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Elizabethan Terms: 0 The Elizabethan Era was named after Queen Elizabeth I of England (who reigned from 1558-1604). 0 Renaissance: A period of rebirth, originating in Italy in the 1300’s. This was a time during which great accomplishments were made in science, art and literature (lots of change) Elizabethan Terms (cont.): 0 Elizabethan Drama: Playwrights turned away from writing about religious subjects and began writing more sophisticated plays, drawing on ancient Greek and Roman models. Concepts in Drama 0 Soliloquy: A speech by a person who is talking to him/herself; used to reveal their inner thoughts and feelings to the audience 0 Monologue: A talk/speech by a single speaker who is speaking alone but others can hear them (kind of like a solo in a musical) 0 Aside: Words spoken so as not to be heard by the other characters, but are intended for the audience only (think Ferris Bueller’s Day Off). 0 Foreshadowing: Verbal or dramatic hints in the play of what will happen later. 0 Foreboding: Verbal or dramatic hints that something bad or tragic will happen later. Concepts in Drama: 0 Tragedy: Plays where disaster falls upon the hero/heroine (unlike comedies where everyone gets married in the end, in tragedies, the characters usually die in the end) 0 Tragic Hero: A character who makes an error in Judgment or has a fatal flaw, which leads to their own demise or the demise of others (example: Batman/Bruce Wayne from Dark Knight Rises) 0 Foil: A character who contrasts well with another character in order to highlight the differences between the two (example: Mufasa vs Scar in The Lion King/ Harry Potter and Ron) Concepts in Drama: 0 Apostrophe: An address to someone who is absent and cannot hear the speaker or to something nonhuman that cannot understand. An apostrophe allows the speaker to think aloud. 0 Symbolism: when a person, place, or thing figuratively represents something else. Often the idea is abstract while the symbol is concrete. 0 Stage Directions: an instruction in the text of a play, especially one indicating the movement, position, or tone of an actor, or the sound effects and lighting Concepts in Drama: 0 Allusion: A reference, in literature, to something either directly or by implication 0 Dramatic Irony: When the audience knows what is going on, but the characters do not 0 Verbal Irony: The literal meaning is the opposite of the implied meaning. Must occur in spoken dialogue. 0 Cosmic Irony: The suggestion that a god or fate controls and meddles with human lives 0 Comic Relief: An amusing scene, incident or speech introduced into serious or tragic elements in order to provide temporary relief from tension, or to intensify the dramatic action Concepts in Drama: 0 Motif: Recurring idea (pattern) in literature 0 Anachronism: Object out of place/time (like a computer in the wild west) 0 Pun: the humorous use of a word/phrase to suggest two or more meanings at the same time (a deliberate joke) 0 Ambiguity: The use of a word or expression to mean more than one idea (non-humorous) 0 Oxymoron: a figure of speech in which apparently contradictory terms appear in conjunction Form and Structure Terms: 0 Meter: Poetic measure; the arrangement of words in a regularly measured, patterned, or rhythmic lines/verses 0 Blank Verse: Verse where the lines do not rhyme, but they share the same meter (usually iambic pentameter) Form and Structure Terms: 0 Iamb: An unstressed syllable followed by a stressed syllable 0 Iambic Pentameter: five verse feet with each foot in an iamb (ten syllable line with the pattern going stressed, unstressed, stress, unstressed) Poetry Terms: 0 Couplet: two consecutive lines of poetry that rhyme 0 Quatrain: a poem or stanza within a poem, always consisting of 4 lines. Poetry Terms: 0 Sonnet: 14 line poem written in iambic pentameter 0 English (Shakespearean) Sonnet: Has 3 quatrains, and ends with a couplet. A Shakespearean sonnet has a specific rhyme scheme (ABAB CDCD EFEF GG) Sonnet 18 Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wander’st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee