Tango like a `Tanguero`: 5 little tips to help a
... because three in an ensemble were inexpensive to hire. It was easy for these musicians to move quickly if the establishments in which they were playing were raided by the police.5 It is also noted that these musicians were not paid very well for each gig, so they played at many venues in one night’s ...
... because three in an ensemble were inexpensive to hire. It was easy for these musicians to move quickly if the establishments in which they were playing were raided by the police.5 It is also noted that these musicians were not paid very well for each gig, so they played at many venues in one night’s ...
Edward Wolff in the Revue et Gazette Musicale de Paris
... public a sampling of various composers’ styles. Wolff ’s reputation undoubtedly benefitted greatly from them. At the same time Maurin immortalised him in the famous lithograph Chopin et les pianistes contemporains in the company of Rosenhain, Doehler, Dreyschock, Thalberg, Henselt and Liszt. He was ...
... public a sampling of various composers’ styles. Wolff ’s reputation undoubtedly benefitted greatly from them. At the same time Maurin immortalised him in the famous lithograph Chopin et les pianistes contemporains in the company of Rosenhain, Doehler, Dreyschock, Thalberg, Henselt and Liszt. He was ...
doc
... structures to pave the way for an unrestricted musical language, developmentally free— that is, paving the way for his ideal. Schoenberg believed that both he and Reger had invested a great deal of effort in inventing such a language. In another article, “Criteria for the Evaluation of Music,” Schoe ...
... structures to pave the way for an unrestricted musical language, developmentally free— that is, paving the way for his ideal. Schoenberg believed that both he and Reger had invested a great deal of effort in inventing such a language. In another article, “Criteria for the Evaluation of Music,” Schoe ...
KTM 439 THE COMPOSERS OF TEREZÍN theme Hello
... when they were in all other ways impoverished. This is a fact which can apply to us and take our response to the story of Terezín beyond admiration and into practical experience. One Terezín prisoner, the pianist Alice Hertz Sommer, in 2010 (at the age of 106) looked back on her time there. She said ...
... when they were in all other ways impoverished. This is a fact which can apply to us and take our response to the story of Terezín beyond admiration and into practical experience. One Terezín prisoner, the pianist Alice Hertz Sommer, in 2010 (at the age of 106) looked back on her time there. She said ...
1 The eclecticism of Camille Saint-Saëns: defining a “French sound
... make it clear that all music can, to varying degrees, count as “other.” Fortunately, SaintSaëns gives us a number of examples where he signals the quotation in his title. 4. Examples of direct quotation The most obvious way of integrating “other” music into a piece of music is to use a direct quota ...
... make it clear that all music can, to varying degrees, count as “other.” Fortunately, SaintSaëns gives us a number of examples where he signals the quotation in his title. 4. Examples of direct quotation The most obvious way of integrating “other” music into a piece of music is to use a direct quota ...
borrowed music for solo alto trombone
... the vital energy of the musician’s breath. The trombone colors and amplifies that vibration into its characteristic tone via a brass, conical architecture. This is inherently more human and prone to inconsistency than even a free MIDIsynthesizer application installed on a modern smartphone. Effe ...
... the vital energy of the musician’s breath. The trombone colors and amplifies that vibration into its characteristic tone via a brass, conical architecture. This is inherently more human and prone to inconsistency than even a free MIDIsynthesizer application installed on a modern smartphone. Effe ...
Wolfgang Amadeus Mozart
... When Haydn visited Vienna, they sometimes performed impromptu concerts with string quartets. Between 1782-1785 Mozart wrote six quartets dedicated to Haydn. ...
... When Haydn visited Vienna, they sometimes performed impromptu concerts with string quartets. Between 1782-1785 Mozart wrote six quartets dedicated to Haydn. ...
A History of Western Music
... § three sets of six: English Suites, French Suites, Partitas § “French” and “English” not Bach’s designation § standard four-dance movements, additional short movements follow the sarabande ...
... § three sets of six: English Suites, French Suites, Partitas § “French” and “English” not Bach’s designation § standard four-dance movements, additional short movements follow the sarabande ...
Beethoven Ahead of His Time: Sonata in C major No. 21 Op. 53
... contains many long trills that are sustained for numerous measures while bringing out the singing melody with the same hand. Beethoven integrated passages of running octaves that are intended to sound like glissandos. These are challenges that a performer faces when performing this sonata. When perf ...
