Download Ancient Modes

Survey
yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

Document related concepts

Mode (music) wikipedia , lookup

Transcript
Ancient Modes
Now we come to modes. Remember that were used over a thousand years ago! They were not very
popular during the last 200 years, but they made a comeback recently.
Modes came to us from Greece. They made their way to Rome, where the Catholic Church picked them
up. The Church kept their old Greek names. They are Dorian, Phrygian, Lydian, Mixolydian, Aeolian,
Locrian, and Ionian modes.
These modes are still used today. Don't get the idea that modes are just for old music. The Beatles used
the Dorian mode in one of their most famous songs, Eleanor Rigby.
Let's look at the rest of these strange and wonderful modes.
Dorian Mode
This is the most widely used mode. You can play it by
starting on D (the white key between the two black keys)
and play just the white keys to the next D. This mode is
easy to remember: Dorian begins with D and the scale
starts on D. You'll never forget this mode.
Phrygian Mode
This mode begins on E. Play all the white key up to the
next E. It has a very sad sound and is heard in lots of
Spanish, Hebrew, and Gypsy music. It is the only mode
that begins with a half-step. Composers use this mode
when they want their music to sound Oriental.
Lydian Mode
This mode sounds almost the same as the major scale. It
has an odd-sounding 4th note. Start on F and play all
the white keys up to the next F.
Mixolydian Mode
This has a long name, but is simple to play. Start on G
and play all the white keys up to the next G. This also
sounds like the major scale, but it has a strange-sounding
7th tone. It's used a lot in rock and roll and jazz
music.
Aeolian Mode
Just like its name, this mode begins on A. Start on A
and play all the white keys up to the next A. This is also
called the natural minor scale.
Locrian Mode
This mode sounds so strange it is almost never used. It
begins and ends on B. You can forget this one.
Modes have not been used a lot in the last 200 years. That changed during the Impressionistic period
when composers like Claude Debussy started using modes in their music. He liked them and knew the
public would enjoy these "new" sounds.
Impressionism was an important musical style that emerged during the early 20th century. The whole idea
started with French painters. Their paintings were blurry and fuzzy. There are no clean, hard outlines or
edges or shapes. The same is true with music of this period. The sounds were "painted" using richly
colored harmonies.
Fetes is the name of a piece Debussy wrote. It means Festival. He used lots of different modes in this
piece to give it an exciting, fresh sound.
We open with a driving rhythm played five notes apart. You can't tell if it's major or minor.
Underneath this rhythm appears a swirling dance tune, played in the Dorian mode.
Next you'll hear the piece switch the Lydian mode.
A few seconds later you'll hear the jazzy Mixolydian mode.
Wow! In the first 30 seconds, Debussy has already used three modes!
In the middle section Debussy returns to the Dorian mode, then switches to the Mixolydian mode.
Can you name the modes that have been used so far? If you guessed Dorian, Lydian,. and Mixolydian,
you'd be right!
And so it goes, one mode after another.