Melody - StudyDaddy
... ntervals (like The StarSpangled Banner) are described as disjunct. Atune’s movement need not necessarily remain the same throughout: it may, for example, begin with asmall range and conjunct motion and, as it develops, expand its range and become m ...
... ntervals (like The StarSpangled Banner) are described as disjunct. Atune’s movement need not necessarily remain the same throughout: it may, for example, begin with asmall range and conjunct motion and, as it develops, expand its range and become m ...
Elements of Music: Sound, Melody, Rhythm, and Harmony
... what he or she has heard before and relate that to what he or she hears in the present. Much folk and popular music is short and repetitive with very little thematic development. More complex works—a Mozart string quartet, for example—have distinct themes that go through a period of development. The ...
... what he or she has heard before and relate that to what he or she hears in the present. Much folk and popular music is short and repetitive with very little thematic development. More complex works—a Mozart string quartet, for example—have distinct themes that go through a period of development. The ...
Theory Intro
... all have the b3. Natural minor, shown here, is like major scale pattern shifted over (WHWWHWW). Harmonic minor has different interval pattern (W H W W H m3 H). ...
... all have the b3. Natural minor, shown here, is like major scale pattern shifted over (WHWWHWW). Harmonic minor has different interval pattern (W H W W H m3 H). ...
MUSIC 111 Class Notes 2
... - moves together or apart • Phrases and Cadence • Rhythm and meter - 8th notes 16th notes - 2 and 4 quarter notes gets the beat - 16 measures - 60 beats per minute • each beat a second - Americans 4 count - other countries • 3 beat count - syncopation • off beat note • weak beats between stronger be ...
... - moves together or apart • Phrases and Cadence • Rhythm and meter - 8th notes 16th notes - 2 and 4 quarter notes gets the beat - 16 measures - 60 beats per minute • each beat a second - Americans 4 count - other countries • 3 beat count - syncopation • off beat note • weak beats between stronger be ...
File - The Whole Schools Initiative
... Whole Schools Summer Institute 2014 “Music expresses that which cannot be said and on which it is impossible to be silent.” -Victor Hugo ...
... Whole Schools Summer Institute 2014 “Music expresses that which cannot be said and on which it is impossible to be silent.” -Victor Hugo ...
0495571911_215159
... Meter is indicated in notation by vertical lines They create units called measures The meter signature is two numbers aligned vertically They tell the number of beats in a measure (upper) and the type of note that equals one beat (lower) ...
... Meter is indicated in notation by vertical lines They create units called measures The meter signature is two numbers aligned vertically They tell the number of beats in a measure (upper) and the type of note that equals one beat (lower) ...
Elements of Music: Sound, Melody, Rhythm, and Harmony
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
Chapter 2 Rhythm
... Meter is indicated in notation by vertical lines They create units called measures The meter signature is two numbers aligned vertically They tell the number of beats in a measure (upper) and the type of note that equals one beat (lower) ...
... Meter is indicated in notation by vertical lines They create units called measures The meter signature is two numbers aligned vertically They tell the number of beats in a measure (upper) and the type of note that equals one beat (lower) ...
Elements of Music: Melody and Rhythm (Chapters 1
... 11. Meters that subdivide beats into groups of two are called _________________________ 12. Meters that subdivide beats into groups of three are called _______________________ 13. The meter of the folk song Greensleeves is best described as ____________________________. Rather than beginning on a d ...
... 11. Meters that subdivide beats into groups of two are called _________________________ 12. Meters that subdivide beats into groups of three are called _______________________ 13. The meter of the folk song Greensleeves is best described as ____________________________. Rather than beginning on a d ...
Quintuple meter
Quintuple meter (Brit. metre) or quintuple time (chiefly Brit.) is a musical meter characterized by five beats in a measure. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are 54 and 58, and compound quintuple meter is most often written in 158. A time signature of 158, however, does not necessarily mean that the bar is a quintuple meter with each beat divided into three. It may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into five parts. In this case, the meter is sometimes characterized as ""triple quintuple time"". It is also possible for a 158 time signature to be used for an irregular, or ""additive"" metrical pattern, such as groupings of 3 + 3 + 3 + 2 + 2 + 2 eighth notes or, for example in the Hymn to the Sun and Hymn to Nemesis by Mesomedes of Crete, 2 + 2 + 2 + 2 + 2 + 3 + 2, which may alternatively be given the composite signature 8+78. Quintuple meter can also be notated by using regularly alternating bars of triple and duple meters, for example 24 + 34, or 68 + 98, or through the use of ""compound meters"", in which two or three numerals take the place of the expected numerator 5, for example, 2+38, or 2+1+28. Conversely, the presence of a 54 or 58 meter signature does not necessarily mean that the music is in quintuple meter. The regular alternation of 54 and 44 in Bruce Hornsby's ""The Tango King"" (from the album Hot House), for example, results in an overall nonuple meter (5 + 4 = 9).