Short Analysis - Trevor de Clercq
... belonging to set class [012468]. Some of the common vertically-sounded set classes in the piece, such as [0146], [0147], [0148] are subsets of one these larger set classes, with the piece possibly acting as an elaborated transition between the opening and closing sonorities. In fact, much as the A t ...
... belonging to set class [012468]. Some of the common vertically-sounded set classes in the piece, such as [0146], [0147], [0148] are subsets of one these larger set classes, with the piece possibly acting as an elaborated transition between the opening and closing sonorities. In fact, much as the A t ...
El Salon Mexico by Aaron Copland model essay answer
... contemporaries. During the 20’s whilst studying with Boulanger in Paris, Copland will have heard and been affected by Milhaud’s ‘La Création du monde’ which in turn was inspired by the jazz music he heard in a night club in Harlem, opening with its amazing jazz fugue representing the chaos before cr ...
... contemporaries. During the 20’s whilst studying with Boulanger in Paris, Copland will have heard and been affected by Milhaud’s ‘La Création du monde’ which in turn was inspired by the jazz music he heard in a night club in Harlem, opening with its amazing jazz fugue representing the chaos before cr ...
The History of Music, Second Edition
... Spring important to Stravinsky and to the music world? [In his next ballet for Diaghilev—The Rite of Spring—Stravinsky expanded Debussy's concept of dissonance as sheer sound, rather than as a state of tension that had to be resolved. His harsh, aggressive dissonance went far beyond what Debussy had ...
... Spring important to Stravinsky and to the music world? [In his next ballet for Diaghilev—The Rite of Spring—Stravinsky expanded Debussy's concept of dissonance as sheer sound, rather than as a state of tension that had to be resolved. His harsh, aggressive dissonance went far beyond what Debussy had ...
RICHARD WAGNER - The Florida Orchestra
... the prowl for new talent, took the opportunity to look up a musician Stravinsky had met in Paris in 1910. Stravinsky described his Spanish colleague as “even smaller than myself, and as modest and withdrawn as an oyster... unpityingly religious, and the shyest man I have ever met.” His name was Manu ...
... the prowl for new talent, took the opportunity to look up a musician Stravinsky had met in Paris in 1910. Stravinsky described his Spanish colleague as “even smaller than myself, and as modest and withdrawn as an oyster... unpityingly religious, and the shyest man I have ever met.” His name was Manu ...
The Firebird - New York Theatre Ballet
... composer turned him down, he asked a talented student composer, Igor Stravinsky, to write the new score. Stravinsky had never before created music for a ballet. ...
... composer turned him down, he asked a talented student composer, Igor Stravinsky, to write the new score. Stravinsky had never before created music for a ballet. ...
The Rite of Spring - wellesleyrussianhistory
... "Essentials of Music - Composers." Essentials of Music. http://www.essentialsofmusic.com/composer/stravinsky.html (accessed December 7, 2010). Guide, All Music. "Dmitry Shostakovich | AllMusic." AllMusic. http://www.allmusic.com/artist/dmitryshostakovich-q7974/biography (accessed December 8, 2010). ...
... "Essentials of Music - Composers." Essentials of Music. http://www.essentialsofmusic.com/composer/stravinsky.html (accessed December 7, 2010). Guide, All Music. "Dmitry Shostakovich | AllMusic." AllMusic. http://www.allmusic.com/artist/dmitryshostakovich-q7974/biography (accessed December 8, 2010). ...
full text - Kurt Weill Foundation
... The scene of The Judgement of Paris is a Parisian' dive'. Three ladies who would doubtless describe themselves as 'entertainers' -though their names are Juno, Venus and Minerva-are sitting at the tables. With them sits the Waiter. The music of the famous Moritat aptly comments on the scene of late-n ...
... The scene of The Judgement of Paris is a Parisian' dive'. Three ladies who would doubtless describe themselves as 'entertainers' -though their names are Juno, Venus and Minerva-are sitting at the tables. With them sits the Waiter. The music of the famous Moritat aptly comments on the scene of late-n ...
American Musicological Society
... Archer,and the Joffreyhad a strangecollectiveblind spot-or, more precisely, a deaf ear-when it came to reconstructingthe sonic aspectsof that premiere with similarcare. Nowhere in Hodson's accounts of her long search for the "authentic"Rite does she demonstratethe slightestconcern for establishinga ...
... Archer,and the Joffreyhad a strangecollectiveblind spot-or, more precisely, a deaf ear-when it came to reconstructingthe sonic aspectsof that premiere with similarcare. Nowhere in Hodson's accounts of her long search for the "authentic"Rite does she demonstratethe slightestconcern for establishinga ...
