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THE BRITISH LIBRARY
AFRICAN AMERICAN HISTORY AND LIFE: 1877-1954
A SELECTIVE GUIDE TO MATERIALS IN THE BRITISH LIBRARY
BY
JEAN KEMBLE
THE ECCLES CENTRE FOR AMERICAN STUDIES
AFRICAN AMERICAN HISTORY AND LIFE, 1877-1954
Contents
Introduction
Agriculture
Art & Photography
Civil Rights
Crime and Punishment
Demography
Du Bois, W.E.B.
Economics
Education
Entertainment – Film, Radio, Theatre
Family
Folklore
Freemasonry
Marcus Garvey
General
Great Depression/New Deal
Great Migration
Health & Medicine
Historiography
Ku Klux Klan
Law
Leadership
Libraries
Lynching & Violence
Military
NAACP
National Urban League
Philanthropy
Politics
Press
Race Relations & ‘The Negro Question’
Religion
Riots & Protests
Sport
Transport
Tuskegee Institute
Urban Life
Booker T. Washington
West
Women
Work & Unions
World Wars
States
Alabama
Arkansas
California
Colorado
Connecticut
District of Columbia
Florida
Georgia
Illinois
Indiana
Kansas
Kentucky
Louisiana
Maryland
Massachusetts
Michigan
Minnesota
Mississippi
Missouri
Nebraska
Nevada
New Jersey
New York
North Carolina
Ohio
Oklahoma
Oregon
Pennsylvania
South Carolina
Tennessee
Texas
Virginia
Washington
West Virginia
Wisconsin
Wyoming
Bibliographies/Reference works
Introduction
Since the civil rights movement of the 1960s, African American history, once the
preserve of a few dedicated individuals, has experienced an expansion unprecedented
in historical research. The effect of this on-going, scholarly ‘explosion’, in which both
black and white historians are actively engaged, is both manifold and wide-reaching
for in illuminating myriad aspects of African American life and culture from the
colonial period to the very recent past it is simultaneously, and inevitably, enriching
our understanding of the entire fabric of American social, economic, cultural and
political history.
Perhaps not surprisingly the depth and breadth of coverage received by particular
topics and time-periods has so far been uneven. Slavery and the civil rights movement
have benefited from enormous attention; indeed one historian notes that in the 1970s
the historiography of the former witnessed ‘something like an earthquake’. Standing
in contrast, however, the period between Reconstruction and Brown v Board of
Education remains relatively underdeveloped.
This guide is intended as a bibliographical tool for all those seeking an introduction to
this period. With the notable exceptions of music and literature, it addresses most
aspects of African American life and history: education, politics, race relations,
religion, women and work are particularly well covered.
The guide includes both periodicals and monographs; the shelf-mark for the latter is
included in parentheses at the end of each citation. The majority of works are housed
at the British Library at St Pancras, London. A shelf-mark prefaced by ‘DSC’
indicates that the work is held at Boston Spa but may be read in London.
AGRICULTURE
ABRAMOWITZ, Jack. “The Negro in the Agrarian Revolt,” Agricultural History 24
(1950): 89-95.
BOSTON, Thomas D. “Capitalism and Afro-American Land Tenancy,” Science and
Society 46:4 (1982-83): 445-460.
BROWN, Minnie Miller. “Black Women in American Agriculture,” Agricultural
History 50 (January 1976): 247, 251-52.
COHEN, William. “Negro Involuntary Servitude in the South, 1865-1940: a
Preliminary Analysis,” Journal of Southern History 42 (1976): 31-60.
COLEMAN, A. Lee and Larry D. Hall. “Black Farm Operators and Farm Populations,
1900-1970: Alabama and Kentucky,” Phylon 40:4 (1979): 387-402.
COMAN, Katherine. “The Negro as Peasant Farmer,” American Statistical
Association Publications 9 (June 1904): 39-54.
CROSBY, Earl W. “The Struggle for Existence: the Institutionalization of the Black
County Agent System,” Agricultural History 60:2 (1986): 123-136.
