodgson-Katiyo and
Gina Wisker
“Gothic Aesthetics of Entanglement and Endangerment in The Sound of a Voice and
The House of Sleeping Beauties,” in Asian Gothic: A Critical Reader, McFarland Press, edited by
Andrew Hock Soon Ng
“Dismantling the Realist Character in Velina Hasu Houston’s Tea and David Henry Hwang’s
FOB” in Literary Gestures, the Aesthetic in Asian American Literature,
Temple University Press, edited by Rocio G. Davis and Sue-Im Lee. (Choice Magazine: Winner
of “Outstanding Academic Title for 2006” Award)
Encyclopedia Entries
2007 “Elmer Rice” and “The Adding Machine” in The Encyclopedia of American Literature, Brucoli
Layman Clark
“Mr. Zero in American Literary Characters, Brucoli Layman Clark
“Wakako Yamauchi” in Dictionary of Literary Biography, Asian American Authors,
Gale Publishers
“Chinese American Drama” and “Chay Yew” in The Greenwood Encyclopedia of Multiethnic
American Literature, Greenwood Press
Performance and Book Reviews
2008 The China Mystique: Pearl S. Buck, Anna May Wong, Mayling Soong, and the
Transformation of American Orientalism by Karen J. Leong, in Genre, Forms of Discourse and
Culture, XXXIX: 3-4 (fall/winter 2006), University of Oklahoma Press
Othello and Julius Caesar (American Shakespeare Center) for Shakespeare Bulletin, John
Hopkins University Press
Writing and Rewriting National Theatre Histories by S.E. Wilmer, for Midwest Modern
Language Association Journal (Winter 2006), University of Iowa Press
Theatre, Society and the Nation by S.E. Wilmer, for Midwest Modern Language Association
Journal (Spring 2004), University of Iowa Press
Utah State History Conference, Salt Lake City, UT; moderator for panel on Topaz Interment
American Comparative Literature Conference, Seattle, WA; “Japanese and Chinese Settler
Drama in Twentieth Century Hawaii”
Comparative Drama Conference, Baltimore, MD; invited guest panelist on a panel dedicated to
David Henry Hwang (keynote speaker), “Stripping Away Identity: Images of Asian Masculinity
in Three Plays by David Henry Hwang”
Association for Theatre in Higher Education (ATHE), Washington, DC; presented two papers,
“Early Hawaiian Women’s Playwriting” and “Approaches to Script Analysis”
“Putting a Small Town On Stage: Creating Public Art Out of Local Letters to the Editor,”
Art of Public Memory Conference, University of North Carolina at Greensboro
Roundtable Discussion on Queering Mestizaje: Transculturation and Performance by Alicia
Arrizon for the “Theory and Criticism Focus Group,” Association for Theatre in Higher
Education Conference (ATHE), New York City.
Roundtable Discussion on “Conceiving the Archive” for the “Asian American Literature Group,”
Modern Language Association (MLA), San Francisco, CA
“The Judgment Day of Elmer Rice” delivered at the Southeast Theatre Conference, Auburn, AL
“Expanding Space, Time and Audience Perspective on the American Stage: Elmer Rice and a
New Modernist Dramaturgy” delivered at II International Conference on American Theatre and
Drama, University of Málaga, Spain
“The Early Theatrical Experimentation of Elmer Rice” delivered at the Midwest Modern
Language Association Conference, Chicago, IL
“Gender and Sexuality: Asian American Self-Representations” delivered at the Contemporary
American Literature Symposium, ALA, Santa Fe, NM
Cabrini Theatre, New York City (Thespis Festival)
Fall 2012
Naturalized Woman by Domnica Radulescu
Washington and Lee University
Winter 2016
Murdering Marlowe by Charles Marowitz
Winter 2013
El Campo by Griselda Gambaro (created a Spanglish version for a studio
Fall 2010
Eurydice by Sarah Ruhl
Spring 2008
Little Shop of Horrors by Alan Menken and Howard Ashman
Winter 2007
Oscar and Felix by Neil Simon
Winter 2006
The House of Bernarda Alba by Federico García Lorca
Spring 2005
The Tamer Tamed by John Fletcher
University of Pittsburgh at Greensburg
Spring 2004
Fool For Love by Sam Shepard
Fall 2003
R.U.R. by Karel Capek
Spring 2003
Talking With by Jane Martin
Fall 2002
Such Foolish Affected Ladies by Molière
Spring 2002
Suburbia by Eric Bogosian
Fall 2001
Summer 2001
Spring 2001
Fall 2000
Spring 2000
Fall 1999
The Lion in Winter by James Goldman
Produced the UPG Regional One-Act Festival
The Adding Machine by Elmer Rice
Beyond Therapy by Christopher Durang
The Visit by Friedrich Duerrenmatt
The Memorandum by Vàclav Havel
Yale School of Drama
Summer 2008 Completed course titled “A Practical Approach to Directing I,”
sponsored by the Yale Professional Program
University of Utah (2015 – present)
General Education Curriculum Council; representative for fine arts and ethnic studies
Central Committee (Ethnic Studies Program)
Diversity Scholars Instructional Coordinator (beginning Fall 2016)
Career-line RPT Review Committee (Theatre)
U Explore representative (Theatre)
Washington and Lee University (2004 – 2015)
Elected Committees:
Faculty Executive committee (2012-2014) nominated and elected by faculty to serve on an
active college policy-making committee
Faculty Executive committee (2005-2007) nominated and elected by faculty to serve on an
active college policy-making committee
Appointed Committees
Tenure and pre-tenure committees for Theatre and Dance faculty
Search committees – Theatre Dept., English Dept., Academic Technology, Art History Dept.