NEOCLASSICISM: The Rake`s Progress 1 The
... At figure ‘29’, there is a quote from Movement II of Beethoven’s Symphony No. 5. The text could be viewed as a subtle homage to Beethoven, stating “Have not grave doctors assured us that good works are of no avail for Heaven predestines all?” The subject matter relates to man’s relationship with God ...
... At figure ‘29’, there is a quote from Movement II of Beethoven’s Symphony No. 5. The text could be viewed as a subtle homage to Beethoven, stating “Have not grave doctors assured us that good works are of no avail for Heaven predestines all?” The subject matter relates to man’s relationship with God ...
London Philharmonic Orchestra A level Resources
... into a musical family. His father was a bass singer with the Imperial Opera but despite this it was expected that young Igor would take up a career in law and his musical tuition as a boy was patchy as a result. In 1902 Stravinsky met the great Russian composer Nikolai Rimsky-Korsakov, who at that t ...
... into a musical family. His father was a bass singer with the Imperial Opera but despite this it was expected that young Igor would take up a career in law and his musical tuition as a boy was patchy as a result. In 1902 Stravinsky met the great Russian composer Nikolai Rimsky-Korsakov, who at that t ...
The Problem of Articulation in Stravinsky`s Music
... [...] stylistic questions in my music are not conclusively indicated by the notation; my style requires interpretation. This is true and it is also why I regard my recordings as indispensable supplements to the printed music. But that isn’t the kind of ‘interpretation’ by critics mean. What they wou ...
... [...] stylistic questions in my music are not conclusively indicated by the notation; my style requires interpretation. This is true and it is also why I regard my recordings as indispensable supplements to the printed music. But that isn’t the kind of ‘interpretation’ by critics mean. What they wou ...
View concert programme
... Sir Arnold Edward Trevor Bax, KCVO, was an English composer and poet who was born in Pendennis Road, Streatham, London. Lewis Foreman has suggested that, because of his family’s affluence, Bax never had to take a paid position and was free to pursue most of his interests. Bax was a student at the Ro ...
... Sir Arnold Edward Trevor Bax, KCVO, was an English composer and poet who was born in Pendennis Road, Streatham, London. Lewis Foreman has suggested that, because of his family’s affluence, Bax never had to take a paid position and was free to pursue most of his interests. Bax was a student at the Ro ...
Chamber Music Society of Lincoln Center
... harmonic techniques of Schoenberg. These works, though among his most masterful creations (“I expended so much time and effort ... because I wished to write as perfect a piece as I possibly could,” wrote the composer of his Short Symphony), have never been popular with audiences. The Symphony has es ...
... harmonic techniques of Schoenberg. These works, though among his most masterful creations (“I expended so much time and effort ... because I wished to write as perfect a piece as I possibly could,” wrote the composer of his Short Symphony), have never been popular with audiences. The Symphony has es ...
Les SAISONS RUSSES du XX1e SIECLE RETURNS to the
... feature Ilze Liepa, (above) sister of Andris, in the title role. Full company details will be announced early 2013. Le Spectre de la Rose is based on a poem by the French Romantic poet and dramatist Théophile Gautier with music by Carl Maria von Weber, one of the first significant composers of the R ...
... feature Ilze Liepa, (above) sister of Andris, in the title role. Full company details will be announced early 2013. Le Spectre de la Rose is based on a poem by the French Romantic poet and dramatist Théophile Gautier with music by Carl Maria von Weber, one of the first significant composers of the R ...
R ``The past is never dead. It`s not even past.`` So
... Russian subjects. That year he ‘‘saw in imagination a solemn pagan rite: sage elders, seated in a circle, watched a young girl dance herself to death. They were sacrificing her to propitiate the god of spring.’’ Stravinsky consulted on this with the painter, ethnographer, and mystic Nicholas Roerich, ...
... Russian subjects. That year he ‘‘saw in imagination a solemn pagan rite: sage elders, seated in a circle, watched a young girl dance herself to death. They were sacrificing her to propitiate the god of spring.’’ Stravinsky consulted on this with the painter, ethnographer, and mystic Nicholas Roerich, ...
MOZART`S “ELVIRA MADIGAN” Saturday, February 21, 2015 – 8pm
... old themes, but strong in revision. The whole, if I may say so, [is] a vital climax to the end. Triumphal. The following year saw the completion of the revision, but apparently, the work had to wait until early 1921 for a performance, which took place in London under the baton of the composer. The m ...