DANIEL, Pete. “The Metamorphosis of Slavery, 1865-1900,” Journal of American
History 66 (1979): 88-99.
------------ The Shadow of Slavery: Peonage in the South, 1901-1969. London;
Oxford: Oxford University Press, 1973. (X.708/10108)
DAVIS, Ronald L.F. Good and Faithful Labor: from Slavery to Sharecropping in the
Natchez District, 1860-1890. Westport; London: Greenwood, 1982. (X.529/54591)
DILLINGHAM, Pitt. “Land Tenure among the Negroes,” Yale Review 5 (Aug. 1896):
190-206.
EDWARDS, Thomas J. “The Tenant System and some Changes since Emancipation,”
Annals of the American Academy of Political and Social Science 49 (Sept. 1913): 3846.
FLIGSTEIN, Neil. “The Transformation of Southern Agriculture and the Migration of
Blacks and Whites, 1930-1940,” International Migration Review 17:2 (1983): 268290.
FRISSELL, N.B. “Southern Agriculture and the Negro Farmer,” American Statistical
Association Publications 13 (March 1912): 65-70.
HIGGS, Robert. “Did Southern Farmers Discriminate?” Agricultural History 46
(April 1972): 325-328.
------------ “Did Southern Farmers Discriminate--Interpretive Problems and Further
Evidence,” Agricultural History 49 (April 1975): 445-447.
------------ “Race, Tenure and Resource Allocation in Southern Agriculture, 1910,”
Journal of Economic History 33 (March 1973): 149-169.
HOLMES, George K. “The Peons of the South,” Annals of the American Academy of
Political and Social Science 4 (Sept. 1893): 65-74.
HOLMES, William F. “The Arkansas Cotton Pickers Strike of 1891 and the Demise
of the Colored Farmers’ Alliance,” Arkansas Historical Quarterly 32 (1973): 107-19.
------------ “The Demise of the Colored Farmers Alliance,” Journal of Southern
History 41 (1975): 187-200.
JONES, Allen. “Improving Rural Life for Blacks: the Tuskegee Negro Farmers
Conference, 1892-1915,” Agricultural History 65:2 (1991): 105-114.
------------ “Thomas M. Campbell: Black Agricultural Leader of the New South,”
Agricultural History 53:1 (1979): 42-59.
------------ “Voices for Improving Rural Life: Alabama’s Black Agricultural Press,
1890-1965,” Agricultural History 58:3 (1984): 209-220.
KIRBY, Jack Temple. “Black and White in the Rural South, 1915-1954,” Agricultural
History 58:3 (1984): 411-422.
KREMM, Thomas W. and Diane Neal. “Challenges to Subordination: Organized
Black Agricultural Protest in South Carolina, 1886-1895,” South Atlantic Quarterly
77 (1978): 98-112.
LOGAN, Frenise A. “Factors Influencing the Efficiency of Negro Farm Laborers in
Post-Reconstruction North Carolina,” Agricultural History 33 (Oct. 1959): 185-189.
MANDLE, Jay R. “Continuity and Change: the Use of Black Labor after the Civil
War,” Journal of Black Studies 21:4 (1991): 414-427.
------------ “The Re-Establishment of the Plantation Economy in the South, 18651910,” Review of Black Political Economy 3 (Winter 1973): 68-88.
------------ “Sharecropping in the Rural South: a Case of Uneven Development in
Agriculture,” Rural Sociology 49:3 (1984): 412-429.
MENDENHALL, Marjorie Stratford. “The Rise of Southern Tenancy,” Yale Review
27 (Sept. 1937): 110-129.
MEREDITH, H.L. “Agrarian Socialism and the Negro in Oklahoma, 1900-1918,”
Labor History 11 (Summer 1970): 277-284.
MILLER, Floyd J. “Black Protest and White Leadership: a Note on the Colored
Farmers Alliance,” Phylon 33 (1972): 169-174.
NIEMAN, Donald G., ed. From Slavery to Sharecropping: White Land and Black
Labor in the Rural South, 1865-1900. New York; London: Garland, 1994.
