АКУЛИЧ Л.Д. Лекция по дисциплине «Культура страны
... Avon”. His extant works consist of 38 plays, 154 sonnets, 2 long narrative poems and 3 epitaphs. His plays have been translated into every major living language and are performed more often than those of any other playwright. Most playwrights of the period typically collaborated with others at some ...
... Avon”. His extant works consist of 38 plays, 154 sonnets, 2 long narrative poems and 3 epitaphs. His plays have been translated into every major living language and are performed more often than those of any other playwright. Most playwrights of the period typically collaborated with others at some ...
Symmetry in the First Movement of Martin Bresnick`s Piano Trio
... engaging universals through emulating organic processes of life and matter on earth as well as in the heavens. Martin Bresnick’s music often exhibits a high degree of symmetry and structural complexity. The first movement of his Piano Trio, composed in 1988, provides a striking example of these char ...
... engaging universals through emulating organic processes of life and matter on earth as well as in the heavens. Martin Bresnick’s music often exhibits a high degree of symmetry and structural complexity. The first movement of his Piano Trio, composed in 1988, provides a striking example of these char ...
Bach, Rach, Chop, Mozart, Beethoven…and…Byrd?
... The clavichord was primarily used as a teaching tool in centuries past (Libin, 11). The word clavichord is derived from the two latin terms: clavis, translated as key, and chorda, meaning string. The clavichord was mentioned as early as 1397 (Atlas, 378), and was mentioned in a german poem where cla ...
... The clavichord was primarily used as a teaching tool in centuries past (Libin, 11). The word clavichord is derived from the two latin terms: clavis, translated as key, and chorda, meaning string. The clavichord was mentioned as early as 1397 (Atlas, 378), and was mentioned in a german poem where cla ...
Sound Forms For Piano
... company of Knabe. The piano factory of Chickering and Sons in Boston was the largest of its kind in the world, and new companies began production almost every year. In 1883 Mason and Hamlin, which had been manufacturing organs for some years, began turning out pianos with a radical new method of str ...
... company of Knabe. The piano factory of Chickering and Sons in Boston was the largest of its kind in the world, and new companies began production almost every year. In 1883 Mason and Hamlin, which had been manufacturing organs for some years, began turning out pianos with a radical new method of str ...
Matt Pike Music 122 Final Paper Ravel – String Quartet in F Major
... This chord, for example, is spelled D, E, C#, A. It could be justified as an A major 11th chord, or possibly a D minor major 7th chord with a 9th, these types of chords abound in Ravel's music, and attempting to analyze them with roman numerals is futile. Extended chord techniques and upper-structur ...
... This chord, for example, is spelled D, E, C#, A. It could be justified as an A major 11th chord, or possibly a D minor major 7th chord with a 9th, these types of chords abound in Ravel's music, and attempting to analyze them with roman numerals is futile. Extended chord techniques and upper-structur ...
Guidelines for the Analysis of Twentieth
... to structural repetition, but do not expect pieces to fit into the formal norms of traditional tonal music. B. 20th-century composers often tend to avoid the literal restatement of material—to emphasize continual transformation and change rather than return to formal stability. Material is often rad ...
... to structural repetition, but do not expect pieces to fit into the formal norms of traditional tonal music. B. 20th-century composers often tend to avoid the literal restatement of material—to emphasize continual transformation and change rather than return to formal stability. Material is often rad ...
Elements of Sonata Theory - Trace: Tennessee Research and
... norms, or available options, “existed conceptually within the knowledgeable musical community as something on the order of tasteful generic advice . . . given by a shared knowledge of precedents” (9). The frequency of each norm in the late eighteenth century is captured by the authors’ hierarchical ...
... norms, or available options, “existed conceptually within the knowledgeable musical community as something on the order of tasteful generic advice . . . given by a shared knowledge of precedents” (9). The frequency of each norm in the late eighteenth century is captured by the authors’ hierarchical ...
Improvisation in Early Music Author(s): Ben Bechtel Source: Music
... original source from the sixteenth century. Mostly music examples of embellishment are given with only a small amount of text. Horsley, Imogene. "Improvised Embellishment in the Performance of Renaissance Polyphonic Music." Journal of the American iMusicological Society 4 (1951): 3. This article was ...
