2016-17 - Central School of Speech and Drama
... I remember well the Central prospectus I read when I was seeking a drama school education back in the 1980s. It was slimmer than this one, but it had a life and an identity that seemed to set it apart from other schools and colleges at the time. Central was my first choice because it had a real sens ...
... I remember well the Central prospectus I read when I was seeking a drama school education back in the 1980s. It was slimmer than this one, but it had a life and an identity that seemed to set it apart from other schools and colleges at the time. Central was my first choice because it had a real sens ...
Accessing the Cultural Conversation
... The researchers, from the Universities of Melbourne and Sydney and Griffith University, approached flagship providers of theatre in their three states (Victoria, New South Wales and Queensland), and arts funding organisations, with a research study proposal whose aims would be to: develop a set of ...
... The researchers, from the Universities of Melbourne and Sydney and Griffith University, approached flagship providers of theatre in their three states (Victoria, New South Wales and Queensland), and arts funding organisations, with a research study proposal whose aims would be to: develop a set of ...
Post-Colonial Drama: Theory, Practice, Politics
... imperial enterprise. Critiques of post-colonialism are frequently responses to arguments based primarily on attempts to homogenise texts, histories, and cultures. Much discussion surrounds which countries ought to be considered part of the post-colonial world. Since former states of the Soviet Union ...
... imperial enterprise. Critiques of post-colonialism are frequently responses to arguments based primarily on attempts to homogenise texts, histories, and cultures. Much discussion surrounds which countries ought to be considered part of the post-colonial world. Since former states of the Soviet Union ...
EPIC THEATRE AND BRECHT
... Above: The grotesque costumes from Brecht’s earlier plays. Mark the difference and distortion of proportions. Décor and costumes The décor should not represent the reality outside the theatre. It must only be a suggestive presentation of a particular time and place. In certain cases the narrator wo ...
... Above: The grotesque costumes from Brecht’s earlier plays. Mark the difference and distortion of proportions. Décor and costumes The décor should not represent the reality outside the theatre. It must only be a suggestive presentation of a particular time and place. In certain cases the narrator wo ...
New AH Stan PowerPoint
... Emile Jaques-Dalcroze was no stranger to the theatre. As a young man he worked as a touring actor and he briefly trained at the Comedie-Francaise in Paris The element that made eurhythmics an "indispensable" part of actor training was the training in rhythm. Rhythmic training helps the actor control ...
... Emile Jaques-Dalcroze was no stranger to the theatre. As a young man he worked as a touring actor and he briefly trained at the Comedie-Francaise in Paris The element that made eurhythmics an "indispensable" part of actor training was the training in rhythm. Rhythmic training helps the actor control ...
Theatre for Development in Kenya: In Search for Effective Procedure
... This is a study of Theatre for Development (TfD) in Kenya. It is an attempt to map out and describe different manifestations of the practice which would, in a way, act as a critical model for practitioners and other stakeholders. However, this is in no way an attempt to provide a rigid all-purpose t ...
... This is a study of Theatre for Development (TfD) in Kenya. It is an attempt to map out and describe different manifestations of the practice which would, in a way, act as a critical model for practitioners and other stakeholders. However, this is in no way an attempt to provide a rigid all-purpose t ...
- WRAP: Warwick Research Archive Portal
... Very little has been written in English on the folk theatre forms existent in the NorthEast area of Brazil. A detailed search so far has only unearthed three articles, two of which, published in small magazines, seem unable to be traced. Even within Brazil itself the forms have not attracted the cri ...
... Very little has been written in English on the folk theatre forms existent in the NorthEast area of Brazil. A detailed search so far has only unearthed three articles, two of which, published in small magazines, seem unable to be traced. Even within Brazil itself the forms have not attracted the cri ...
2012-17 LORT-USA Agreement - League of Resident Theatres
... 2. When a Theatre chooses to bill a Projection Designer on the title page of the production's program, and only in such circumstance, the following provisions of this Agreement shall apply: Article IV, Representation, Paras. (A), (B), and (C); Article V, Coverage; Article VI, Union Security; Article ...
... 2. When a Theatre chooses to bill a Projection Designer on the title page of the production's program, and only in such circumstance, the following provisions of this Agreement shall apply: Article IV, Representation, Paras. (A), (B), and (C); Article V, Coverage; Article VI, Union Security; Article ...
Copeau and Brook on Acting - CITA | International Centre for
... in life: he was thirty-two years old when he fi rst became involved i n directing his own adaptation of Dostoevskis The Brothers Karamazov, and it was not until two years later that he finally relinquished a promising literary career for a hazardous theatrical one. In 1913, with the help of friends ...