(YC.1994.b.3670)
POPE, Christie Farnham. “Southern Homesteads for Negroes,” Agricultural History
44 (April 1970): 201-212.
REID, Joseph D. “Sharecropping as an Understandable Market Response: the PostBellum South,” Journal of Economic History 33 (March 1973): 106-130.
RIDDLE, Wesley Allen. “The Origins of Black Sharecropping,” Mississippi
Quarterly 49:1 (1995-96): 53-71.
SEAGRAVE, Charles E. “The Southern Negro Agricultural Worker: 1850-1870,”
Journal of Economic History 31 (March 1971): 279-280.
SEALS, R. Grant. “The Formation of Agricultural and Rural Development Policy
with Emphasis on African Americans: II the Hatch-George and Smith-Lever Acts,”
Agricultural History 65:2 (1991): 12-34.
SMITH, R.L. “The Elevation of Negro Farm Life,” Independent 52 (Aug. 30, 1900):
2103-2106.
SPRIGGS, William Edward. “The Virginia Farmers Alliance: a Case Study of Race
and Class Identity,” Journal of Negro History 64:3 (1979): 191-204.
STINE, Linda France. “Social Inequality and Turn-of-the-Century Farmsteads: Issues
of Class, Status, Ethnicity and Race,” Historical Archaeology 24:4 (1990): 37-49.
STONE, Alfred Holt. “Negro Labor and the Boll Weevil,” Annals of the American
Academy of Political and Social Science 33 (March 1909): 167-174.
------------- “The Negro and Agricultural Development,” Annals of the American
Academy of Political and Social Science 35 (Jan. 1910): 8-15.
STRICKLAND, Arvarh E. “The Strange Affair of the Boll Weevil: the Pest as
Liberator,” Agricultural History 68:2 (1994): 157-168.
UNITED STATES – Departments of State and Public Institutions. Better Homes for
Negro Farm Families: a Handbook for Teachers. Washington, 1947. (A.S.205/36)
WIENER, Jonathan M. “Planter Persistence and Social Change, 1850-1970,” Journal
of Interdisciplinary History 7 (1976): 235-60.
WILLEY, D. Allen. “The Negro and the Soil,” Arena 23 (May 1900): 553-560.
WOODRUFF, Nan Elizabeth. “Mississippi Delta Planters and Debates over
Mechanization, Labor and Civil Rights in the 1940s,” Journal of Southern History 60:
2 (1994): 263-284.
WOODSON, Carter Godwin. The Rural Negro. Washington, 1930. (Ac.8444/4)
ZEICHNER, Oscar. “The Legal Status of the Agricultural Laborer in the South,”
Political Science Quarterly 55 (1940): 424-28.
------------ “The Transition from Slave to Free Agricultural Labor in the Southern
States,” Agricultural History 13 (1939): 22-33.
ART-PHOTOGRAPHY
“AFRO-AMERICAN ARTISTS, 1800-1950,” Ebony 23 (1967): 116-22.
“AMERICAN NEGRO ART,” New Masses 30 (Dec. 1941): 27.
“AN ART EXHIBIT AGAINST LYNCHING,” Crisis (April 1935): 107.
ARTIS, David. “Pictures of Progress,” Black Scholar 22:4 (1992): 42-47.
BAKER, James H., Jr. “Art comes to the People of Harlem,” Crisis (March 1939): 7880.
BARNES, Albert C. “Negro Art and America,” Survey (1 March 1925): 668-69.
BEARDEN, Romare. A History of African-American Artists, from 1792 to the
Present. New York: Pantheon Books, 1993. (LB.31.c.7551)
------------ “The Negro Artist and Modern Art,” Opportunity (December 1934): 37172. (P.803/317)
------------ “The Negro Artist’s Dilemma,” Critique: a Review of Contemporary Art
1:2 (November 1946): 16-22.
BEMENT, Alon. “Some Notes on a Harlem Art Exhibit,” Opportunity (Nov. 1933).
(P.803/317)
BENNETT, Mary. “The Harmon Awards,” Opportunity (February 1929): 65-66.
