audioquest anaconda
... a typical setup requires 12 digital cables, and that’s without adding networking capabilities. The four units that make up the Vivaldi have collectively a mind-bending 56 rear-panel connectors. Moreover, the settings on each unit need to be optimized for the best sound. These include the upsampling ...
... a typical setup requires 12 digital cables, and that’s without adding networking capabilities. The four units that make up the Vivaldi have collectively a mind-bending 56 rear-panel connectors. Moreover, the settings on each unit need to be optimized for the best sound. These include the upsampling ...
co3™ manual - Full Compass
... signal is output to both the optical and coaxial S/PDIF output jacks. The AES/EBU signals require special handling since they don’t carry SCMS information – more specific information is available below. Coaxial or TOSlink (optical) S/PDIF Input Modes When the source is set to coaxial (RCA-type jack) ...
... signal is output to both the optical and coaxial S/PDIF output jacks. The AES/EBU signals require special handling since they don’t carry SCMS information – more specific information is available below. Coaxial or TOSlink (optical) S/PDIF Input Modes When the source is set to coaxial (RCA-type jack) ...
Interfacing AES3 and S/PDIF
... factors: 1) Half the signal is loss due to the impedance matching required for high-speed transmission lines (output impedance equals input impedance creating a 6 dB pad); and 2) Signal loss driving long cables. CONVERSION CAUTION You can convert one electrical interface to another with just a few p ...
... factors: 1) Half the signal is loss due to the impedance matching required for high-speed transmission lines (output impedance equals input impedance creating a 6 dB pad); and 2) Signal loss driving long cables. CONVERSION CAUTION You can convert one electrical interface to another with just a few p ...
No Slide Title
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
interconnect
... tpHL = CL Vswing/2 Iav Reducing the swing potentially yields linear reduction in delay Also results in reduction in power dissipation Delay penalty is paid by the receiver Requires use of “sense amplifier” to restore signal level Frequently designed with differential signals ...
... tpHL = CL Vswing/2 Iav Reducing the swing potentially yields linear reduction in delay Also results in reduction in power dissipation Delay penalty is paid by the receiver Requires use of “sense amplifier” to restore signal level Frequently designed with differential signals ...
No Slide Title
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
Interconnects - Oregon State EECS
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
... Interconnect: # of Wiring Layers # of metal layers is steadily increasing due to: ...
Digital Audio Tapes - Smithsonian Institution Archives
... Digital audio and video tapes are able to store high data densities through the use of these thin tapes, magnetic pigments, and a slightly different recording process than their analog counterparts. Digital audio recordings measure (sample) the level of a sound wave at a regular interval and then re ...
... Digital audio and video tapes are able to store high data densities through the use of these thin tapes, magnetic pigments, and a slightly different recording process than their analog counterparts. Digital audio recordings measure (sample) the level of a sound wave at a regular interval and then re ...
NCX Network Audio Terminal
... By distributing digital audio data over a standard Ethernet network, NCX Network Audio Terminals dramatically increase the maximum number of audio channels that can be reliably managed by a single computer. Both PCM and MPEG formats are supported. At the same time, we have provided a flexible and fa ...
... By distributing digital audio data over a standard Ethernet network, NCX Network Audio Terminals dramatically increase the maximum number of audio channels that can be reliably managed by a single computer. Both PCM and MPEG formats are supported. At the same time, we have provided a flexible and fa ...
Mastered for iTunes
... Because iTunes Plus is a highly portable format, its files have the potential to be listened to in a wide range of different settings. So while one listener may be using white earbuds while riding in a loud subway car, another may wind up listening intently to a Bach cantata on AirPlay‑equipped Bowe ...
... Because iTunes Plus is a highly portable format, its files have the potential to be listened to in a wide range of different settings. So while one listener may be using white earbuds while riding in a loud subway car, another may wind up listening intently to a Bach cantata on AirPlay‑equipped Bowe ...
Objective 105.02 Understand digital audio production methods
... -Fade starting and stopping audio clips at a defined point in the recording a gradual change of volume used to change between clips of audio Fade Up (In) and Fade Down (Out) : gradually increasing or decreasing the volume of an audio clip Crossfade : a gradual volume transition from one audio clip t ...