... in life: he was thirty-two years old when he fi rst became involved i n directing his own adaptation of Dostoevskis The Brothers Karamazov, and it was not until two years later that he finally relinquished a promising literary career for a hazardous theatrical one. In 1913, with the help of friends ...
Arts - Southeastern Theatre Conference
... an overview of programs as well as specific information on types of internships and apprenticeships available. Ray also shares stories from former interns and apprentices, who detail what the experience was like for them and how it has helped them in their careers. With the downturn in the economy ...
... an overview of programs as well as specific information on types of internships and apprenticeships available. Ray also shares stories from former interns and apprentices, who detail what the experience was like for them and how it has helped them in their careers. With the downturn in the economy ...
I Was Hamlet—Cunning Scenes And Family Albums
... role of the real historic figure More offered some valuable meta-commentary on the political value of the narrative technique of the story-within-a-story, which he saw as the inter-play of two plays. This technique allowed More to introduce—in the words of his fictional character Hythlody—an idea so ...
... role of the real historic figure More offered some valuable meta-commentary on the political value of the narrative technique of the story-within-a-story, which he saw as the inter-play of two plays. This technique allowed More to introduce—in the words of his fictional character Hythlody—an idea so ...
NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE
... Theatre practitioners continued their search for true artistic merit into the 20th century during World War I as their societies crumbled around them. In the United States, the outcry for better theatre began a decade or more later than that of Europe. American audiences were cautious of the Europea ...
... Theatre practitioners continued their search for true artistic merit into the 20th century during World War I as their societies crumbled around them. In the United States, the outcry for better theatre began a decade or more later than that of Europe. American audiences were cautious of the Europea ...
American Theatre Twentieth Century
... federal government to its citizens. Radical theatre artists reemerged in the 1960s and introduced guerrilla tactics, nudity, and rock music into theatre. Not only did they challenge the political and military power structures that ruled the nation, but also they deconstructed the conventions of thea ...
... federal government to its citizens. Radical theatre artists reemerged in the 1960s and introduced guerrilla tactics, nudity, and rock music into theatre. Not only did they challenge the political and military power structures that ruled the nation, but also they deconstructed the conventions of thea ...
full text - Ghent University Academic Bibliography
... remediated in contemporary performances? In sum, what are the challenges, the restrictions and the implications of a deep play with old and new media on a stage? Obviously, the different contributions included in this reader cannot provide an extensive answer to all these questions. But the case stu ...
... remediated in contemporary performances? In sum, what are the challenges, the restrictions and the implications of a deep play with old and new media on a stage? Obviously, the different contributions included in this reader cannot provide an extensive answer to all these questions. But the case stu ...
A History of Student Theatre at the University of Pennsylvania By
... noblest purposes!4 Of note is that this performance also contained women, despite the College only containing male students. I’m not sure where they found the women, but Smith and his students did what few other Penn groups would do for almost two centuries by performing co-ed theatre. While further ...
... noblest purposes!4 Of note is that this performance also contained women, despite the College only containing male students. I’m not sure where they found the women, but Smith and his students did what few other Penn groups would do for almost two centuries by performing co-ed theatre. While further ...
View/Download Entire Issue Here
... Nietzsche, Kierkegaard, Schopenhauer, and the power of the creation that through the limbic resonance of the artist reframes the socially viewed oddity into works of art, Hunka provides both scientific and aesthetic considerations and challenges the socially restrictive frame of the atypical emotion ...
... Nietzsche, Kierkegaard, Schopenhauer, and the power of the creation that through the limbic resonance of the artist reframes the socially viewed oddity into works of art, Hunka provides both scientific and aesthetic considerations and challenges the socially restrictive frame of the atypical emotion ...
Text in Contemporary Theatre
... This collection of articles represents outcome of the two-day international conference organised by the Institute of Literature, Folklore and Art, University of Latvia, and held at the European Union House in Riga on November, 2011. Some authorities of the field, who had no opportunity to attend the ...
... This collection of articles represents outcome of the two-day international conference organised by the Institute of Literature, Folklore and Art, University of Latvia, and held at the European Union House in Riga on November, 2011. Some authorities of the field, who had no opportunity to attend the ...
This chapter will look at questions of power and
... explored both from the point of view of the factors that condition the emission of discourse and those that condition its reception. As Wittgenstein said, ‘The problem of understanding language is connected with the problem of the Will’ (in Bourdieu 1988: 35). Discourse will be used to describe that ...