(P.803/317)
BLACK ART, ANCESTRAL LEGACY: the Africa Impulse in African-American
Art. Dallas: Dallas Museum of Art, 1989. (DSC: f90/0475)
BONTEMPS, Arna. “Special Collections of Negroana,” Library Quarterly (July
1944): 187-206. (Ac.2691.dia)
------------ and Jacqueline Fonvielle-Bontemps. “African American Women Artists: an
Historical Perspective,” Sage 4:1 (1987): 17-24.
BOIME, Albert. The Art of Exclusion: Representing Blacks in the Nineteenth Century.
London: Thames and Hudson, 1990. (YC.1990.b.6850)
BRAWLEY, Benjamin Griffith. “Negro Genius,” Southern Workman XLIV (May
1915): 305-8.
------------ The Negro Genius: a New Appraisal of the Achievement of the American
Negro in Literature and the Fine Arts. New York: Dodd, Mead & Co., 1937.
(11861.b.7)
------------ The Negro in Literature and Art in the United States. New York: Duffield
& Co., 1918. (11825.c.32)
CAMPBELL, Mary Schmidt et al. Harlem Renaissance: Art of Black America. New
York: The Studio Museum in Harlem, 1987. (YV.1988.b.358)
------------ “Romare Bearden: Rites and Rifts,” Art in America 69:10 (1981): 134-141.
CATLETT, Elizabeth. “A Tribute to the Negro People,” American Contemporary Art
(Winter 1940): 17.
CHILDS, Charles. “Bearden: Identification and Identity,” Art News 63 (October
1964): 24-25, 54. (P.P.1931.pdw)
COLLINS, Amy Fine. “Jacob Lawrence: Art Builder,” Art in America 76:2 (1988):
130-135.
COVARRUBIAS, Miguel. Negro Drawings. New York: Alfred A. Knopf, 1927.
(7859.pp.4)
DAVIS, Donald F. “Aaron Douglas of Fisk: Molder of Black Artists,” Journal of
Negro History 69:2 (1984): 95-99.
DEACON, Deborah A. “The Art and Artefacts Collection of the Schomberg Center
for Research in Black Culture: a Preliminary Catalogue,” Bulletin of Research in the
Humanities 84:2 (1981): 145-261.
DOVER, Cedric. American Negro Art. London: Studio Vista, 1960. (X.421/2598)
DOUGLAS, Carlyle C. “Romare Bearden,” Ebony (Nov. 1975): 116-22. (DSC:
3647.165000)
DRISKELL, David C. “Bibliographies in Afro-American Art,” American Quarterly
30:3 (1978): 374-394.
DRUMMOND, Dorothy. “Pyramid Club,” Art Digest 24 (1 March 1960): 9. (DSC:
1733.385000)
ELLISON, Ralph. “The Art of Romare Bearden,” Massachusetts Review 18:4 (1977):
673-680.
------------ “Romare Bearden: Paintings and Projections,” Crisis 77 (March 1970): 8086. (Mic.F.400)
FAX, Elton Clay. Seventeen Black Artists. New York: Dodd, Mead & Co., 1971.
(X.429/6105)
“FEDERAL MURALS TO HONOR THE NEGRO,” Art Digest (1 January 1943).
(DSC: 1733.385000)
FERRIS, William, ed. Afro-American Folk Art and Crafts. Boston: G.K. Hall, 1983.
(DSC: 84/05354)
“FIFTY-SEVEN NEGRO ARTISTS PRESENTED IN FIFTH HARMON
FOUNDATION EXHIBIT,” Art Digest (1 March 1933): 18.
HARMON FOUNDATION. Exhibition of the Work of Negro Artists. New York,
1931. (Mic.A.9454(4))
HATT, Michael. “‘Making a Man of Him’: Masculinity and the Black Body in MidNineteenth Century American Sculpture,” Oxford Art Journal 15:1 (1992): 21-35.
HAVIG, Alan. “Richard F. Outcault’s ‘Pore Lil’ Mose’: Variations of the Black
Stereotype in American Comic Art,” Journal of American Culture 11:1 (1988): 33-41.
