Telefunken Opus Steuergerät Hi
... Opus Studio 2650, below, was made just a couple of years later and looks almost identical to the 2430. Nevertheless, the audio amplifier section is all solid-state. The result is a curious hybrid, with a lot of HV and LV supply voltages, AC filament voltages too. In this hybrid you can find vacuum t ...
... Opus Studio 2650, below, was made just a couple of years later and looks almost identical to the 2430. Nevertheless, the audio amplifier section is all solid-state. The result is a curious hybrid, with a lot of HV and LV supply voltages, AC filament voltages too. In this hybrid you can find vacuum t ...
Ph331, Winter 2015 – Comprehensive Study Guide for the final
... did not talk about digital recording. Digital recording of sound. Binary numbers, binary and decimal representations of numbers. Converting decimal numbers to binary representation: a simple method, by consecutive divisions by 2 and writing down the remainders from each division from the right to th ...
... did not talk about digital recording. Digital recording of sound. Binary numbers, binary and decimal representations of numbers. Converting decimal numbers to binary representation: a simple method, by consecutive divisions by 2 and writing down the remainders from each division from the right to th ...
- GEOCITIES.ws
... FM Synthesis: by blending around with a range of frequency modulation the earlier sound cards managed to produce audio that tried to resemble the original analog sound data. Wavetable Synthesis: Sound cards with Wavetable Synthesis technology are bundled with wide variety of built in sound samples o ...
... FM Synthesis: by blending around with a range of frequency modulation the earlier sound cards managed to produce audio that tried to resemble the original analog sound data. Wavetable Synthesis: Sound cards with Wavetable Synthesis technology are bundled with wide variety of built in sound samples o ...
Audio Codec PROTO User Manual
... All Mikroelektronika’s development systems feature a large number of peripheral modules expanding microcontroller’s range of application and making the process of program testing easier. In addition to these modules, it is also possible to use numerous additional modules linked to the development sy ...
... All Mikroelektronika’s development systems feature a large number of peripheral modules expanding microcontroller’s range of application and making the process of program testing easier. In addition to these modules, it is also possible to use numerous additional modules linked to the development sy ...
10_DigitalAudio1
... components) often have a lower pitch than a pure tone of the same mean frequency Apparent loudness of a sound depends on the frequency as well as the amplitude of the sound ...
... components) often have a lower pitch than a pure tone of the same mean frequency Apparent loudness of a sound depends on the frequency as well as the amplitude of the sound ...
Audio Fundamentals Part 1
... medium this includes things like a solid, liquid, gas or plasma. Audio also has an electronic or optical component. There are electrons and photons moving through physical medium such as copper, fiber or air. Electronic and optical audio signals can be transmitted in a range of formats such as analo ...
... medium this includes things like a solid, liquid, gas or plasma. Audio also has an electronic or optical component. There are electrons and photons moving through physical medium such as copper, fiber or air. Electronic and optical audio signals can be transmitted in a range of formats such as analo ...
Powerpoint slides on Animation.
... numbers to represent the voltage level of each sample. The A/D converter must select a whole number that is closest to the signal level at the instant it’s sampled. This produces small rounding errors that cause distortion. Quantization distortion increases at lower levels because the signal is usin ...
... numbers to represent the voltage level of each sample. The A/D converter must select a whole number that is closest to the signal level at the instant it’s sampled. This produces small rounding errors that cause distortion. Quantization distortion increases at lower levels because the signal is usin ...
CD-S1000@NPB_312 (Page 1)
... Yamaha’s involvement with and passion for music goes back more than a century, to when we built our first reed organ in 1887. Now we are the world’s leading producer of pianos and other musical instruments, and are involved with music in many other ways as well. We manufacture professional recording ...
... Yamaha’s involvement with and passion for music goes back more than a century, to when we built our first reed organ in 1887. Now we are the world’s leading producer of pianos and other musical instruments, and are involved with music in many other ways as well. We manufacture professional recording ...
Olympus Interview/Conference Recorder
... A full range of optional accessories will help you make the most of the DS-2200. The Digital Conference Kit, for example, includes the tiny AKG microphones to allow stereo recording of discussions in larger conference rooms. The supplied ME51S stereo microphone can be plugged into the earphone / mic ...
... A full range of optional accessories will help you make the most of the DS-2200. The Digital Conference Kit, for example, includes the tiny AKG microphones to allow stereo recording of discussions in larger conference rooms. The supplied ME51S stereo microphone can be plugged into the earphone / mic ...
Musical Careers
... Leads an orchestra or ensemble in performance. This may include selecting the repertoire, preparing the musicians via rehearsals, and all other business affairs related to leading an ...
... Leads an orchestra or ensemble in performance. This may include selecting the repertoire, preparing the musicians via rehearsals, and all other business affairs related to leading an ...
download
... continuous. Although digital representations are approximations of analog events, they are useful because they are relatively easy to store and manipulate electronically. The trick is in converting from analog to digital, and back again. This is the principle behind compact discs (CDs). The music it ...
