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INTRO TO SHAKESPEARE AND Romeo and Juliet 2014
INTRO TO SHAKESPEARE AND Romeo and Juliet 2014

... Journal What I already know about Shakespeare… (If you don’t know anything about him, that’s FINE! Share your EXPECTATIONS and PREDICTIONS about his life and work instead.) ...
Brecht`s stylistic departure from naturalism: key features and effects
Brecht`s stylistic departure from naturalism: key features and effects

... cyclical crises; the ‘heroes’ change with the different phases, are interchangeable, etc.; the graph of people’s actions is complicated by abortive actions; fate is no longer a single coherent power; rather there are fields of force which can be seen radiating in opposite directions; the power group ...
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... Additional materials: Answer paper Sample Paper (This subject will first be examined in 2005) ...
Scapin Study Guide Color 4/03 - Denver Center for the Performing Arts
Scapin Study Guide Color 4/03 - Denver Center for the Performing Arts

... rehearsal. Improvisation was important because performances could be adapted to local and contemporary needs. The success of a play depended largely upon the comic ingenuity of the performers and included mime, farce, clownish buffoonery and music in its presentation. Another influence on Molière wa ...
Musical Theatre Guild
Musical Theatre Guild

... different. Opera singers often sing in German, French, and Spanish to what would be considered classical music, while musicals usually focus more on spoken dialogue and sing in the language of the audience to the popular music style at the time. Many opera singers are not trained as dancers and acto ...
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Drama II

... 2. My number one rule in the classroom is RESPECT. I will not permit mocking or teasing of any kind, especially when critiquing one another’s performances. Performing is a scary and vulnerable art form. We are all learning and growing, so be respectful. 3. Never say “I can’t.” In theatre I will be ...
Supporting Notes for Practical Unit Guide
Supporting Notes for Practical Unit Guide

... The document in total should be approx. 1500-200 words! It must show clearly your link to your chosen genre, director or theatre company Avoid talking too much about stuff you’re not doing Don’t just download information – make it your own! Make sure you mention your own work (their contribution, th ...
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... A troublesome element in a script that negatively deflects the reader’s attention away from the story. Button A TV writing term referring to a witty line that “tops off” a scene. Cable A cable television network such as HBO, or cable television in general. Cast The characters who are physically pres ...
Open Sesame
Open Sesame

... objects … and ta daa … the star of the story appears… a book. ... It introduces, links and ends the show. The pleasure of stroking a book.... This scene presents the book as a magical object, which hides treasures in it … surprises … it is like the magic hat of a magician… When you open its covers, ...
Best information pack
Best information pack

... Our Best Academy courses in the spring and summer vacations have become immensely popular, providing a thrilling week of fun, friendship and theatre culminating in a spectacular theatre show. Each week has a different theme so children can come to as many as they like and as we are OFSTED registered ...
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What Is This We Miss?

... attacks against each other, shed themselves from their rags. But they become only bodies moving indefinitely through space. Is it a group therapy or medieval ritual? According to creators, the term Hadá is releasing of meaning and depersonalization. It is action situated between the atmosphere of dr ...
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... pantomime could transform the things around him by striking him with his magic bat or ‘‘slapstick’’. ...
Chapter 6 - School of the Performing Arts
Chapter 6 - School of the Performing Arts

... • Theatre of Images: – Robert Wilson’s A Letter for Queen Victoria: • Elements of production “collage”: ...
postmodern american drama: an introduction
postmodern american drama: an introduction

... A perfect tragedy should, as we have seen, be arranged not on the simple but on the complex plan. It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation. It follows plainly, in the first place, that the change of fortune presented must no ...
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Shakespeare’s Romeo and Juliet

... Most academics would argue Hamlet is ...
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Russian - WordPress.com

... shielding the set from view. – Despite the complexities of bio-mechanics, use of symbolism in the form of poses, and choreographed movement to music as part of performance, are now commonly accepted forms of theatre. – Meyerhold’s expulsion from Soviet theatre has shown how the ancient art form that ...
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babes in toyland

... musical score was written by Victor Herbert and the book and lyrics were written by Glen MacDonough. The production you will see is adapted by Helen Grigal, producer and director, of The Baltimore Actors’ Theatre. When Babes in Toyland was first produced on Broadway the critics said, “This show will ...
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1 E PLURIBUS UNUM: A Study in Multi-Character Solo

... Fires in the Mirror as it is known today. In the preface to her play’s published text, Smith defends her process in devising her work. “[I] knew that by using another person’s language, it was possible to portray what was invisible about that individual. It struck me that this could work on a social ...
37 Radical Acting Techniques in Zimbabwean Street Theatre
37 Radical Acting Techniques in Zimbabwean Street Theatre

... customer adjacent to Cde. In this instance, the female audience members laugh at the seemingly exaggerated actions as they can be heard randomly protesting the overplaying of character. Such response from the female audience members proves that the audiences are aware of the performance event, thus ...
Iconic CATS about music and movement : King Weekly Sentinel
Iconic CATS about music and movement : King Weekly Sentinel

... The play is not about props or special effects. And even the costumes, while colourful and suficiently cat-like, have to be functional, given the high energy levels by performers. The makeup and hair were the best qualities, and Rum Tum Tugger's mane was my personal favourite. Even though this music ...
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An interview with Dario Fo POPULAR AND POLITICAL THEATRE

... Fedayeen, Greece, Chile, Spain and so on. ...
The Theban Plays “Oedipus the King”
The Theban Plays “Oedipus the King”

...  There was a CHORUS in the play  The function of the chorus was interactive: it helped the audience ...
An Actor`s Code of Ethics and Theatre Etiquette
An Actor`s Code of Ethics and Theatre Etiquette

... PUNCTUALITY– You’ve heard it your whole life . There are moments when a crisis may disrupt your arrival time, so PLAN for those moments by arriving early. Those extra minutes will allow you to warm up, build an ensemble with your fellow cast members, or get you in the right frame of mind for rehears ...
view printer-friendly PDF
view printer-friendly PDF

... Travesties is Tom Stoppard’s second play to win both the Tony and New York Drama Critics’ Circle Award for Best Play (1976) and is an intriguing and entertaining example of the playwright’s blazing wit, worldcultural literacy, mastery of both the intellectual and the absurd, and incomparable capacit ...
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Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
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