HENKES, Robert. The Art of Black American Women: Works of Twenty-four Artists
of the Twentieth Century. Jefferson; London: McFarland, 1993. (YC.1993.b.5268)
HERRING, James V. “The American Negro as Craftsman and Artist,” Crisis (April
1942): 116-118. (Mic.F.400)
------------ “The Negro Sculpture,” Crisis (August 1942): 261-62. (Mic.F.400)
HUGHES, Langston. “The Negro Artist and the Racial Mountain,” The Nation (23
June 1926): 692-94. (P.P.6392.e)
IGOE, Lynn Moody. 250 Years of Afro-American Art: an Annotated Bibliography.
New York; London: Bowker, 1981. (X.421/22653)
(CHECK pre-1954) INGE, M. Thomas. Dark Laughter: the Satiric Art of Oliver W.
Harrington from the Walter O. Evans Collection of African-American Art. Jackson:
University of Mississippi Press, 1993. (YC.1994.b.3186)
JOHNSON, Eloise E. Rediscovering the Harlem Renaissance: the Politics of
Exclusion. New York; London: Garland, 1997. (DSC: 99/17577)
JOSEPH, Ronald. “The New York Years: Interview with Ronald Joseph,” Black
American Literature Forum 23:4 (1989): 723-738.
JUBILEE, Vincent. “The Barnes Foundation: Pioneer Patron of Black Artists,”
Journal of Negro Education 51:1 (1982): 40-49.
KIRSCHENBAUM, Blossom S. “Nancy Elizabeth Prophet, Sculptor,” Sage 4:1
(1987): 45-52.
KIRSCHKE, Amy Helene. Aaron Douglas: Art, Race, and the Harlem Renaissance.
Jackson: University Press of Mississippi, 1995. (YC.1996.b.478)
LaDUKE, Betty. “The Grand Dame of Afro-American Art: Lois Mailon Jones,” Sage
4:1 (1987): 53-58.
LEWIS, David. Thaddeus Mosley: African-American Sculptor. Pittsburgh: Carnegie
Museum of Art, 1997. (YC.1998.b.7146)
LEWIS, Samella. African American Art and Artists. Berkeley; London: University of
California Press, 1990. (YC.1994.b.4513)
------------ Art, African American. New York: Harcourt Brace Jovanovich, 1978.
(X.410/10357)
LIVINGSTON, Jane. Black Folk Art in America, 1930-1980. Jackson: University
Press of Mississippi, 1982. (YC.1994.b.5155)
LOCKE, Alain Leroy. “American Negro as Artist,” American Magazine of Art 23
(September 1931): 210-20.
------------ Negro Art: Past and Present. Washington, DC: Associates in Negro Folk
Education, 1936. (Mic.A.11827)
------------ The Negro in Art: a Pictorial Record of the Negro Artist and of the Negro
Theme in Art. Washington: Associates in Negro Folk Education, 1940. (7801.dd.8)
LYONS, Mary E. Deep Blues: Bill Traylor, Self-Taught Artist. New York: Scribner’s;
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McCAUSLAND, Elizabeth. “Jacob Lawrence,” Magazine of Art 38 (November
1945): 250-54.
McELROY, Guy C. Facing History: the Black Image in American Art, 1710-1940.
San Francisco: Bedford Arts; Washington, DC: Corcoran Gallery of Art, 1990.
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MILLER, Kelly. “The Artistic Gifts of the Negro,” Voice of the Negro III (April
1906): 254.
MOORE, Joe Louis. “‘In our Image’: Black Artists in California, 1880-1970,”
California History 75:3 (1996): 264-271.
PATTERSON, Lindsay. The Negro in Music and Art. New York: ASNLH, 1967.
(YA.1998.b.1819)
PATTON, Sharon F. African-American Art. Oxford: Oxford University Press, 1998.
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------------ and Mary Schmidt Campbell. Memory and Metaphor: the Art of Romare
Bearden, 1940-1987. New York: Studio Museum in Harlem, 1991. (DSC:
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PARRY, Ellwood. The Image of the Indian and the Black Man in American Art. New
York: George Braziller, 1974. (X.421/9738)
PEEK, Phil. “Afro-American Material Culture and the Afro-American Craftsman,”
Southern Folklore Quarterly 42:2-3 (1978): 109-134.
