• Study Resource
  • Explore
    • Arts & Humanities
    • Business
    • Engineering & Technology
    • Foreign Language
    • History
    • Math
    • Science
    • Social Science

    Top subcategories

    • Advanced Math
    • Algebra
    • Basic Math
    • Calculus
    • Geometry
    • Linear Algebra
    • Pre-Algebra
    • Pre-Calculus
    • Statistics And Probability
    • Trigonometry
    • other →

    Top subcategories

    • Astronomy
    • Astrophysics
    • Biology
    • Chemistry
    • Earth Science
    • Environmental Science
    • Health Science
    • Physics
    • other →

    Top subcategories

    • Anthropology
    • Law
    • Political Science
    • Psychology
    • Sociology
    • other →

    Top subcategories

    • Accounting
    • Economics
    • Finance
    • Management
    • other →

    Top subcategories

    • Aerospace Engineering
    • Bioengineering
    • Chemical Engineering
    • Civil Engineering
    • Computer Science
    • Electrical Engineering
    • Industrial Engineering
    • Mechanical Engineering
    • Web Design
    • other →

    Top subcategories

    • Architecture
    • Communications
    • English
    • Gender Studies
    • Music
    • Performing Arts
    • Philosophy
    • Religious Studies
    • Writing
    • other →

    Top subcategories

    • Ancient History
    • European History
    • US History
    • World History
    • other →

    Top subcategories

    • Croatian
    • Czech
    • Finnish
    • Greek
    • Hindi
    • Japanese
    • Korean
    • Persian
    • Swedish
    • Turkish
    • other →
 
Profile Documents Logout
Upload
Background on Theatre in London
Background on Theatre in London

... -- page 2 -iron spikes to discourage spectators from invading the acting area. The house may be visualized as an elongated U shaped, occupying about half the total length of the theatre building. The pit was an inclined floor rising to about the level of the stage at the back and furnished with row ...
Deconstructing the “Fourth Wall”: Metatheatricality in Plautus` Miles
Deconstructing the “Fourth Wall”: Metatheatricality in Plautus` Miles

... Plautus’ major contribution to comedy is his inclusion of self-conscious awareness of theatrical conventions in his novel concept of comic heroism that emerges vividly in performance. This convention, encourages the audience to view the play on two levels, both as affectation of reality and also as ...
Twelth Night ed pack PDF
Twelth Night ed pack PDF

... know. They possibly don’t know where it comes from but it is very familiar and they might hear it or use the quote from time to time. Such quotes become famous because they are clever in the way that they make sense of all kinds of situations, or because the way in which the words are used make peop ...
Life Skills Outcomes Worksheet - Drama
Life Skills Outcomes Worksheet - Drama

... Student: ...
Ubu Reconstructed - Brunel University London
Ubu Reconstructed - Brunel University London

... masks. Overall principle that guided the group in deciding what to use was not based on any great ideas or artistic missions but on practicalities and necessities of travelling theatre, roughness and simplicity of popular theatre tradition. Nothing was preconceived not because this was better way, i ...
POST-SHOW DISCUSSION QUESTIONS AND
POST-SHOW DISCUSSION QUESTIONS AND

... The Vocabulary and Style of Dramatic and Theatrical Storytelling in Are You There, McPhee? The theatrical construct that John has written is of a story told to us by somebody in his sixties/early seventies, about something that happened to him when he was in his midthirties. He is telling a tale and ...
Japanese Theatre - Highline Public Schools
Japanese Theatre - Highline Public Schools

... Noh plays as comic relief No music Broad humor About 20 minutes long ...
study guide - South Coast Repertory
study guide - South Coast Repertory

... Later that night, Anastasia eats dinner with her family and presents her poem to her father, who is himself a poet. He reads the poem, and in his professional opinion, transforms Mrs. Westvessel’s “F” into fabulous. Anastasia’s joy is ruined when her parents tell her the worst, most horrible news sh ...
Melodrama powerpoint
Melodrama powerpoint

...  It was said to be more real than reality at the time  It made the greater evil easier to identify and the problems easier to find solutions to.  Virtue was the foundation of melodrama.  Works were parodies of social issues or the works of ...
Blocking workbook for the beginning director
Blocking workbook for the beginning director

... Blocking is so close to the center of the theatrical technique that it cannot he designed effectively without an understanding of some of , the most fundamental aspects of the theatre art. Since a play is created by an author primarily in the form of dialogue and written stage directions, it must be ...
Monkey Baa Theatre Company: I Am Jack
Monkey Baa Theatre Company: I Am Jack

... show. At the McCallum, for example, student audiences have enjoyed one-person shows such as Gale LaJoye’s Snowflake or last season’s tour de force by Mona Golabek The Pianist of Willesden Lane. In addition to the examples already cited, we could easily add many more including Tovah Feldshuh as Golda ...
Kemin lyseon lukio
Kemin lyseon lukio

