Printable version
... When artistic director Emily Mann saw the original production of Lookingglass Alice in Chicago, she was charmed and captivated by its inventiveness and dazzling theatricality. She was also struck by its playfulness and wide appeal—one of those rare events for an audience of all ages to enjoy togethe ...
... When artistic director Emily Mann saw the original production of Lookingglass Alice in Chicago, she was charmed and captivated by its inventiveness and dazzling theatricality. She was also struck by its playfulness and wide appeal—one of those rare events for an audience of all ages to enjoy togethe ...
Lily`s Purple Plastic Purse
... Essie in You Can't Take It With You for Phoenix Theatre. For Actors Theatre she portrayed Nat in Rabbit Hole, Sister Woman in Cat on a Hot Tin Roof, Maya in The Archbishop's Ceiling, and Karen in Dinner with Friends. Last season, she directed The Crucible for Mesa Community College and this year she ...
... Essie in You Can't Take It With You for Phoenix Theatre. For Actors Theatre she portrayed Nat in Rabbit Hole, Sister Woman in Cat on a Hot Tin Roof, Maya in The Archbishop's Ceiling, and Karen in Dinner with Friends. Last season, she directed The Crucible for Mesa Community College and this year she ...
Satire`s Liminal Space: The Conservative Function of Eighteenth
... apart and exempt from the rules and conventions that dictate behavior in their everyday culture. In the second, they participate in “play” with the conventions or laws that govern their culture. And finally, in the last stage, participants re-enter society, empowered with new ideas that can challeng ...
... apart and exempt from the rules and conventions that dictate behavior in their everyday culture. In the second, they participate in “play” with the conventions or laws that govern their culture. And finally, in the last stage, participants re-enter society, empowered with new ideas that can challeng ...
Check out our Study Guide!
... many sources, including, in my opinion, The Book of Job, The Bacchae by Euripides, Shakespeare’s King Lear, and Death of a Salesman by Arthur Miller. We also feel the heavy hand of Harold Pinter. Mamet has recently written, “My early plays, American Buffalo, The Water Engine, Glengarry Glen Ross, co ...
... many sources, including, in my opinion, The Book of Job, The Bacchae by Euripides, Shakespeare’s King Lear, and Death of a Salesman by Arthur Miller. We also feel the heavy hand of Harold Pinter. Mamet has recently written, “My early plays, American Buffalo, The Water Engine, Glengarry Glen Ross, co ...
Julius Caesar Study Guide - American Players Theatre
... knowledge of Latin and an immense comprehension of poetry, Shakespeare’s language can be pretty tough to decipher. He wrote over 21,000 different words, introducing 3,000 words in the Oxford English Dictionary. Some of the words he created are still used today, but many are not, and some now have co ...
... knowledge of Latin and an immense comprehension of poetry, Shakespeare’s language can be pretty tough to decipher. He wrote over 21,000 different words, introducing 3,000 words in the Oxford English Dictionary. Some of the words he created are still used today, but many are not, and some now have co ...
Education Pack - The Watermill Theatre
... Nowadays, Shakespeare is taught in schools not just in England but all around the world, and performed in hundreds of different languages. Many of the everyday words and phrases we use now, such as ‘advertise’ and ‘lonely’ were invented by him. There were, of course, other plays and playwrights work ...
... Nowadays, Shakespeare is taught in schools not just in England but all around the world, and performed in hundreds of different languages. Many of the everyday words and phrases we use now, such as ‘advertise’ and ‘lonely’ were invented by him. There were, of course, other plays and playwrights work ...
Inspector Calls - Birmingham Box
... zones.There is the time in which it was written; there is the time which it refers to consciously; and there is the time in which it is being read or watched.” An example would be Shakespeare’s Henry V which was written in 1599, is set around 1415 and is still being performed today. A student or a d ...
... zones.There is the time in which it was written; there is the time which it refers to consciously; and there is the time in which it is being read or watched.” An example would be Shakespeare’s Henry V which was written in 1599, is set around 1415 and is still being performed today. A student or a d ...
The Performance of Nonconformity on The Muppet
... The Muppet Show, however, had no such explicit agenda. It presented itself as pure entertainment and made no claims of ‘‘usefulness’’ at all. However, as numerous scholars in cultural studies have demonstrated, all cultural products have meaning, because they are created and consumed by people who c ...