PERKINS, Kathy A. “The Genius of Meta Warrick Fuller,” Black American
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PERRY, Reginia A. Selections of Nineteenth-Century Afro-American Art: Catalogue
of an Exhibition held at the Metropolitan Museum of Art, New York, June 19-August
1, 1976. New York: The Museum, 1976. (X.410/10113)
PORTER, James Amos. Modern Negro Art. New York: Dryden Press, 1943.
(7801.aa.21)
POWELL, Richard J. Black Art and Culture in the 20th Century. London: Thames
and Hudson, 1997. (YC.1997.a.1911)
------------ Homecoming: the Art and Life of William H. Johnson. Washington, DC:
National Museum of Art, 1991. (LB.31.b.6864)
------------ “William H. Johnson: No Longer Invisible,” American Visions 6:5 (1991):
14-19.
ROMARE BEARDEN, 1911-1988: a Memorial Exhibition. New York: ACA
Galleries, 1989. (DSC: q96/26301)
ROSENGARTEN, Dale. “Bulrush is Silver, Sweetgrass is Gold: the Enduring Art of
Sea Grass Basketry,” Folklife Annual (1988-89): 148-163.
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SCHUYLER, George S. “The Negro Art Hokum,” Nation (June 16, 1926): 662-63.
SCHWARTZMAN, Myron. Romare Bearden: his Life & Art. New York: H.N.
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SENGHOR, Leopold. “African-Negro Aesthetics,” Diogenes 16 (Winter 1956): 2328.
SKIPWITH, Joanna, ed. Rhapsodies in Black: Art of the Harlem Renaissance:
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STEIN, Judith. “Pippin,” Pennsylvania Heritage 20:2 (1994): 16-23.
STOKES, Anson Phelps. Art and the Color Line: an Appeal made May 31, 1939, to
the President General and other Officers of the Daughters of the American Revolution
to Modify their Rules so as to Permit Distinguished Negro Artists such as Miss
Marian Anderson to be Heard in Constitution Hall. Washington, 1939. (20034.bb.12)
VLACH, John Michael. The Afro-American Tradition in Decorative Arts. Athens;
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WALLACE, Michele. “Defacing History,” Art in America 78:2 (1990): 120-129, 184186.
WHEAT, Ellen Harkins. Jacob Lawrence, American Painter. Seattle: University of
Washington Press, 1986. (DSC: 86/26864)
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WILSON, Judith. “Lifting ‘The Veil’: Henry O. Tanner’s The Banjo Lesson and the
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WINSLOW, Vernon. “Negro Art and the Depression,” Opportunity (Feb. 1941): 4042, 62-63. (P.803/317)
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------------ “Negro Artists hold Fourth Annual in Atlanta,” Art Digest (15 April 1945):
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CIVIL RIGHTS
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COOK, Robert. Sweet Land of Liberty? The African-American Struggle for Civil
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CRAWFORD, Vicki L., Jacqueline Anne Rouse, and Barbara Woods, eds. Women in
the Civil Rights Movement: Trailblazers and Torchbearers, 1941-1965. Brooklyn:
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FAIRCLOUGH, Adam. Race & Democracy: the Civil Rights Struggle in Louisiana,
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Review 32:1 (1979): 3-27.
HENRY, Charles P. Ralph Bunche: Model Negro or American Other? New York;
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HONEY, Michael. “Labor Leadership and Civil Rights in the South: a Case Study of
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------------ Southern Labor and Black Civil Rights: Organizing Memphis Workers.
Urbana: University of Illinois Press, 1993. (DSC: 96/18289)
HOWARD, John R. The Shifting Wind: the Supreme Court and Civil Rights from
Reconstruction to Brown. Albany: State University of New York, 1999.
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KELLOGG, Peter J. “Civil Rights Consciousness in the 1940s,” Historian 42:1
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LEVINE, Michael L. African Americans and Civil Rights: from 1619 to the Present.