... big 10 …. , it certainly feels like it, 11 …. an early touch of feminism to its female 12 …. , particularly Sophia Myles as the doomed Lucy. Count Dracula, ...
Cloud Nine - Atlantic Theater Company
Cloud Nine - Atlantic Theater Company

... notions of “male” and “female.” By being confronted with this abstract idea, and recognizing the differences between social constructs and biology, the audience is charged with developing their own understanding of identity. Modern psychology tells us that gender and sex are different things entirel ...
The “Performative” Dimension of The Good Person of Szechwan
The “Performative” Dimension of The Good Person of Szechwan

... losing itself completely in the character and lead the audience to be a consciously critical ...
AH.CI.2Ad2B2pC2p2Dp2Ep3Ed.EARLYAMERDRAMA.8
AH.CI.2Ad2B2pC2p2Dp2Ep3Ed.EARLYAMERDRAMA.8

... 1800s (melodrama) and its characteristics. Videos of melodramas are shown to kids (two parodies of it). Students are also shown how it relates to their world….melodrama is still being seen everyday on tv and in movies (give examples). ...
Thanks To:
Thanks To:

... reshuffles it, each time creating a piece that is simultaneously new, familiar, and marked by a lineage as old as the theatre itself. On his website (www.charlesmee.org), he invites others to continue in the same vein: “Please feel free to take the plays from this website and use them freely as a re ...
VISUAL STORY FOR FANTASTIC MR FOX This is a visual resource
VISUAL STORY FOR FANTASTIC MR FOX This is a visual resource

... The farmers talk about killing Mr Fox and all the horrible things they will do to him if they catch him. This is all just pretend and a way of showing you how horrible they are At one point, the farmers shoot at Mr Fox and shoot off his tail which falls off, but this is just a trick. Mr Fox’s costum ...
absurd
absurd

... And the mome raths outgrabe. ...
Question Paper
Question Paper

... You are playing the character of Jakes. Explain how you would perform lines 1, 4–7 and 10 vocally and physically to make Jakes's conversation with Giel engaging (to hold the audience's attention). ...
Tobeornottobethatisthequestion owhatanoblemindishereo`erthro
Tobeornottobethatisthequestion owhatanoblemindishereo`erthro

... Acting Shakespeare: Hamlet’s Advice to the Players In Act 3, scene 2 of Hamlet, our title character provides some advice on acting to the traveling performers, taking on what we would now recognize as a directorial tone. Some scholars argue that Hamlet is here the mouthpiece of Shakespeare himself, ...
Animal Crackers
Animal Crackers

... cases, a few students may require considerably more time to complete the task than most students; therefore, you may wish to move these students to a new location to finish. In other cases, the teacher’s knowledge of some students’ work habits or special needs may suggest that students who work very ...
`Playing the Game`: Authenticity and invitation in
`Playing the Game`: Authenticity and invitation in

... Admittedly this is a very small sample, and one that, moreover, is drawn from a pool of potential respondents who might be expected to exhibit particular knowledge of performance activity. In choosing to respond, these spectators may also have felt that they had opinions to express or ideas to explo ...
Study Buddy
Study Buddy

... the show’s soundtrack. For this performance, the soundtrack has been recorded on to a CD which is operated by the stage manager. The musical Dog Loves Books is presented onstage with four actors who play some of the characters found in the book. The actors wear costumes and perform in front of their ...
lysis— trata - Auckland Theatre Company
lysis— trata - Auckland Theatre Company

... Finally it occurs to the men to set fire to the gates. One of the women, Stratylis, leaves the temple to look for water and is taken captive by the men. However, the younger women arrive just in time to distract the men, help Stratylis break free, and gather water to put out the fires. These women t ...
Twelfth Night: A Guide for Teachers
Twelfth Night: A Guide for Teachers

... You may wish you make a sketch of your character as well. 4. Physicalize It: Take your list from above and choose three of the clues. Spend 5 minutes physically developing these clues (gestures, walks, voices, etc). Once they have perfected all three, ask your students to introduce themselves to the ...
< 1 ... 42 43 44 45 46 47 48 49 50 ... 80 >

Meta-reference

Meta-reference, a metafiction technique, is a situation in a work of fiction whereby characters display an awareness that they are in such a work, such as a film, television show or book. Sometimes it may even just be a form of editing or film-making technique that comments on the programme/film/book itself. It is also sometimes known as ""Breaking the Fourth Wall"", in reference to the theatrical tradition of playing as if there were no audience, as if a wall existed between them and the actors.
  • studyres.com © 2025
  • DMCA
  • Privacy
  • Terms
  • Report