... The Muppet Show, however, had no such explicit agenda. It presented itself as pure entertainment and made no claims of ‘‘usefulness’’ at all. However, as numerous scholars in cultural studies have demonstrated, all cultural products have meaning, because they are created and consumed by people who c ...
aristotle, actors, and tragic endings: a counter
... characters” (2006.16). But as Eric Csapo crucially reminds us, this was evidently not the case for most of the fifth century, when audiences were much more intently focused on the choral aspects of tragedy (2010.105; also 1999–2000.404). Representations of (and jokes about) the effects of tragedy on ...
... characters” (2006.16). But as Eric Csapo crucially reminds us, this was evidently not the case for most of the fifth century, when audiences were much more intently focused on the choral aspects of tragedy (2010.105; also 1999–2000.404). Representations of (and jokes about) the effects of tragedy on ...
Introduction
... when the whole audience focuses, is drawn in, because all the elements on stage are creating a truth, an authenticity, something real and correct, which the audience recognises. It takes precision to create these moments, it is not serendipitous, although sometimes serendipitous moments can occur wh ...
... when the whole audience focuses, is drawn in, because all the elements on stage are creating a truth, an authenticity, something real and correct, which the audience recognises. It takes precision to create these moments, it is not serendipitous, although sometimes serendipitous moments can occur wh ...
The Cost Disease is Alive and Well and Living in the Theatre
... This paper focuses on the similarities and differences in the cost structures of film and live theatre. The line of inquiry of the paper is as follows: there are certain categories of costs that are very similar in both industries. These are: (1) the production costs associated with making a film (e ...
... This paper focuses on the similarities and differences in the cost structures of film and live theatre. The line of inquiry of the paper is as follows: there are certain categories of costs that are very similar in both industries. These are: (1) the production costs associated with making a film (e ...
Education Resource Guide - Pittsburgh Public Theater
... which were made into movies. Showboat was adapted into a musical that changed the world of musical theater forever. Until Showboat, musical theater mostly consisted of short numbers that were strung together without a cohesive plot, and the subject matter was largely uncontroversial. Showboat, howev ...
... which were made into movies. Showboat was adapted into a musical that changed the world of musical theater forever. Until Showboat, musical theater mostly consisted of short numbers that were strung together without a cohesive plot, and the subject matter was largely uncontroversial. Showboat, howev ...
for a pdf version of Catherine`s presskit
... and a new play Kidnap Road; directed by Stan Cahill, starring Kimber Riddle and Steve Guevara, sound design by Darren R. Sussman, movement coach Michael L. Thomas. Catherine has joined the faculty at Vassar College in the Department of Drama as the Playwriting Instructor. Filloux’s commissioned libr ...
... and a new play Kidnap Road; directed by Stan Cahill, starring Kimber Riddle and Steve Guevara, sound design by Darren R. Sussman, movement coach Michael L. Thomas. Catherine has joined the faculty at Vassar College in the Department of Drama as the Playwriting Instructor. Filloux’s commissioned libr ...
10_chapter 05-06
... in the empirical history of the nation. But the dissimilarities expressed in the play are to subvert and satirize the institutions the authorities have constituted in the society. Bond’s Lear clearly depicts a world which is teemed with brutal forces working against the basic values of humanity. Bon ...
... in the empirical history of the nation. But the dissimilarities expressed in the play are to subvert and satirize the institutions the authorities have constituted in the society. Bond’s Lear clearly depicts a world which is teemed with brutal forces working against the basic values of humanity. Bon ...
There - Court Theatre
... 5. Suggested activities. Categories 1-3 support the study of the play as literature, as well as being the essential dramaturgical information which the director, designers and actors drew upon when preparing for the production you are to see. The Play in Production gives insight into the process by ...
... 5. Suggested activities. Categories 1-3 support the study of the play as literature, as well as being the essential dramaturgical information which the director, designers and actors drew upon when preparing for the production you are to see. The Play in Production gives insight into the process by ...
Table of Contents
... by alerting their senses. Besides, the author does not embellish the future or spell out any predictions, but highlights the fact that a change is required and urges the audience to take the initiative to remap the future. Because this structure is mapped rather than traced, the Australian critic Bi ...
... by alerting their senses. Besides, the author does not embellish the future or spell out any predictions, but highlights the fact that a change is required and urges the audience to take the initiative to remap the future. Because this structure is mapped rather than traced, the Australian critic Bi ...
Modern playwrights and Samuel Beckett`s Trace of Lost Self in Drama
... rebellious artists. Each in his own peculiar way found his way to God, society, life, world and existence itself. One may not find a good story in any of their plays, for the playwrights themselves have little interest in telling such stories. This is not to say that they are not deeply felt, deeply ...
