Macbeth
... in that sentence. “The child hurt the mother” and “The mother hurt the child” have opposite meanings, even though the words are the same, simply because the words are arranged differently. Because word position is so integral to English, the reader will find unfamiliar word arrangements confusing, e ...
... in that sentence. “The child hurt the mother” and “The mother hurt the child” have opposite meanings, even though the words are the same, simply because the words are arranged differently. Because word position is so integral to English, the reader will find unfamiliar word arrangements confusing, e ...
Imagery in Coriolanus - ScholarWorks @ UMT
... Image and Structure in "King Lear." Heilman discovered that iterative images in King Lear, while interweaving and qualifying one another, group themselves around certain concepts or "root ideas" central to the play, and form what he calls "patterns of meaning." Like individual metaphors, the pattern ...
... Image and Structure in "King Lear." Heilman discovered that iterative images in King Lear, while interweaving and qualifying one another, group themselves around certain concepts or "root ideas" central to the play, and form what he calls "patterns of meaning." Like individual metaphors, the pattern ...
Adaptations of Othello - Dora.dmu.ac.uk
... cases, remains a ‘taboo’ subject. Attitudes towards the issue have changed considerably since ...
... cases, remains a ‘taboo’ subject. Attitudes towards the issue have changed considerably since ...
Bloom`s Modern Critical Interpretations: Macbeth—New Edition
... find it difficult, as we read or watch a performance of Macbeth, to think of its protagonist as a criminal dictator, a small-scale Hitler or Stalin, and yet he is pragmatically just that. I do not think that Macbeth’s wistful scruples, his nostalgias and regrets, draw us to him; he is never in any dang ...
... find it difficult, as we read or watch a performance of Macbeth, to think of its protagonist as a criminal dictator, a small-scale Hitler or Stalin, and yet he is pragmatically just that. I do not think that Macbeth’s wistful scruples, his nostalgias and regrets, draw us to him; he is never in any dang ...
cover next page > cover next page
... In this book I have not tried to offer many interpretations, though I do from time to time suggest that a passage may be misunderstood or mispunctuated in some modern editions. Since I use Wells and Taylor (1988) as the basis of referencing to the text, I have often used their text as an example of ...
... In this book I have not tried to offer many interpretations, though I do from time to time suggest that a passage may be misunderstood or mispunctuated in some modern editions. Since I use Wells and Taylor (1988) as the basis of referencing to the text, I have often used their text as an example of ...
HAMLET THE GHOST AND THE
... and related issues, and for his expertise on the contemporary religious texts and contexts concerning the English Reformation. I am also grateful for his patience with my work. I am indebted to Professor Agnès Guiderdoni and Ms. Valérie Martin for the opportunity to follow my supervisor from Leuven ...
... and related issues, and for his expertise on the contemporary religious texts and contexts concerning the English Reformation. I am also grateful for his patience with my work. I am indebted to Professor Agnès Guiderdoni and Ms. Valérie Martin for the opportunity to follow my supervisor from Leuven ...
chapter-5 performance based contributions
... to the evening before, is killed at midnight, and when I discover and stand before the dead body the following morning, Stayen-da stands up and challenges me, So nobody did a thing, nobody said a word ! (qtd. in Trivedi 74). Kolkatar Hamlet is described “as one who found a personal consummation in t ...
... to the evening before, is killed at midnight, and when I discover and stand before the dead body the following morning, Stayen-da stands up and challenges me, So nobody did a thing, nobody said a word ! (qtd. in Trivedi 74). Kolkatar Hamlet is described “as one who found a personal consummation in t ...
Kemble and the theatre
... Discretion may have been overruled by necessity on other occasions, but a Catholic education was the priority. In November 1767 Kemble entered Sedgley Park School, near Wolverhampton, to begin a period of intense study that would culminate at the English College in Douai from 1771 to 1775. Fluent in ...
... Discretion may have been overruled by necessity on other occasions, but a Catholic education was the priority. In November 1767 Kemble entered Sedgley Park School, near Wolverhampton, to begin a period of intense study that would culminate at the English College in Douai from 1771 to 1775. Fluent in ...