... contains many long trills that are sustained for numerous measures while bringing out the singing melody with the same hand. Beethoven integrated passages of running octaves that are intended to sound like glissandos. These are challenges that a performer faces when performing this sonata. When perf ...
Critical Acclaim
... plenty of elegance on the score’s less glittery sections… A return visit is clearly in order.” The San Francisco Chronicle, February 2005 ...
... plenty of elegance on the score’s less glittery sections… A return visit is clearly in order.” The San Francisco Chronicle, February 2005 ...
Franz Liszt`s Battle Against Tonality In The Solo Piano Piece Unstern
... In an 1883 letter to Lina Ramann, Liszt pronounced, “I am deeply mourning in my heart, and this mourning must burst forth in music here and there.”2 Liszt had encountered death as a central theme in literature, philosophy, and religious thought of his era, and had attempted to integrate his personal ...
... In an 1883 letter to Lina Ramann, Liszt pronounced, “I am deeply mourning in my heart, and this mourning must burst forth in music here and there.”2 Liszt had encountered death as a central theme in literature, philosophy, and religious thought of his era, and had attempted to integrate his personal ...
Schubert Program Notes - DigitalCommons@Olin
... I have been playing piano since age seven, but for most of that time, I knew very little about music history. I would play pieces, knowing next to nothing about the composer’s life, or even the musical era in which they were written. Taking a course on the history of Western music during my semeste ...
... I have been playing piano since age seven, but for most of that time, I knew very little about music history. I would play pieces, knowing next to nothing about the composer’s life, or even the musical era in which they were written. Taking a course on the history of Western music during my semeste ...
Musician Whithout Boundaries
... (known today as D.A.M.S.) to research musical Paleology. "The choice of Paleology," explains Centazzo, "was really something of a necessity, given the trends in musicology then. But there was a certain shrewdness in my choice, I knew full well that within the faculty there were open-minded professor ...
... (known today as D.A.M.S.) to research musical Paleology. "The choice of Paleology," explains Centazzo, "was really something of a necessity, given the trends in musicology then. But there was a certain shrewdness in my choice, I knew full well that within the faculty there were open-minded professor ...
RCO Journal 2012_Whitehead - Royal College of Organists
... arguably regained from about 1880 onwards, when slurs reclaim a sense of consistency and rationale. Composers such as Brahms and Reger, editors such as Straube, and, above all, the theorist Hugo Riemann,7 contribute in various ways to this process. We see slurs losing their provincial interest in ar ...
... arguably regained from about 1880 onwards, when slurs reclaim a sense of consistency and rationale. Composers such as Brahms and Reger, editors such as Straube, and, above all, the theorist Hugo Riemann,7 contribute in various ways to this process. We see slurs losing their provincial interest in ar ...
THE RESPECTIVE INFLUENCE OF JAZZ AND CLASSICAL MUSIC
... techniques and sounds are passed down from one generation to the next. In this way it is the polar opposite to the spontaneous inventive performance style of jazz. This is not meant to convey, however, that all aspects of classical music are rigid and formalistic and completely "rehearsed," nor is i ...
... techniques and sounds are passed down from one generation to the next. In this way it is the polar opposite to the spontaneous inventive performance style of jazz. This is not meant to convey, however, that all aspects of classical music are rigid and formalistic and completely "rehearsed," nor is i ...
http://vnweb - Edge-Huff
... time. "I have six or seven publishers for each one of my works, and could have more if I choose. No more bargaining! I can name my terms and they pay." On April 2, 1800, at the Burgtheater, the premiere of Beethoven's First Symphony took place in a program with his Septet. It cannot be said that con ...
... time. "I have six or seven publishers for each one of my works, and could have more if I choose. No more bargaining! I can name my terms and they pay." On April 2, 1800, at the Burgtheater, the premiere of Beethoven's First Symphony took place in a program with his Septet. It cannot be said that con ...
1964 speech on Schoenberg
... Though Gould denies any connection between expressionism in painting and Schoenberg’s music, w e must remember that Schoenberg was himself a talented painter who had been praised by Kandinsky. Kandinsky wrote that Schoenberg’s paintings w ere “ expressionist," in that they "set down his subjective e ...