... explored both from the point of view of the factors that condition the emission of discourse and those that condition its reception. As Wittgenstein said, ‘The problem of understanding language is connected with the problem of the Will’ (in Bourdieu 1988: 35). Discourse will be used to describe that ...
Luvvies and rude mechanicals?
... which might have been equally worthy of inclusion. In an attempt at times to get away from the monotony of one consistent account and voice, I have included many quotes from people we have met. Sometimes these are incorporated into the narrative, at other times anecdotes or arguments from these and ...
... which might have been equally worthy of inclusion. In an attempt at times to get away from the monotony of one consistent account and voice, I have included many quotes from people we have met. Sometimes these are incorporated into the narrative, at other times anecdotes or arguments from these and ...
Specification - Edexcel
... designers and performers have applied their craft to the production of a play. ...
... designers and performers have applied their craft to the production of a play. ...
A History of Modern Drama
... who praises rural life has pointed to the fact that people there have a stronger and livelier sense of Community. Community means genuine, enduring life together, whereas Society is a transient and superficial thing. Thus Gemeinschaft must be understood as a living organism in its own right, while G ...
... who praises rural life has pointed to the fact that people there have a stronger and livelier sense of Community. Community means genuine, enduring life together, whereas Society is a transient and superficial thing. Thus Gemeinschaft must be understood as a living organism in its own right, while G ...
A Grounded Theory Study Of Contemporary Christian Attitudes To
... As evidenced in the following chapters, the tension between Christianity and theatre has caused considerable confusion and alienation for Protestants who attend or work in theatre. Often the historical literature about this topic, especially critical essays, has been written by church leaders or sch ...
... As evidenced in the following chapters, the tension between Christianity and theatre has caused considerable confusion and alienation for Protestants who attend or work in theatre. Often the historical literature about this topic, especially critical essays, has been written by church leaders or sch ...
ensemble theatre conference - Directors Guild of Great Britain
... taking precedence over the ad hoc assumptions of the market place, the 'vogue', the bauble of personal fame. I now know that things were never quite like that in those trail-blazing ensembles, and that the artists probably fell short of the ideal commitment even in Shakespeare's company, or on any ...
... taking precedence over the ad hoc assumptions of the market place, the 'vogue', the bauble of personal fame. I now know that things were never quite like that in those trail-blazing ensembles, and that the artists probably fell short of the ideal commitment even in Shakespeare's company, or on any ...
Burr Theatre - City of New Westminster
... Fraser River in Queensborough. The primary commercial and business district is bounded by 6th Street and 8th Street and goes from the River, and Columbia Street, (downtown) to 10th Avenue (uptown). Just over 50 percent of its current population is new, having moved to New Westminster in the last 5 y ...
... Fraser River in Queensborough. The primary commercial and business district is bounded by 6th Street and 8th Street and goes from the River, and Columbia Street, (downtown) to 10th Avenue (uptown). Just over 50 percent of its current population is new, having moved to New Westminster in the last 5 y ...
Theatre (THEA)
... and strike required. A maximum of 24 credit hours may be earned in THEA 300. THEA 301. Acting I. 3 Hours. This course is a continuation and extension of THEA 212, consisting of the further development of the basics of acting technique. Areas of focus will include training concepts such as ease, hone ...
... and strike required. A maximum of 24 credit hours may be earned in THEA 300. THEA 301. Acting I. 3 Hours. This course is a continuation and extension of THEA 212, consisting of the further development of the basics of acting technique. Areas of focus will include training concepts such as ease, hone ...
Theatre of India
The earliest form of the theatre of India was the Sanskrit theatre. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BC and the 1st century AD and flourished between the 1st century AD and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. With the Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely. Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to the 19th centuries. Modern Indian theatre developed during the period of colonial rule under the British Empire, from the mid-19th century until the mid-20th. In order to resist its use by Indians as an instrument of protest against colonial rule, the British Government imposed the Dramatic Performances Act in 1876. From the last half of the 19th century, theatres in India experienced a boost in numbers and practice. After Indian independence in 1947, theatres spread throughout India as one of the means of entertainment. As a diverse, multi-cultural nation, the theatre of India cannot be reduced to a single, homogenous trend. In contemporary India, the major competition with its theatre is that represented by growing television industry and the spread of films produced in the Indian film industry based in Mumbai (formerly Bombay), known as ""Bollywood"". Lack of finance is another major obstacle.