Improvisation: Performer as Co-composer
... de art contrapuncti (published 1477). What was written down was called res facta and what counterpoint was conceived aurally during the performance was called absolute counterpoint or singing super librum.1 Singers would improvise lines to fit over the chant that the tenor part would sing. Tinctoris ...
... de art contrapuncti (published 1477). What was written down was called res facta and what counterpoint was conceived aurally during the performance was called absolute counterpoint or singing super librum.1 Singers would improvise lines to fit over the chant that the tenor part would sing. Tinctoris ...
Improvisation: Performer as co-composer
... de art contrapuncti (published 1477). What was written down was called res facta and what counterpoint was conceived aurally during the performance was called absolute counterpoint or singing super librum.1 Singers would improvise lines to fit over the chant that the tenor part would sing. Tinctoris ...
... de art contrapuncti (published 1477). What was written down was called res facta and what counterpoint was conceived aurally during the performance was called absolute counterpoint or singing super librum.1 Singers would improvise lines to fit over the chant that the tenor part would sing. Tinctoris ...
Lewis excerpts
... that subject in New York City (Revill 1992, 108-110). That this view of music would have social implications was fully recognized by Cage himself. Indeed, Cage's social and philosophical views form a prominent part of the literature about him. In the Kostelanetz interviews from 1987, Cage explicitly ...
... that subject in New York City (Revill 1992, 108-110). That this view of music would have social implications was fully recognized by Cage himself. Indeed, Cage's social and philosophical views form a prominent part of the literature about him. In the Kostelanetz interviews from 1987, Cage explicitly ...
The Music-Culture as a World of Music
... • Voice paralleled by string section • Flute and Middle Eastern percussion • Fades in on first verse • Informal call and response between singer and audience ...
... • Voice paralleled by string section • Flute and Middle Eastern percussion • Fades in on first verse • Informal call and response between singer and audience ...