Literary Analysis Guiding Questions
... particular element or scene in a literary work. Persona: The unidentified personage who 'speaks' (see speaker) in a poem or prose work. The persona should not be identified with the author of the work. Personification: Giving inanimate/non-human things the qualities, abilities, or emotions of humans ...
... particular element or scene in a literary work. Persona: The unidentified personage who 'speaks' (see speaker) in a poem or prose work. The persona should not be identified with the author of the work. Personification: Giving inanimate/non-human things the qualities, abilities, or emotions of humans ...
Figurative Language - Mrs. Williams` Class
... When I say figuratively and not literally! “I think I just dodged a bullet!” Figurative Language is usually used in poetry. ...
... When I say figuratively and not literally! “I think I just dodged a bullet!” Figurative Language is usually used in poetry. ...
Glossary of Poetry Terms
... a repeated refrain. “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge is an example of a ballad. blank verse Poetry that is written in unrhymed iambic pentameter. Shakespeare wrote most of his plays in blank verse. caesura A natural pause or break in a line of poetry, usually near the mid ...
... a repeated refrain. “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge is an example of a ballad. blank verse Poetry that is written in unrhymed iambic pentameter. Shakespeare wrote most of his plays in blank verse. caesura A natural pause or break in a line of poetry, usually near the mid ...
PowerPoint Presentation - Introduction to Poetry
... something other than what is literally represented. Examples: Dark or black images in poems are often used to symbolize death. Light or white images are often used to symbolize life. ...
... something other than what is literally represented. Examples: Dark or black images in poems are often used to symbolize death. Light or white images are often used to symbolize life. ...
Poetry Terms Glossary
... Italian (or Petrarchan) sonnets are divided into two quatrains and a six-line "sestet," with the rhyme scheme abba abba cdecde (or cdcdcd). English (or Shakespearean) sonnets are composed of three quatrains and a final couplet, with a rhyme scheme of abab cdcd efef gg. English sonnets are writ ...
... Italian (or Petrarchan) sonnets are divided into two quatrains and a six-line "sestet," with the rhyme scheme abba abba cdecde (or cdcdcd). English (or Shakespearean) sonnets are composed of three quatrains and a final couplet, with a rhyme scheme of abab cdcd efef gg. English sonnets are writ ...
Poetry Lines of rhythmic verse meant to be read aloud. It
... Extreme exaggeration for effect (he was so tall he had to stoop to go under traffic lights) Giving human characteristics to non-human things (the wind whistled in the trees)—not to be confused with cartoon characters, etc. Words that appeal to the senses to create an image in the mind’s “eye” A refe ...
... Extreme exaggeration for effect (he was so tall he had to stoop to go under traffic lights) Giving human characteristics to non-human things (the wind whistled in the trees)—not to be confused with cartoon characters, etc. Words that appeal to the senses to create an image in the mind’s “eye” A refe ...
Poets Hating Poetry - Oklahoma Humanities Council
... Poetry. I, too, dislike it: there are things that are important beyond all this fiddle. —Marianne Moore, “Poetry” ...
... Poetry. I, too, dislike it: there are things that are important beyond all this fiddle. —Marianne Moore, “Poetry” ...
A Narrative Poem By Sir Walter Scott
... Basically, the characters in the poem are divided into two groups: 1. Those who are active, who conform to the language of battle and conflict 2. Those who are passive and ineffective In your notes, make a character list based on these groups. ...
... Basically, the characters in the poem are divided into two groups: 1. Those who are active, who conform to the language of battle and conflict 2. Those who are passive and ineffective In your notes, make a character list based on these groups. ...
PowerPoint Presentation - Introduction to Poetry
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
File
... Alliteration - is the repetition of initial sounds in neighboring words. It’s also The matching or repetition of consonants. Example : The pompey pipped at the Post as Pippo pounces. Assonance - takes place when two or more words close to one another repeat the same vowel sound but start with dif ...
... Alliteration - is the repetition of initial sounds in neighboring words. It’s also The matching or repetition of consonants. Example : The pompey pipped at the Post as Pippo pounces. Assonance - takes place when two or more words close to one another repeat the same vowel sound but start with dif ...
PowerPoint Presentation - Introduction to Poetry
... No birds were flying overhead-There were no birds to fly. From “The Walrus and the Carpenter ...
... No birds were flying overhead-There were no birds to fly. From “The Walrus and the Carpenter ...
Poetry Terms to Know - the Mr. Klein Grapevine
... A figure of speech in which a person, place or thing is referred to by something closely associated with it. Modernism: A term for the bold new experimental styles and forms that swept the arts during the first third of the 20 th century Narrative: the form of discourse that tells about a series of ...
... A figure of speech in which a person, place or thing is referred to by something closely associated with it. Modernism: A term for the bold new experimental styles and forms that swept the arts during the first third of the 20 th century Narrative: the form of discourse that tells about a series of ...
Literary Devices
... Usually, a couplet's content is something silly. It has no title. Example: Take my nice, new shiny nickel (A) 4 feet Sell me that juicy, garlic pickle! (A) 4 feet ...