... Though Gould denies any connection between expressionism in painting and Schoenberg’s music, w e must remember that Schoenberg was himself a talented painter who had been praised by Kandinsky. Kandinsky wrote that Schoenberg’s paintings w ere “ expressionist," in that they "set down his subjective e ...
Domesticity in Brahms`s String Sextets, Opp. 18 and 36
... the early nineteenth century, enjoyed a long period of popularity among performersand publishers, as evidenced by printing records.13 Both composers’ works were reprinted well past their deaths, into the last decades of the century. Despite their very different cultural backgrounds and career trajec ...
... the early nineteenth century, enjoyed a long period of popularity among performersand publishers, as evidenced by printing records.13 Both composers’ works were reprinted well past their deaths, into the last decades of the century. Despite their very different cultural backgrounds and career trajec ...
Wolfgang Mozart - Garrett`s ePortfolio
... In Vienna, Mozart met his wife Constanze Weber and they married in 1782. Together, they had six children, but only two survived past infancy. ...
... In Vienna, Mozart met his wife Constanze Weber and they married in 1782. Together, they had six children, but only two survived past infancy. ...
View - NCUR Proceedings
... As Liszt applies these harmonies, augmented and diminished chords become similar in that they consist of equidistant intervals and do not have unique harmonic root notes as Liszt applied them. When several of either of these chords sounds one after the other, without resolving to a consonant chord, ...
... As Liszt applies these harmonies, augmented and diminished chords become similar in that they consist of equidistant intervals and do not have unique harmonic root notes as Liszt applied them. When several of either of these chords sounds one after the other, without resolving to a consonant chord, ...
A Westerner`s View of Azerbaijani Mugham
... mystical power and depth of the melody. It is a great mystery how a melody that includes the intense dissonance of microtonal intervals can have such a divergent effect on the listener, depending on the intent of the musician. Another important feature of mugham is the meter-free rendition of the m ...
... mystical power and depth of the melody. It is a great mystery how a melody that includes the intense dissonance of microtonal intervals can have such a divergent effect on the listener, depending on the intent of the musician. Another important feature of mugham is the meter-free rendition of the m ...
Mathias-Langfeldt_Master-Thesis - UiO
... is divided into two parts: one theoretical and one practical composition. The composition will be based on the theoretical and analytical work which I will present through this text. The reason why I have chosen this method is to gain more knowledge of orchestration, and I believe that my execution ...
... is divided into two parts: one theoretical and one practical composition. The composition will be based on the theoretical and analytical work which I will present through this text. The reason why I have chosen this method is to gain more knowledge of orchestration, and I believe that my execution ...
WWW.BSSVE.IN
... European folk music (e.g. the village music of Bulgaria) and the many forms of folk and tribal music of the Middle East, Africa, Asia, Oceania and Central and South America. The broad category of world music includes isolated forms of ethnic music from diverse geographical regions. These dissimilar ...
... European folk music (e.g. the village music of Bulgaria) and the many forms of folk and tribal music of the Middle East, Africa, Asia, Oceania and Central and South America. The broad category of world music includes isolated forms of ethnic music from diverse geographical regions. These dissimilar ...
Part 2 The Tumultuous Nineteenth Century Chapter 8: American
... After the subject has been heard in entirety, it is imitated by each of the other voices in turn until each has made its entrance The first entrance—the subject—is on the tonic The second voice, or answer, begins on the dominant The answer is similar but not identical to the subject The rema ...
... After the subject has been heard in entirety, it is imitated by each of the other voices in turn until each has made its entrance The first entrance—the subject—is on the tonic The second voice, or answer, begins on the dominant The answer is similar but not identical to the subject The rema ...
Classical Music Wolfgang Amadeus Mozart
... and in his town. Before he was even five years old, Mozart learned his first complete composition.2 He learned this song in only 30 minutes! Before long, Mozart was writing his own music. He knew how to read and write music before he could read or write words! His first piece was very short. But Moz ...
... and in his town. Before he was even five years old, Mozart learned his first complete composition.2 He learned this song in only 30 minutes! Before long, Mozart was writing his own music. He knew how to read and write music before he could read or write words! His first piece was very short. But Moz ...