... original source from the sixteenth century. Mostly music examples of embellishment are given with only a small amount of text. Horsley, Imogene. "Improvised Embellishment in the Performance of Renaissance Polyphonic Music." Journal of the American iMusicological Society 4 (1951): 3. This article was ...
NSS Music Teaching & Learning
... given rise by musical repetition in order to construct an “explanation” of the music in terms of how each part relates to some other part. (Dannenberg, 2002) Sensitivity to sound and memory facilitate perceptions and concept formation ...
... given rise by musical repetition in order to construct an “explanation” of the music in terms of how each part relates to some other part. (Dannenberg, 2002) Sensitivity to sound and memory facilitate perceptions and concept formation ...
89 MUSICAL LITERACY: A HISTORICAL PERSPECTIVE Prof. Dr
... processes she or he employs to interpret it. This type of reading, therefore, differs only in degree and not in substance from the kind of reading a singer or player uses. A skilled conductor follows several lines of music simultaneously, reading a variety of clefs and parts for transposing instrume ...
... processes she or he employs to interpret it. This type of reading, therefore, differs only in degree and not in substance from the kind of reading a singer or player uses. A skilled conductor follows several lines of music simultaneously, reading a variety of clefs and parts for transposing instrume ...
Chopin as Pianist and Teacher excerpt form the forward to his
... Weber's works, particularly the Konzertstuck and the E minor and Ab major sonatas; for Hummel's Fantasy, Septet, and concertos; and for Field's Ab major concerto and Nocturnes, for which he improvised the most captivating ornaments. Of the virtuoso music of every degree of quality- which in his tim ...
... Weber's works, particularly the Konzertstuck and the E minor and Ab major sonatas; for Hummel's Fantasy, Septet, and concertos; and for Field's Ab major concerto and Nocturnes, for which he improvised the most captivating ornaments. Of the virtuoso music of every degree of quality- which in his tim ...
Lisa McCormick, Yale University Problems of Musical Performance
... I have attended three competitions on three continents involving the three major solo instruments: the 12th Van Cliburn International Piano Competition that took place in Fort Worth, Texas in June 2005, the 6th Michael Hill International Violin Competition that took place in New Zealand in June 2006 ...
... I have attended three competitions on three continents involving the three major solo instruments: the 12th Van Cliburn International Piano Competition that took place in Fort Worth, Texas in June 2005, the 6th Michael Hill International Violin Competition that took place in New Zealand in June 2006 ...
The Baroque 1/4
... • Took its name from frequent use by Alessandro Scarlatti (1660-1725), who composed operas in Naples for many years • It is a major chord built on the flattened supertonic • In the 17th and 18th centuries it is usually found in a minor key in its first inversion (hence the term, ‘Neapolitan 6th’) • ...
... • Took its name from frequent use by Alessandro Scarlatti (1660-1725), who composed operas in Naples for many years • It is a major chord built on the flattened supertonic • In the 17th and 18th centuries it is usually found in a minor key in its first inversion (hence the term, ‘Neapolitan 6th’) • ...
Antiquity and the Middle Ages
... contests—a practice unwittingly resurrected for the opening ceremonies of the modern Olympic Games. Music also played a prominent role in the theater with the all-male chorus providing musical commentary regarding the drama. Only two fragments of this music for theater have survived through the cent ...
... contests—a practice unwittingly resurrected for the opening ceremonies of the modern Olympic Games. Music also played a prominent role in the theater with the all-male chorus providing musical commentary regarding the drama. Only two fragments of this music for theater have survived through the cent ...
... There is a sequence of weekly listening assignments (see below, Listening Schedule) l for which the mark is calculated as an average AFTER dropping the lowest three scores. Assignments are due in electronic copy through D2L by the prescribed time given below. Please note: instructions associated wit ...
File
... From the above we can see that there are eight different kinds of music, four of which (A/F/G/H) appear once only. It is structurally satisfying to note that the piece begins and ends with music played only once. This is a nice symmetrical point. Notice that F/G/H come near the end making a climax b ...
... From the above we can see that there are eight different kinds of music, four of which (A/F/G/H) appear once only. It is structurally satisfying to note that the piece begins and ends with music played only once. This is a nice symmetrical point. Notice that F/G/H come near the end making a climax b ...
Walter Piston - Harvard Music
... THE MUSIC OF WALTER PISTON > DIALOGUE: WALTER PISTON (1894–1976) ...