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LOWERY, Charles D. and John F. Marszalek, eds. Encyclopedia of African-American
Civil Rights: from Emancipation to the Present. New York; London: Greenwood
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McKISSACK, Patricia C. Ida B. Wells: a Voice against Violence. Hillside; Aldershot:
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O’REILLY, Kenneth. “The Roosevelt Administration and Black America: Federal
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SMITH, Eric Cedell. “‘Asking for Justice and Fair Play’: African American State
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TUSHNET, Mark V. Making Civil Rights Law: Thurgood Marshall and the Supreme
Court, 1936-1961. New York; Oxford: Oxford University Press, 1994.
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------------ “The Politics of Equality in Constitutional Law: the Equal Protection
Clause, Dr Du Bois and Charles Hamilton Houston,” Journal of American History
74:3 (1987): 884-90.
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CRIME & PUNISHMENT
ADAMSON, Christopher R. “Punishment after Slavery: Southern Penal Systems,
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Western Historical Quarterly 20:1 (1989): 18-35.
CHAMBERLAIN, Bernard Peyton. The Negro and Crime in Virginia. Charlottesville:
University of Virginia, 1936. (Mic.A.16001)
DU BOIS, W.E.B. Some Notes on Negro Crime Particularly in Georgia: Report of a
Social Study, 24 May 1904. (Repr.) New York: Arno Press, 1968.
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LANE, Roger. Roots of Violence in Black Philadelphia, 1860-1900. Cambridge:
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MYERS, Samuel L., Jr. Black Unemployment and its Link to Crime,” Urban League
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SHELDON, Randall G. “From Slave to Caste Society: Penal Changes in Tennessee,
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W.E.B. DUBOIS
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------------ “The Washington-DuBois Conference of 1904,” Science and Society 13
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BELL, Bernard W., Emily Grosholz and James B. Stewart, eds. W.E.B. Du Bois on
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DeMARCO, Joseph P. The Social Thought of W.E.B. DuBois. Lanham; London:
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------------ Some Efforts of American Negroes for their own Social Betterment: Report
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ELLIS, Mark. “‘Closing Ranks’ and ‘Seeking Honors’: W.E.B. Du Bois in World
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HOLT, Thomas C. “The Political Uses of Alienation: W.E.B. Du Bois on Politics,
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HORNE, Gerald. Black and Red: W.E.B. Du Bois and the Afro-American Response to
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JUDY, Ronald A.T. “The New Black Aesthetic and W.E.B. Du Bois, or Hephaesthus,
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KATZ, Michael B. and Thomas Sugrue. W.E.B. DuBois, Race and the City: the
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MARABLE, Manning. “The Black Faith of W.E.B. DuBois: Socio-Cultural and
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MARTIN, Michael T. and Lamont H. Yeakey. “Pan-African Asian Solidarity: a
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ECONOMICS
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CARPENTER, Marie Elizabeth. The Treatment of the Negro in American History
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CARTER, Rev. E.R. The Black Side: a Partial History of the Business, Religious and
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HEALTH & MEDICINE
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BIBLIOGRAPHIES, GUIDES and REFERENCE BOOKS
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IGOE, Lynn Moody. 250 Years of Afro-American Art: an Annotated Bibliography.
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LOGAN, Rayford W. and Michael R. Winston. Dictionary of American Negro
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GUIDES TO THE BRITISH LIBRARY’S NORTH AMERICAN
COLLECTIONS PUBLISHED BY THE ECCLES CENTRE
An Era of Change: Contemporary US-UK-West European Relations
American Slavery: Pre-1866 Imprints
United States Government Policies Toward Native Americans, 1787-1900
Mormon Americana
United States and Canadian Holdings at the British Library Newspaper Library
Imagining the West
Conserving America
Mining the American West
The Harlem Renaissance
The Civil Rights Movement,
Women in the Trans-Mississippi West, 1840-1900
The United States and the Vietnam War
The United States and the 1930s
The American Colonies, 1584-1688
The Anglo-American ‘Special Relationship’ during the Second World War
ISBN 0-7123-4427-6
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