Historical and Architectural Elements Represented in the Weld
... A stylized leaf pattern used to decorate Corinthian or Composite capitals. They are also used in friezes and modillions and can be found in classical Greek and Roman architecture. ...
... A stylized leaf pattern used to decorate Corinthian or Composite capitals. They are also used in friezes and modillions and can be found in classical Greek and Roman architecture. ...
Campbellford Heritage Homes
... 87 Booth Street c1882 Built by William Dunk and sold to Arthur Colville in 1883, this late Victorian Gothic Revival 112⁄ storey building is constructed of solid red brick with a limestone foundation. Irregular in plan, it is composed of three sections, dominant features being three gables and two pr ...
... 87 Booth Street c1882 Built by William Dunk and sold to Arthur Colville in 1883, this late Victorian Gothic Revival 112⁄ storey building is constructed of solid red brick with a limestone foundation. Irregular in plan, it is composed of three sections, dominant features being three gables and two pr ...
R08 Group_8_john_hancock_building
... consorting agreeably with other landmarks in an historic square, and for being “not so much an object as a spectacle of changing light, an intensified comment on the qualities of the sky itself.”— Donlyn Lyndon. ...
... consorting agreeably with other landmarks in an historic square, and for being “not so much an object as a spectacle of changing light, an intensified comment on the qualities of the sky itself.”— Donlyn Lyndon. ...
British and Irish stained glass (1811–1918)
A revival of the art and craft of stained glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811-12. The revival led to stained glass windows becoming such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained glass windows for their parish church.Within 50 years of the beginnings of commercial manufacture in the 1830s, British stained glass grew into an enormous and specialised industry, with important centres in Newcastle upon Tyne, Birmingham, Whitechapel in London, Edinburgh, Glasgow, Liverpool, Norwich and Dublin. The industry also flourished in the United States, Canada, Australia and New Zealand. By 1900 British windows had been installed in Copenhagen, Venice, Athens, Bangalore, Nagasaki, Manila and Wellington. After the Great War from 1914 to 1918, stained glass design was to change radically.