... THE MUSIC OF WALTER PISTON > DIALOGUE: WALTER PISTON (1894–1976) ...
Beethoven`s “violation”: his cadenza for the first movement of
... dominant, because that harmony is needed for preparing and leading into his characteristic return to a secondary solo theme in the home key. 10 But Kramer is one of several commentators to concede that this choice is not completely outlandish. It does not land outside of Mozart’s tonal range within ...
... dominant, because that harmony is needed for preparing and leading into his characteristic return to a secondary solo theme in the home key. 10 But Kramer is one of several commentators to concede that this choice is not completely outlandish. It does not land outside of Mozart’s tonal range within ...
What a Musical Work Is
... • If musical works were mere sound structures, then musical works could not be created by their composers. - Sound structures are types of a pure sort, which can exist at all times – they are essentially mathematical objects. - The sound structure of Beethoven’s Quintet, Opus 16 could have existed t ...
... • If musical works were mere sound structures, then musical works could not be created by their composers. - Sound structures are types of a pure sort, which can exist at all times – they are essentially mathematical objects. - The sound structure of Beethoven’s Quintet, Opus 16 could have existed t ...
ADVANCED INSTRUMENTAL STUDIES
... the basic pattern played over 4 bars, with selected accents/ghost notes moved between the snare and hi-hat. Please note that there are many accent/ghost note permutations of left hand movement between hi-hat and snare and we should not worry about writing everything down and trying them all out beca ...
... the basic pattern played over 4 bars, with selected accents/ghost notes moved between the snare and hi-hat. Please note that there are many accent/ghost note permutations of left hand movement between hi-hat and snare and we should not worry about writing everything down and trying them all out beca ...
Music in the Renaissance
... Odington’s solution, beyond merely pragmatic, relied on human experience and empiricism—a stance that would characterize Renaissance thought—over the mathematical rigor typical of medieval scholasticism. This new approach to tuning infused English music of the 1300s with sweet-sounding thirds and si ...
... Odington’s solution, beyond merely pragmatic, relied on human experience and empiricism—a stance that would characterize Renaissance thought—over the mathematical rigor typical of medieval scholasticism. This new approach to tuning infused English music of the 1300s with sweet-sounding thirds and si ...
Musical Authenticity: Annotated Bibliography
... the corollary that every music, and every example, can conceivably be found authentic by a particular group of perceivers and it is the success with which a particular performance conveys its impression that counts, a success which depends in some part on the explicitly musical decisions performers ...
... the corollary that every music, and every example, can conceivably be found authentic by a particular group of perceivers and it is the success with which a particular performance conveys its impression that counts, a success which depends in some part on the explicitly musical decisions performers ...
Barry - beaufortcollege.ie
... From the above we can see that there are eight different kinds of music, four of which (A/F/G/H) appear once only. It is structurally satisfying to note that the piece begins and ends with music played only once. This is a nice symmetrical point. Notice that F/G/H come near the end making a climax b ...
... From the above we can see that there are eight different kinds of music, four of which (A/F/G/H) appear once only. It is structurally satisfying to note that the piece begins and ends with music played only once. This is a nice symmetrical point. Notice that F/G/H come near the end making a climax b ...
Latent Modernism: Formula and Athematicism in Later Roussel
... twentieth century neoclassicism, and which has made it difficult to find any "aesthetic criteria of judgment"5 for this music. The ballets, vocal music, and overt character pieces such as Joueurs de flûte do not have to confront this formal problem and are less internally contradictory, but at the ...
... twentieth century neoclassicism, and which has made it difficult to find any "aesthetic criteria of judgment"5 for this music. The ballets, vocal music, and overt character pieces such as Joueurs de flûte do not have to confront this formal problem and are less internally contradictory, but at the ...
Program - San Francisco Lyric Chorus
... Louis Vierne composed in several different genres, but is most widely known for his solo organ compositions, especially his six organ symphonies. In addition, he composed works for orchestra, chamber music, choral works, works for solo voice, songs, and works for piano. His organ works are dramatic, ...
... Louis Vierne composed in several different genres, but is most widely known for his solo organ compositions, especially his six organ symphonies. In addition, he composed works for orchestra, chamber music, choral works, works for solo voice, songs, and works for piano. His organ works are dramatic, ...