Registration and Course Scheduling committee
Public Functions committee
Fishback and Glasgow committees – programming committees
Women and Gender Studies Advisory Board member
Science, Society and the Arts – committee member for all-college conference
General University and Department Service
Interim Theatre Department Chair – Fall 2011 – broad administrative responsibilities including
course scheduling, faculty guidance and season planning
Director, W&L Virginia State Teaching Certification in Theatre
Revision of departmental honors and thesis requirements
Revision of departmental senior exit interview questions and protocols
Revision of departmental course evaluation questions
Departmental external assessment participation, including the writing and editing of the external
assessment report and response
Department liaison for KCACTF and internal post-show assessments
Organizer of guest speakers in Theatre:
Paula Vogel, Lucy Thurber, David Bergeron, Jeff Friedman, Michelle Volansky,
Todd Ristau, Sarah Enloe, Charles Brodie, Lucinda McDermott, Amanda Nelson
First-year orientation speaker for two diversity panels
New faculty orientation speaker on teaching at W&L
Past and current W&L faculty affiliations:
Women and Gender Studies, Asian Studies, Medieval and Renaissance Studies, Film
Studies, Teacher Education
Student Advisement
Alpha Psi Omega - faculty advisor to national Theatre honors club
Ladies Club – faculty advisor for multicultural women’s student group
Advanced Studies in England (ASE) – faculty liaison for study abroad program including travel
to Bath, England to attend the Board of Directors meeting (June 2014)
RE Lee faculty sponsor – funded collaboration with students on faculty/student research
Student Independent Research – faculty advisor for funded student research
Advisor to Theatre majors and minors, as well as first-year students
KEWL(Knowledge Empowering Women) – advisor for students interested in the arts
Host family for two international students from China
University of Pittsburgh at Greensburg (1999-2004)
Interdisciplinary Arts major
initiated a new major encompassing theatre arts, music and art history; researched
and wrote proposal for university application; defended proposal to Provost’s
Committee at the University of Pittsburgh
Arts Ambassadors
appointed to the President convened University Arts Initiative Committee; offered formal
presentations to donors; fundraising activities; public arts events including formal dinners and
guest speakers
UPG Arts Newsletter
co-editor of bi-annual printed newsletter of the university arts; theatre, art and music
Search Committees
appointed to serve as a general committee member and/or affirmative action
representative and researcher to the following committees: communication arts (2004),
communication arts (2002), communication arts (2001), music (2000)
Performing Arts Society
faculty co-advisor for student club in theatre
Part-time Hiring in Theatre Arts
responsible for hiring set designers and builders for plays directed at UPG, and for hiring
instructors for numerous theatre arts courses
Promotion and Tenure Committee
appointed to help rewrite annual faculty evaluation documents
History and Literature: Theatre and Theory, Script Analysis, History of Theatre and Drama I,
II, Text and Performance, Introduction to Theatre, Modern Theatre, Contemporary Theatre,
Women in Contemporary Theatre, Experimental Theatre (first-year seminar), Educational
Theatre, Special topics in creating new works (Lexington’s Letters to the Editors, Spanglish El
Campo), contemporary South American theatre, honors theses in diverse topics and
methodologies (dramaturgy, acting preparation, etc.)
Ethnic Studies:
Pacific Islander Literature, Asian Pacific American Women, Introduction to Ethnic Studies
Acting, Directing and Playwriting: Basic Acting, Advanced Scene Study, Introduction to
Directing, Introduction to Playwriting, Experimental Playwriting, Theatre Practicum,
Study Abroad in London: University of Pittsburgh at Greensburg Study Abroad 2001, 2002
Additional teaching experience in English Composition, Introduction to Literature, Research
College of Fine Arts Scholars group, University of Utah
Invited member to Mill Mountain Theatre’s faculty focus group on re-building the
theatre’s relationships with the local community
2011 – 2012
Studio Roanoke, Board of Directors; new works theatre in Roanoke, VA
2009 - 2012
Modern Language Association (MLA); elected delegate for the Asian American
Literature Division
2006 - 2007
Regional Adjudicator for the Kennedy Center College Theatre Festival
(Hollins University, Virginia Commonwealth University)
2005 - 2007
Participation in Association for Theatre in Higher Education (ATHE)
Writing Mentorship Program
Pre-conference dramaturgy work for the “New Play Workshop,” Association for
Theatre in Higher Education Conference (ATHE), Chicago, IL
Peer reviewer for essay submissions to MMLA (Midwestern Modern Language
Associaton journal)
Dramaturg for the Association for Theatre in Higher Education Conference (ATHE),
“New Play Workshop,” San Francisco, CA
Peer reviewer for journal submissions in drama for the journal publication of the
English Association of the Pennsylvania State University
2000- 2005
Editorial Advisory Committee for Theatre: Its Art and Craft, fifth edition,
published by Collegiate Press, Boston, MA
1994 - 1996
Studied playwriting with Aurand Harris (New York University), Lynn Thompson
(New York University), David Henry Hwang (China Institute, NY). Also studied
creative writing at the Asian American Writer’s Workshop in NYC and at NYU
House manager for Pacific Jewish Theatre, Berkeley, CA