... old themes, but strong in revision. The whole, if I may say so, [is] a vital climax to the end. Triumphal. The following year saw the completion of the revision, but apparently, the work had to wait until early 1921 for a performance, which took place in London under the baton of the composer. The m ...
to view program notes for this concert.
... all senses into its Golden Age. The Golden Age had rather a rocky beginning, however. The premiere took place in Moscow in 1877, but received mixed critical reviews. By all accounts the opening performances were poorly mounted, with second rate choreography, poor scenery and costumes, and the music ...
... all senses into its Golden Age. The Golden Age had rather a rocky beginning, however. The premiere took place in Moscow in 1877, but received mixed critical reviews. By all accounts the opening performances were poorly mounted, with second rate choreography, poor scenery and costumes, and the music ...
Ballet History
... uncanny spirits and romanticism La Sylphide is oldest romantic ballet still danced today ...
... uncanny spirits and romanticism La Sylphide is oldest romantic ballet still danced today ...
Doctoral Recital Kim K. Chai II, bassoon
... may also have been reworked as a sonata for flute, but history suggests that its first appearance is for the bassoon. Stravinsky’s Octet for Wind Instruments is fairly unusual. Scored for flute, clarinet (doubling Bb and A, two bassoons, trumpet in C, trumpet in A, trombone, and bass trombone, it se ...
... may also have been reworked as a sonata for flute, but history suggests that its first appearance is for the bassoon. Stravinsky’s Octet for Wind Instruments is fairly unusual. Scored for flute, clarinet (doubling Bb and A, two bassoons, trumpet in C, trumpet in A, trombone, and bass trombone, it se ...
PDF text
... observations about these source materials not merely to extend our understanding of the influence exerted upon Stravinsky by his collaborators, but also to challenge that understanding by continually asking, where and how do we draw the line between their respective contributions? (12) [13] Perhaps ...
... observations about these source materials not merely to extend our understanding of the influence exerted upon Stravinsky by his collaborators, but also to challenge that understanding by continually asking, where and how do we draw the line between their respective contributions? (12) [13] Perhaps ...
March 7, 1875, Ciboure, France Died: December 28, 1937, Paris
... Claude Debussy, and there are some important similarities in their music. Both used the rich harmonies and new scales that are usually associated with musical impressionism, and both had an interest in the exotic. But where Debussy was a sensualist, influenced by the symbolist and decadent movements ...
... Claude Debussy, and there are some important similarities in their music. Both used the rich harmonies and new scales that are usually associated with musical impressionism, and both had an interest in the exotic. But where Debussy was a sensualist, influenced by the symbolist and decadent movements ...
Beethoven`s Eroica - Elgin Symphony Orchestra
... Early in the twentieth century the American poet Ezra Pound made famous the slogan “Make it new,” a kind of call-to-arms for artists to find new styles and forms suitable to a new age. Such encouragement was hardly necessary, for the impulse to innovate was already in the air and quickly spawned inn ...
... Early in the twentieth century the American poet Ezra Pound made famous the slogan “Make it new,” a kind of call-to-arms for artists to find new styles and forms suitable to a new age. Such encouragement was hardly necessary, for the impulse to innovate was already in the air and quickly spawned inn ...
DankLee_order 1.21.14.indd - University of Florida Performing Arts
... Russian composer Igor Stravinsky put himself on the musical map composing music for the Ballet Russes, a Paris-based ballet company with deep roots in Russia. The company’s charismatic impresario, Sergei Diaghilev, brought together more than a few lesser-known artists — artists who are now household ...
... Russian composer Igor Stravinsky put himself on the musical map composing music for the Ballet Russes, a Paris-based ballet company with deep roots in Russia. The company’s charismatic impresario, Sergei Diaghilev, brought together more than a few lesser-known artists — artists who are now household ...
The Rite of Spring
The Rite of Spring (French: Le Sacre du printemps, Russian: «Весна священная», Vesna svyashchennaya) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky, with stage designs and costumes by Nicholas Roerich. When first performed, at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation and a near-riot in the audience. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece, and is widely considered to be one of the most influential musical works of the 20th century.Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. The Rite was the third such project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, ""Pictures of Pagan Russia in Two Parts""; in the scenario, after various primitive rituals celebrating the advent of spring, a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original. Massine's was the forerunner of many innovative productions directed by the world's leading ballet-masters, which gained the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles.Stravinsky's score contains many novel features for its time, including experiments in tonality, metre, rhythm, stress and dissonance. Analysts have noted in the score a significant grounding in Russian folk music, a relationship Stravinsky tended to deny. The music has influenced many of the 20th-century's leading composers, and is one of the most recorded works in the classical repertoire.