File
... Actors were made up of all men - it was illegal to have a woman on stage Actors wore masks to represent different characters and different emotions Hypocrite - “to speak from behind a mask” Catharsis - “purging of emotions” Festivals were day-long events, plays went from sun up to sun set The Polis ...
... Actors were made up of all men - it was illegal to have a woman on stage Actors wore masks to represent different characters and different emotions Hypocrite - “to speak from behind a mask” Catharsis - “purging of emotions” Festivals were day-long events, plays went from sun up to sun set The Polis ...
Theatre_technician
... Designing the set So this is a finished model box. This is the model box for Alphabetical Order. What happens is, before we get the finalised one, we will look at what’s called a white card model which the designer will produce at quite an early stage. And that will give us an idea of how much scene ...
... Designing the set So this is a finished model box. This is the model box for Alphabetical Order. What happens is, before we get the finalised one, we will look at what’s called a white card model which the designer will produce at quite an early stage. And that will give us an idea of how much scene ...
Word® file
... and the stage was covered in a tattered, patched blue curtain. It was a very modest venue. However, there is a glamour to every theatre, and so with this one. Once I had tread on that threadbare stage, the threshold between the actors and their audience, the magic began. The actors had drifted backs ...
... and the stage was covered in a tattered, patched blue curtain. It was a very modest venue. However, there is a glamour to every theatre, and so with this one. Once I had tread on that threadbare stage, the threshold between the actors and their audience, the magic began. The actors had drifted backs ...
Theatre Spaces/Production Roles Quiz
... control both and balcony. J. The area of the stage closest to the audience. K. The “portal” that divides the audience from the stage. L. The middle of the playing area. M. The area of the stage to the performer’s left, when facing downstage (i.e. the audience). N. Areas that are a part of the stage, ...
... control both and balcony. J. The area of the stage closest to the audience. K. The “portal” that divides the audience from the stage. L. The middle of the playing area. M. The area of the stage to the performer’s left, when facing downstage (i.e. the audience). N. Areas that are a part of the stage, ...
· Review: One Flew Over the Cuckoo`s Nest
... Workshop's production avoids this and while Bruce Polonis' portrayal of McMurphy has hints of Nicholson's cheeky smile and arrogance, he also brings a reality to the character that allows audiences to connect with him rather than abhor him. Polonis captures McMurphy's quick wit, trouble with authori ...
... Workshop's production avoids this and while Bruce Polonis' portrayal of McMurphy has hints of Nicholson's cheeky smile and arrogance, he also brings a reality to the character that allows audiences to connect with him rather than abhor him. Polonis captures McMurphy's quick wit, trouble with authori ...
VCA Music Theatre New Australian Music Theatre Project
... to be followed by a script-in-hand, moved/sung reading on Sunday, September 25. 25 The reading will be presented in one of VCA’s studio theatres but without production elements. The reading will be for an audience made up of both general public and industry professionals, with the aim of attracting ...
... to be followed by a script-in-hand, moved/sung reading on Sunday, September 25. 25 The reading will be presented in one of VCA’s studio theatres but without production elements. The reading will be for an audience made up of both general public and industry professionals, with the aim of attracting ...
Types of Stages and Equipment
... Batten: a thick wooden dowel or metal pipe from which are suspended scenery and lighting instruments Head block: a multisheave block with two or more pulley wheels, used to change the direction of all the ropes or cables that support the batten Fly gallery: the elevated walkway where the pin rail i ...
... Batten: a thick wooden dowel or metal pipe from which are suspended scenery and lighting instruments Head block: a multisheave block with two or more pulley wheels, used to change the direction of all the ropes or cables that support the batten Fly gallery: the elevated walkway where the pin rail i ...
Introduction to Theatre
... Arrive early enough to be seated before the lights dim. At a musical, it is customary to applaud as the conductor approaches the podium. When the curtain goes up, if the set pleases you, compliment the designer and crew by applauding. Do not talk or make noises with food or drink items. Si ...