... rebellious artists. Each in his own peculiar way found his way to God, society, life, world and existence itself. One may not find a good story in any of their plays, for the playwrights themselves have little interest in telling such stories. This is not to say that they are not deeply felt, deeply ...
Emotions in Drama Characters and Virtual Agents
... individual variability of behavior in the automatic generation of plot. More recently, computational drama has tackled the issue of emotions at the expressive level. Here, works range from the emotional properties of editing and mise-enscene in interactive drama (Zagalo et al. 2006), to emotion expr ...
... individual variability of behavior in the automatic generation of plot. More recently, computational drama has tackled the issue of emotions at the expressive level. Here, works range from the emotional properties of editing and mise-enscene in interactive drama (Zagalo et al. 2006), to emotion expr ...
Salome - Side Project Theatre
... would spoil the surprise. Two of the three key performances are excellent. As Salome, the very youthful Eva Bloomfield (a name to watch) precisely hits the character's dichotomies. She's a victimized aggressor; a seductive innocent; a fetishized fetish-lover. That's exactly right. So is Steven Marzo ...
... would spoil the surprise. Two of the three key performances are excellent. As Salome, the very youthful Eva Bloomfield (a name to watch) precisely hits the character's dichotomies. She's a victimized aggressor; a seductive innocent; a fetishized fetish-lover. That's exactly right. So is Steven Marzo ...
RADA Issue 18
... the Shakespeare’s Globe project, speaking at a conference, he’s quite adamant that he doesn’t want it to be an easy building. He said, if it’s easily acted in there would be no point in having built it. It’s meant to be a stretch, to have some effect on the craft of acting and I think that it will, ...
... the Shakespeare’s Globe project, speaking at a conference, he’s quite adamant that he doesn’t want it to be an easy building. He said, if it’s easily acted in there would be no point in having built it. It’s meant to be a stretch, to have some effect on the craft of acting and I think that it will, ...
Teachers` Notes - Brink Productions
... There are, of course, many ways to adapt a classic play and my early discussions with Chris Drummond, the Artistic Director of the commissioning company, Brink Productions, concentrated on exactly where to pitch it: what was middle stump and what would be called wide. It quickly became clear that Ch ...
... There are, of course, many ways to adapt a classic play and my early discussions with Chris Drummond, the Artistic Director of the commissioning company, Brink Productions, concentrated on exactly where to pitch it: what was middle stump and what would be called wide. It quickly became clear that Ch ...
Miss Julie - Amazon Web Services
... actors to function successfully in this new style, they had to learn to appear ‘natural’ on stage. This created a need for actors to create characters that appeared to have some kind of ‘inner depth’, which could easily have been seen as a need to recreate the ‘real’ emotions called for in any given ...
... actors to function successfully in this new style, they had to learn to appear ‘natural’ on stage. This created a need for actors to create characters that appeared to have some kind of ‘inner depth’, which could easily have been seen as a need to recreate the ‘real’ emotions called for in any given ...
Metatheatrics has to be managed
... SEAM method to analyze hidden costs and untapped financial potential, and intervenes using theatre interventions (Boje & Rosile, 2002). Enterprises are assumed to have hidden costs and untapped financial potential from mismanaged metatheatre. 1.1 Metatheatre is multiple theatres TAMARA is that name ...
... SEAM method to analyze hidden costs and untapped financial potential, and intervenes using theatre interventions (Boje & Rosile, 2002). Enterprises are assumed to have hidden costs and untapped financial potential from mismanaged metatheatre. 1.1 Metatheatre is multiple theatres TAMARA is that name ...
Public and Performance in the Greek Theatre
... theatres remain obscure to us for lack of information. We have no contemporary description of the structures that Aeschylus and Sophocles wrote for and acted in. Probably none was ever written. Why bother to describe something so familiar to everyone? The earliest written accounts date from centurie ...
... theatres remain obscure to us for lack of information. We have no contemporary description of the structures that Aeschylus and Sophocles wrote for and acted in. Probably none was ever written. Why bother to describe something so familiar to everyone? The earliest written accounts date from centurie ...
St - Bellahouston Academy
... telephone or shopping bags. They may also be part of a character’s costume, such as an engagement ring, a watch or a pair of spectacles. In this instance, an engagement ring would be a prop because it is an essential element of the story and not just part of the visual look of the character. When th ...
... telephone or shopping bags. They may also be part of a character’s costume, such as an engagement ring, a watch or a pair of spectacles. In this instance, an engagement ring would be a prop because it is an essential element of the story and not just part of the visual look of the character. When th ...