... continuous. Although digital representations are approximations of analog events, they are useful because they are relatively easy to store and manipulate electronically. The trick is in converting from analog to digital, and back again. This is the principle behind compact discs (CDs). The music it ...
Distinguishing Characteristics Frequency Sound and Electrical Waves
... various amplitudes. The greater the amplitude, the louder the sound and the stronger the signal. ...
... various amplitudes. The greater the amplitude, the louder the sound and the stronger the signal. ...
OP40-OP44
... Echoes are reflected sounds. They must be heard at least 0.1 s after the original sound to be distinguishable from it. A surface will reflect sound regularly if it is flat to within a fraction of the wavelength of the sound. As speech sound waves may have wavelengths several metres long even rough s ...
... Echoes are reflected sounds. They must be heard at least 0.1 s after the original sound to be distinguishable from it. A surface will reflect sound regularly if it is flat to within a fraction of the wavelength of the sound. As speech sound waves may have wavelengths several metres long even rough s ...
Activity 1.1.4 Representing Music Introduction
... c. The amount of energy at any frequency is represented by the color of the spectrogram. Time is represented on the x-axis. When sound waves vibrate the microphone, the frequencies of the vibration are shown in black or red. What do you see in the spectrogram when you speak? d. The y-axis of the spe ...
... c. The amount of energy at any frequency is represented by the color of the spectrogram. Time is represented on the x-axis. When sound waves vibrate the microphone, the frequencies of the vibration are shown in black or red. What do you see in the spectrogram when you speak? d. The y-axis of the spe ...
Location Sound I - Location Sound Class
... Not useful unless they are amplified. Line levels are strong, over a hundred times stronger than MIC levels. (Volts) MIC levels need to pass through a preamp in order to become line levels. MIC preamp knobs on FP33 Mic level into mixer ...
... Not useful unless they are amplified. Line levels are strong, over a hundred times stronger than MIC levels. (Volts) MIC levels need to pass through a preamp in order to become line levels. MIC preamp knobs on FP33 Mic level into mixer ...
Microphones
... Sound is recorded by microphones which are transducers able to convert an acoustic signal into an electric one. There are three types of microphones: Pressure microphones which are sensitive to acoustic pressure Velocity microphones which are sensitive to particle velocity Hybrid microphones w ...
... Sound is recorded by microphones which are transducers able to convert an acoustic signal into an electric one. There are three types of microphones: Pressure microphones which are sensitive to acoustic pressure Velocity microphones which are sensitive to particle velocity Hybrid microphones w ...
The Evolution of Sound and Sound Design for the Stage
... carry bottles of milk inside, among other chores. • The actresses have to get all of those individual tasks across using only their bodies - there are no props, and, aside from a table apiece, no set. • The show has approximately 500 sound cues. ...
... carry bottles of milk inside, among other chores. • The actresses have to get all of those individual tasks across using only their bodies - there are no props, and, aside from a table apiece, no set. • The show has approximately 500 sound cues. ...
File
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
Notes 04
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
Chapter 1
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
m5zn_a5e035a8d520f02
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
... MIDI Instruments • Can play 1 single score (e.g. flute) vs. multiple scores (e.g. organ) • Maximum number of scores that can be played concurrently is an important property of a synthesizer – 3..16 scores per channel. ...
Gregory Boland
... Manager, Phrase Text Music Inc. June 2004 – Oct. 2006 Manage and negotiate financial matters with domestic and foreign publishers, as well as other companies, to secure royalties due to Mr. Ornette Coleman (Jazz Saxophonist), and Phrase Text Inc. Oversee the daily managerial duties of the music ...
... Manager, Phrase Text Music Inc. June 2004 – Oct. 2006 Manage and negotiate financial matters with domestic and foreign publishers, as well as other companies, to secure royalties due to Mr. Ornette Coleman (Jazz Saxophonist), and Phrase Text Inc. Oversee the daily managerial duties of the music ...
Sound recording and reproduction
Sound recording and reproduction is an electrical or mechanical inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a small microphone diaphragm that can detect changes in atmospheric pressure (acoustic sound waves) and record them as a graphic representation of the sound waves on a medium such as a phonograph (in which a stylus senses grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a bigger loudspeaker diaphragm causing changes to atmospheric pressure to form acoustic sound waves. Electronically generated sound waves may also be recorded directly from devices such as an electric guitar pickup or a synthesizer, without the use of acoustics in the recording process other than the need for musicians to hear how well they are playing during recording sessions.Digital recording and reproduction converts the analog sound signal picked up by the microphone to a digital form by the process of digitization. This lets the audio data be stored and transmitted by a wider variety of media. Digital recording stores audio as a series of binary numbers representing samples of the amplitude of the audio signal at equal time intervals, at a sample rate high enough to convey all sounds capable of being heard. Digital recordings are considered higher quality than analog recordings not necessarily because they have higher fidelity (wider frequency response or dynamic range), but because the digital format can prevent much loss of quality found in analog recording due to noise and electromagnetic interference in playback, and mechanical deterioration or damage to the storage medium. A digital audio signal must be reconverted to analog form during playback before it is applied to a loudspeaker or earphones.