... Arrive early enough to be seated before the lights dim. At a musical, it is customary to applaud as the conductor approaches the podium. When the curtain goes up, if the set pleases you, compliment the designer and crew by applauding. Do not talk or make noises with food or drink items. Si ...
Basic Theatre Vocabulary
... today in black clothing and white make-up. Monologue - A work written to be spoken by just one person. This may be full length, as in a one-man or one-woman show. Pantomime - a scene or play without words; the actors use only action and gesture to express their meaning. Playwright - the individual w ...
... today in black clothing and white make-up. Monologue - A work written to be spoken by just one person. This may be full length, as in a one-man or one-woman show. Pantomime - a scene or play without words; the actors use only action and gesture to express their meaning. Playwright - the individual w ...
Theater Vocab
... Space- how much room will be available for dance numbers? How much will be available for storage (of costumes, props, and set pieces)? Cast- do you have singers and dancers able to do what is required for that show? ...
... Space- how much room will be available for dance numbers? How much will be available for storage (of costumes, props, and set pieces)? Cast- do you have singers and dancers able to do what is required for that show? ...
Proof of democracy on stage. No directors, thanks. Just the
... memorised, it means breathing life into a creation which changes every night: “A tg STAN performance is not a dogma: if anything, it’s an invitation to dialogue.” Working as a group can’t always be easy – it must require mediation ... “In reality, when we can’t find a common understanding, we don’t ...
... memorised, it means breathing life into a creation which changes every night: “A tg STAN performance is not a dogma: if anything, it’s an invitation to dialogue.” Working as a group can’t always be easy – it must require mediation ... “In reality, when we can’t find a common understanding, we don’t ...
The Crucible Theatre and Studio, Sheffield
... Octagonal thrust stage with a shallow proscenium on the fourth side. The main performing area is 10.6m wide by 10.75m deep to the front edge in front of the proscenium arch, with 4.8m behind the proscenium arch to the up-stage flying bar. Proscenium opening 10.6m wide by 6.8m high to house border, 7 ...
... Octagonal thrust stage with a shallow proscenium on the fourth side. The main performing area is 10.6m wide by 10.75m deep to the front edge in front of the proscenium arch, with 4.8m behind the proscenium arch to the up-stage flying bar. Proscenium opening 10.6m wide by 6.8m high to house border, 7 ...
theater - Boy Scouts of America
... g. Design the lighting for a play; or, under guidance, handle the lighting for a play. ...
... g. Design the lighting for a play; or, under guidance, handle the lighting for a play. ...
Directing Theatre - Danillitphil Productions
... actors begin to see their characters in terms of a unified understanding. The director then blocks the actors. Blocking are an actor's basic broad movements which serve as the physical foundation of the actor's performance. The director indicates movement such as entrances and exits and positions ...
... actors begin to see their characters in terms of a unified understanding. The director then blocks the actors. Blocking are an actor's basic broad movements which serve as the physical foundation of the actor's performance. The director indicates movement such as entrances and exits and positions ...
TRAGEDY - Centre College
... – cf sculpture—less focus on the abstractly human, more emphasis on the natural, real human. – Not an everyday human, an ideal type, a hero, larger than life, who will define central values and truths. ...
... – cf sculpture—less focus on the abstractly human, more emphasis on the natural, real human. – Not an everyday human, an ideal type, a hero, larger than life, who will define central values and truths. ...
Elizabethan theatre English Renaissance theatre, also known as
... The period starts before the establishment of the first permanent theatres. Initially two types of location were used for performing plays, the courtyards of inns and the Inns of Court such as the Inner Temple. These venues continued to be used even after permanent theatres were established. Playwri ...
... The period starts before the establishment of the first permanent theatres. Initially two types of location were used for performing plays, the courtyards of inns and the Inns of Court such as the Inner Temple. These venues continued to be used even after permanent theatres were established. Playwri ...