... -Fade starting and stopping audio clips at a defined point in the recording a gradual change of volume used to change between clips of audio Fade Up (In) and Fade Down (Out) : gradually increasing or decreasing the volume of an audio clip Crossfade : a gradual volume transition from one audio clip t ...
HDW-F500 - GRS Systems
... picture content) are combined with a low compression ratio of 4.4 to 1 to give a total on-tape recorded data rate of a modest 185 Mb/s at 60i. On tape the recordings are protected by very powerful error correction and concealment strategies perfected through years of Sony digital VTR development. Th ...
... picture content) are combined with a low compression ratio of 4.4 to 1 to give a total on-tape recorded data rate of a modest 185 Mb/s at 60i. On tape the recordings are protected by very powerful error correction and concealment strategies perfected through years of Sony digital VTR development. Th ...
delay-free lossy audio coding using shelving pre- and post
... finally quantized to in our case 4 bit using a uniform quantizer. The value q(n) associated with the 4 bit quantization index is then multiplied with v(n) in both decoder and encoder to obtain the reconstructed prediction error ê(n) = v(n) · q(n). From this ê(n), the level-estimate v(n + 1) to be u ...
... finally quantized to in our case 4 bit using a uniform quantizer. The value q(n) associated with the 4 bit quantization index is then multiplied with v(n) in both decoder and encoder to obtain the reconstructed prediction error ê(n) = v(n) · q(n). From this ê(n), the level-estimate v(n + 1) to be u ...
aria music server - Ochoa y Díaz Llanos
... iaria app for iPad™ automatically detects aria server and selects it with no network hassles. Manual entry of NAS name or IP address is also provided Zones with compatible DLNA renderers are identified and can be selected anytime within the zones menu Streaming to Airplay™ compatible devices Multila ...
... iaria app for iPad™ automatically detects aria server and selects it with no network hassles. Manual entry of NAS name or IP address is also provided Zones with compatible DLNA renderers are identified and can be selected anytime within the zones menu Streaming to Airplay™ compatible devices Multila ...
Digital Dictation - Is it Right for Your Firm?
... the audio can also be uploaded to and downloaded from websites. 4. Insert/Overwrite Capability. Analog tapes only allow attorneys to dictate in a linear fashion. In other words, if the attorney dictates Paragraph 1 onto a tape, then Paragraph 2, but later decides that additional verbiage should be a ...
... the audio can also be uploaded to and downloaded from websites. 4. Insert/Overwrite Capability. Analog tapes only allow attorneys to dictate in a linear fashion. In other words, if the attorney dictates Paragraph 1 onto a tape, then Paragraph 2, but later decides that additional verbiage should be a ...
Growth Networks Inc
... For example: given a set S, consider a*b = c and * is a binary operator. If (a, b) through * get c and a, b, cS, then * is a binary operator of S. On the other hand, if * is not a binary operator of S and a, bS, then cS. ...
... For example: given a set S, consider a*b = c and * is a binary operator. If (a, b) through * get c and a, b, cS, then * is a binary operator of S. On the other hand, if * is not a binary operator of S and a, bS, then cS. ...
Joe Curcio - Greenpoint
... T2K Media Converter affiliates software– Affiliates using the Star Guide T2K digital content delivery system had issues with regard to the way files were named in the existing delivery system. In addition, the delivery system did not permit audio file conversion so that the affiliate could ingest th ...
... T2K Media Converter affiliates software– Affiliates using the Star Guide T2K digital content delivery system had issues with regard to the way files were named in the existing delivery system. In addition, the delivery system did not permit audio file conversion so that the affiliate could ingest th ...
information - Odyssey Pro Sound
... unbalanced. –10 dBu (consumer) nominal input level. Microphone Level: Minimum input peak level (Input Selector at Mic 40 and front gain controls at max): –54dBu Balanced, –50 dB Unbalanced (up to 54dB of gain is available). Phantom Power: Available in Mic Positions when Phantom Power Selector is ena ...
... unbalanced. –10 dBu (consumer) nominal input level. Microphone Level: Minimum input peak level (Input Selector at Mic 40 and front gain controls at max): –54dBu Balanced, –50 dB Unbalanced (up to 54dB of gain is available). Phantom Power: Available in Mic Positions when Phantom Power Selector is ena ...
