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Reading for meaning My aim now is to help you to engage with a story (i.e. ‘getting stuck in’). I also want you to practise identifying and sequencing (putting in the right order) the main events in a story. First you will need to select a book to read. © Boardworks Ltd 2001 Here are some guidelines : • Bring a book you haven’t read before. • Choose carefully: once you start you must stick with it. • It will help if it has plenty of characters, dialogue and action. • It needs chapters which are not too long. Sometimes you will need to be able to read one and write about it in one lesson. © Boardworks Ltd 2001 You will also need to keep a reading log. Sometimes I will suggest activities for you to do in this log. However, whether I do or don’t, you should record your thoughts, feelings, questions, speculations etc. as you read each chapter. The record should reflect your emerging understanding of the book you are reading. © Boardworks Ltd 2001 © Boardworks Ltd 2001 © Boardworks Ltd 2001 © Boardworks Ltd 2001 Now I want you to think about this. Is your book written by a character in the story (the 1st person: “I thought this. I did that.”)? Or is it written by a narrator (the 3rd person “He thought this. She did that.”)? © Boardworks Ltd 2001 © Boardworks Ltd 2001 As we become more mature in our reading we begin to judge the characters and the person telling the story. As you have just seen, you don’t have to agree with what a character thinks, feels or does. You have also seen that narrators don’t have to agree with everything the characters they are writing about, feel or think. Even if they did, that wouldn’t mean that YOU had to. Not everything in a book is a fact. They are full of opinions, half-truths, lies, mistakes etc. You must be prepared for these. © Boardworks Ltd 2001 Stories tell us of events that happen, usually to people but sometimes to animals. But often they have a message or something they want to explore or think about. We call it the THEME. © Boardworks Ltd 2001 Remember the story of the race between the hare and the tortoise? © Boardworks Ltd 2001 The hare became over-confident because he thought he would win easily. So, he kept stopping. In the end, the tortoise won. The story has a theme. What do you think it was? It is that perseverance can lead to success. © Boardworks Ltd 2001 So, you understand that narrators and characters are only giving their point of view. You may agree or disagree. You understand the difference between fact and opinion. You know books have themes. © Boardworks Ltd 2001 Believe it or not, sometimes writers don’t mean what they say. In fact, they mean the exact opposite of what they say. A very crude form of this is called sarcasm. For example, somebody drops something and somebody else says, “Oh, that was clever!” © Boardworks Ltd 2001 Irony is the same type of thing but much subtler. It is often rather funny. You can miss it sometimes. A really famous example is the opening line of Jane Austen’s ‘Pride and Prejudice’. This is what she says: ‘It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.’ © Boardworks Ltd 2001 She appears to be saying that everybody knows that any bachelor who has a lot of money MUST be looking for a woman to marry. But, as we read the story we learn that these words are spoken ironically. They aren’t really Austen’s opinions. She is paraphrasing the thought processes of a rather silly woman who has several daughters she would like to marry off to a rather rich man who is visiting her neighbourhood! © Boardworks Ltd 2001 You understand that the writer has a point of view. This may or may not be the same point of view as the characters s/he is writing about. You have seen how books are concerned with themes, for example love or revenge. © Boardworks Ltd 2001 Let’s look at our example about love again. Writers try to show different types of love. Harper Lee’s ‘To Kill A Mockingbird’ shows the love that can exist between parents and children. Barry Hines’ ‘Kes’ examines the love that a person can feel for an animal. Shakespeare’s ‘Romeo and Juliet’ looks at love between young people. In ‘Antony and Cleopatra’, Shakespeare looks at love between two people approaching middle age. © Boardworks Ltd 2001 © Boardworks Ltd 2001 Plenary Careful readers do not just sit back and let the story flow over them. They think about what they are reading. They make deductions. They consider the attitudes expressed by the author and the characters. They watch out for irony. They compare how different writers approach the same themes and subjects. © Boardworks Ltd 2001