... Usually, a couplet's content is something silly. It has no title. Example: Take my nice, new shiny nickel (A) 4 feet Sell me that juicy, garlic pickle! (A) 4 feet ...
Lesson 5: What is figurative language and how do poets use it
... Lesson 5: What is figurative language and how do poets use it? Teaching Point: To learn how figurative language is used in poetry. Why/Purpose/Connection: To add to students’ growing understanding of poetry by examining figurative language. Materials: A collection of poems that employ various types ...
... Lesson 5: What is figurative language and how do poets use it? Teaching Point: To learn how figurative language is used in poetry. Why/Purpose/Connection: To add to students’ growing understanding of poetry by examining figurative language. Materials: A collection of poems that employ various types ...
Poetry Analysis of Robert Frost`s "Fire and Ice"
... The interpretations of Robert Frost’s poem, “The Road Not Taken,” vary from reader to reader, but the essential implication of the poem deals with choices in life. Every day we face numerous situations in which decisions must be made—some small, relatively insignificant decisions and other, large de ...
... The interpretations of Robert Frost’s poem, “The Road Not Taken,” vary from reader to reader, but the essential implication of the poem deals with choices in life. Every day we face numerous situations in which decisions must be made—some small, relatively insignificant decisions and other, large de ...
simile
... • A literary device in which the author speaks of or describes an animal, object, or idea as if it were a person • What is being personified in this poem by Shel Silverstein? ...
... • A literary device in which the author speaks of or describes an animal, object, or idea as if it were a person • What is being personified in this poem by Shel Silverstein? ...
Types of Poetry
... Symbol: the representation of something complex or abstract – the flag symbolizes freedom Hyperbole: exaggeration Idiom: a common phrase or figure of speech not to be taken literally (raining cats and dogs) ...
... Symbol: the representation of something complex or abstract – the flag symbolizes freedom Hyperbole: exaggeration Idiom: a common phrase or figure of speech not to be taken literally (raining cats and dogs) ...
Concrete Poem
... To indicate the rhyme scheme of a poem, lower case letters are used to identify the rhyme in each line of each stanza. ...
... To indicate the rhyme scheme of a poem, lower case letters are used to identify the rhyme in each line of each stanza. ...
Introduction to Poetry
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
File - Mrs. Bailey`s Class
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
Poetry Prompt Review
... 1706 William Congreve wrote that "The Character of these late Pindariques, is a Bundle of rambling incoherent Thoughts, express'd in a like parcel of irregular Stanza's." Examples include Thomas Gray's "The Progress of Poesy" and "The Bard," and William Wordsworth's "Ode: Intimations of Immortality. ...
... 1706 William Congreve wrote that "The Character of these late Pindariques, is a Bundle of rambling incoherent Thoughts, express'd in a like parcel of irregular Stanza's." Examples include Thomas Gray's "The Progress of Poesy" and "The Bard," and William Wordsworth's "Ode: Intimations of Immortality. ...
intropoetry1 - Whitehead13-14
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
... The difference between a simile and a metaphor is that a simile requires either “like” or “as” to be included in the comparison, and a metaphor requires that neither be used. ...
Poetry terms - saddlespace.org
... Alliteration: the repetition of initial consonant sounds. (Suzy sold seashells down by the seashore.) Allusion: a reference to a well-known person, event, literary work, or work of art. Assonance: the repetition of vowel sounds followed by different consonants in two or more stressed syllables. (fra ...
... Alliteration: the repetition of initial consonant sounds. (Suzy sold seashells down by the seashore.) Allusion: a reference to a well-known person, event, literary work, or work of art. Assonance: the repetition of vowel sounds followed by different consonants in two or more stressed syllables. (fra ...
Topographical poetry
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem ""Cooper's Hill"" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout the medieval era and during the Renaissance. Though the earliest examples come mostly from continental Europe, the topographical poetry in the tradition originating with Denham concerns itself with the classics, and many of the various types of topographical verse, such as river, ruin, or hilltop poems were established by the early 17th century. Alexander Pope's ""Windsor Forest"" (1713) and John Dyer's ""Grongar Hill' (1762) are two other oft-mentioned examples. More recently, Matthew Arnold's ""The Scholar Gipsy"" (1853) praises the Oxfordshire countryside, and W. H. Auden's ""In Praise of Limestone"" (1948) uses a limestone landscape as an allegory. Subgenres of topographical poetry include the country house poem, written in 17th-century England to compliment a wealthy patron, and the prospect poem, describing the view from a distance or a temporal view into the future, with the sense of opportunity or expectation. When understood broadly as landscape poetry and when assessed from its establishment to the present, topographical poetry can take on many formal situations and types of places. Kenneth Baker identifies 37 varieties and compiles poems from the 16th through the 20th centuries—from Edmund Spenser to Sylvia Plath—correspondent to each type, from ""Walks and Surveys,"" to ""Mountains, Hills, and the View from Above,"" to ""Violation of Nature and the Landscape,"" to ""Spirits and Ghosts.""Common aesthetic registers of which topographical poetry make use include pastoral imagery, the sublime, and the picturesque. These latter two registers subsume imagery of rivers, ruins, moonlight, birdsong, and clouds, peasants, mountains, caves, and waterscapes.