Understanding & Measuring Digital Audio Levels - AV-iQ
... Chart 1. Audio levels comparison chart showing how RMS levels relate to dBm, dBu, dBV values. (mW and dBm levels refer to 300 ohms) Chart 1 shows some sample values of RMS audio voltage levels through the typical audio range in the first column. The remaining columns show how these RMS levels relate ...
... Chart 1. Audio levels comparison chart showing how RMS levels relate to dBm, dBu, dBV values. (mW and dBm levels refer to 300 ohms) Chart 1 shows some sample values of RMS audio voltage levels through the typical audio range in the first column. The remaining columns show how these RMS levels relate ...
Streaming Theory PowerPoint presentation
... is sent as a continuous data stream rather than existing as a static file. Data is reduced for internet broadcast Audio encoded using a bit reduced perceptual audio coder. ...
... is sent as a continuous data stream rather than existing as a static file. Data is reduced for internet broadcast Audio encoded using a bit reduced perceptual audio coder. ...
Quick Setup Guide
... with a Bluetooth device. If your Bluetooth device has a display, the SoundBase appears as “ZVOX”. The SoundBase display stops flashing when it pairs with the Bluetooth device. ...
... with a Bluetooth device. If your Bluetooth device has a display, the SoundBase appears as “ZVOX”. The SoundBase display stops flashing when it pairs with the Bluetooth device. ...
581 Pre Release
... ensures that no noise approaches the pass band. Filtering was upgraded and the outputs fully isolated to insure no noise contamination. Upgradeable Modular Design – Upgrade flexibility is a cornerstone of Wadia’s philosophy. Software-configured circuitry, along with modular design such as digital ou ...
... ensures that no noise approaches the pass band. Filtering was upgraded and the outputs fully isolated to insure no noise contamination. Upgradeable Modular Design – Upgrade flexibility is a cornerstone of Wadia’s philosophy. Software-configured circuitry, along with modular design such as digital ou ...
Overview The PRO2C is designed to work in conjunction
... The PRO2C is designed to work in conjunction with any of the MIDAS digital I/O units. Each PRO2 Touring Package ships complete with a MIDAS DL251 stage box, providing 48 MIDAS mic/line inputs, and 16 analogue XLR outputs on stage, in addition to the PRO2C’s 8 mic/line inputs and 16 XLR analogue outp ...
... The PRO2C is designed to work in conjunction with any of the MIDAS digital I/O units. Each PRO2 Touring Package ships complete with a MIDAS DL251 stage box, providing 48 MIDAS mic/line inputs, and 16 analogue XLR outputs on stage, in addition to the PRO2C’s 8 mic/line inputs and 16 XLR analogue outp ...
VAB-802
... compatible speakers listed in the chart below. The VAB-802 Audio Booster can be used in a stand alone configuration to provide pre-recorded tone and voice messaging when the capability to make live voice announcements via a paging microphone isn’t required. VAB-802 Audio Booster message/tone generat ...
... compatible speakers listed in the chart below. The VAB-802 Audio Booster can be used in a stand alone configuration to provide pre-recorded tone and voice messaging when the capability to make live voice announcements via a paging microphone isn’t required. VAB-802 Audio Booster message/tone generat ...
Dolby Digital Plus
Dolby Digital Plus, also known as Enhanced AC-3 (and commonly abbreviated as DD+ or E-AC-3, or EC-3) is a digital audio compression scheme developed by Dolby Labs for transport and storage of multi-channel digital audio. It is a successor to Dolby Digital (AC-3), also developed by Dolby, and has a number of improvements including support for a wider range of data rates (32kbit/s to 6144kbit/s), increased channel count and multi-program support (via substreams), and additional tools (algorithms) for representing compressed data and counteracting artifacts. While Dolby Digital (AC-3) supports up to 5 full-bandwidth audio channels at a maximum bitrate of 640kbit/s, E-AC-3 supports up to 15 full-bandwidth audio channels at a maximum bitrate of 6.144 Mbit/s.The full set of technical specifications for E-AC-3 (and AC-3) are standardized and published in Annex E of ATSC A/52:2012, as well as Annex E of ETSI TS 102 366 V1.2.1 (2008–08), published by the Advanced Television Systems Committee.