historical and analytical studies
... Although neither thematic unit is present in its entirety, the material in voice 2 is a melodic sequence based on the opening motif of the subject, and voice 1 contains scalar passages reminiscent (although in contrary motion) of the countersubject. The final voice enters with the subject (in its o ...
... Although neither thematic unit is present in its entirety, the material in voice 2 is a melodic sequence based on the opening motif of the subject, and voice 1 contains scalar passages reminiscent (although in contrary motion) of the countersubject. The final voice enters with the subject (in its o ...
Guide to Piano Quartets
... In authoring such a guide, the reader has the right to inquire as to by an audience or would be fun for an amateur group to read the qualifications that the writer brings to his task. I have had the through or to work on. opportunity to play several times a week and regularly perform Still, no one p ...
... In authoring such a guide, the reader has the right to inquire as to by an audience or would be fun for an amateur group to read the qualifications that the writer brings to his task. I have had the through or to work on. opportunity to play several times a week and regularly perform Still, no one p ...
MakingMUSIC Concert guide - The Louisville Orchestra
... program music meaning the music followed a theme or story told through the musical score. Strauss often used “leitmotifs” or themes for characters, places or events. This practice is still used by composers today especially in movie scores – composer John Williams has utilized leitmotif in many of h ...
... program music meaning the music followed a theme or story told through the musical score. Strauss often used “leitmotifs” or themes for characters, places or events. This practice is still used by composers today especially in movie scores – composer John Williams has utilized leitmotif in many of h ...