Second 25 Terms 2014
... choreographed movement and the use of wooden masks Writes the script A large open arch that marks the primary division between the audience and performance space. A rehearsal in which actors and performers alike perform the entire show from beginning to end. Broad comic action focused on movement. O ...
... choreographed movement and the use of wooden masks Writes the script A large open arch that marks the primary division between the audience and performance space. A rehearsal in which actors and performers alike perform the entire show from beginning to end. Broad comic action focused on movement. O ...
dansko performs - Dansko Studios
... stage rehearsal provides them the opportunity to get familiar with the stage, backstage areas, Green Room, (waiting room downstairs) theatre and if applicable receive chaperone information. Parents of children needing chaperones are encouraged to attend and dancers attendance is expected as this is ...
... stage rehearsal provides them the opportunity to get familiar with the stage, backstage areas, Green Room, (waiting room downstairs) theatre and if applicable receive chaperone information. Parents of children needing chaperones are encouraged to attend and dancers attendance is expected as this is ...
NOISES OFF
... group of theatre people doing a play. So, the “actors” in the play actually have two characters to play – the actor and the character – if this doesn’t confuse you, I don’t know what will. Some of the characters, however, only play one – because they serve as the backstage personnel of the company t ...
... group of theatre people doing a play. So, the “actors” in the play actually have two characters to play – the actor and the character – if this doesn’t confuse you, I don’t know what will. Some of the characters, however, only play one – because they serve as the backstage personnel of the company t ...
THEATRE ARTS VOCABULARY
... out front, front - audience seating area. pacing - tempo or speed at which scene is played. Very important in comedy. pantomime - acting without talking or sound effects. pick up cues - quickly begin a speech without allowing a pause between the first words of the speech and the cue. pitch - highnes ...
... out front, front - audience seating area. pacing - tempo or speed at which scene is played. Very important in comedy. pantomime - acting without talking or sound effects. pick up cues - quickly begin a speech without allowing a pause between the first words of the speech and the cue. pitch - highnes ...
Stage Management Assistant
... Based in Catford, South London, LYT has created theatre with and for young people aged from 3 to 21 since 1987. LYT is run by professional theatre practitioners with the aim of creating high quality drama projects and performances with and for young people. We believe that this experience should be ...
... Based in Catford, South London, LYT has created theatre with and for young people aged from 3 to 21 since 1987. LYT is run by professional theatre practitioners with the aim of creating high quality drama projects and performances with and for young people. We believe that this experience should be ...
Drama
... and goes through major changes throughout the play. This is usually (but not always) “the good guy.” The antagonist is the character who opposes the protagonist, AKA “the bad guy.” ...
... and goes through major changes throughout the play. This is usually (but not always) “the good guy.” The antagonist is the character who opposes the protagonist, AKA “the bad guy.” ...
Theatre One Semester Review with answers
... Audience Etiquette – appropriate behavior at a theatrical event. Rules of Audience Etiquette 1. Arrive on time 2. Dress appropriately. (Appropriateness is determined by a variety of factors including style of the show, where it is performed, and time of day it is performed. A good rule of thumb is ...
... Audience Etiquette – appropriate behavior at a theatrical event. Rules of Audience Etiquette 1. Arrive on time 2. Dress appropriately. (Appropriateness is determined by a variety of factors including style of the show, where it is performed, and time of day it is performed. A good rule of thumb is ...
Production Requirements for Charles Lindbergh: The Lone Eagle
... The items in this rider are ideal materials for the best possible staging and presentation, but are amendable. Mr. Carroll is flexible as to the scope of the work and the types of materials you have on hand. Please contact him with any and all questions or concerns. TO THEATRE MANAGERS: Mr. Carroll ...
... The items in this rider are ideal materials for the best possible staging and presentation, but are amendable. Mr. Carroll is flexible as to the scope of the work and the types of materials you have on hand. Please contact him with any and all questions or concerns. TO THEATRE MANAGERS: Mr. Carroll ...