HOW OTHELLO BECAME BLACK - IDEALS @ Illinois
... supported white power and privilege. In this study, I therefore examine not if Othello was black, but when he was black. I detail the contexts in which Othello‘s blackness was used by New Yorkers to describe their world. When did Othello‘s blackness mark him as a criminal and when was it associated ...
... supported white power and privilege. In this study, I therefore examine not if Othello was black, but when he was black. I detail the contexts in which Othello‘s blackness was used by New Yorkers to describe their world. When did Othello‘s blackness mark him as a criminal and when was it associated ...
Carlson_Andrew - IDEALS @ Illinois
... supported white power and privilege. In this study, I therefore examine not if Othello was black, but when he was black. I detail the contexts in which Othello’s blackness was used by New Yorkers to describe their world. When did Othello’s blackness mark him as a criminal and when was it associated ...
... supported white power and privilege. In this study, I therefore examine not if Othello was black, but when he was black. I detail the contexts in which Othello’s blackness was used by New Yorkers to describe their world. When did Othello’s blackness mark him as a criminal and when was it associated ...
impossible grief - YorkSpace
... subverting his own more orthodox convictions" (xii). Furthermore, I suggest that, as much as Shakespeare's artistic conscience, it is his profound understanding of human nature that we should consider as we attempt to look into Macbeth's heart and mind. If we are seeking an explanation for an appare ...
... subverting his own more orthodox convictions" (xii). Furthermore, I suggest that, as much as Shakespeare's artistic conscience, it is his profound understanding of human nature that we should consider as we attempt to look into Macbeth's heart and mind. If we are seeking an explanation for an appare ...
A Feminist, Costume Design Exploration
... private time to you” (676) Later, when speaking to Hamlet alone, he delivers the infamous nunnery line, implying she’s a whore and says “why wouldst thou be a ...
... private time to you” (676) Later, when speaking to Hamlet alone, he delivers the infamous nunnery line, implying she’s a whore and says “why wouldst thou be a ...
The "Opposite of People": Theatrical Doubling and Rosencrantz and
... consistently concerned with human understandings of reality: what is reality? How do different people interpret and understand reality? Are there multiple realities and if so, can they happily coexist? Stoppard tries to unravel and understand reality through the use of absurdity, language, and metat ...
... consistently concerned with human understandings of reality: what is reality? How do different people interpret and understand reality? Are there multiple realities and if so, can they happily coexist? Stoppard tries to unravel and understand reality through the use of absurdity, language, and metat ...
Weyward Macbeth - CLAS Users
... explores the essence of lineage, bloodlines, and bloodlusts haunts debates about freedom, slavery, and racial/national identity. With four essays that address antebellum moments, political figures, and cultural forces (see the Nathans, Briggs, Lindfors, and MacDonald essays), and one that addresses ...
... explores the essence of lineage, bloodlines, and bloodlusts haunts debates about freedom, slavery, and racial/national identity. With four essays that address antebellum moments, political figures, and cultural forces (see the Nathans, Briggs, Lindfors, and MacDonald essays), and one that addresses ...
Grade 8: Module 2B: Overview
... Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. ...
... Exempt third-party content is indicated by the footer: © (name of copyright holder). Used by permission and not subject to Creative Commons license. ...
Rosencrantz and Guildenstern Are Dead
... The pair discovers that the Tragedians are hidden ('impossibly', according to the stage directions) in several barrels on deck. They are fleeing Denmark, because their play has offended Claudius. When Rosencrantz complains that there is not enough action, pirates attack. Hamlet, Rosencrantz, and Gui ...
... The pair discovers that the Tragedians are hidden ('impossibly', according to the stage directions) in several barrels on deck. They are fleeing Denmark, because their play has offended Claudius. When Rosencrantz complains that there is not enough action, pirates attack. Hamlet, Rosencrantz, and Gui ...
Handling Ophelia - Worcester Research and Publications
... events – one by Ophelia herself, the other by Gertrude – end up being performed on stage. Two aspects are of interest in this sense and will make the focus of the present article. Firstly, when cutting the Gentleman’s description in IV.7, productions trade off the (Gentleman’s) concern that Ophelia’ ...
... events – one by Ophelia herself, the other by Gertrude – end up being performed on stage. Two aspects are of interest in this sense and will make the focus of the present article. Firstly, when cutting the Gentleman’s description in IV.7, productions trade off the (Gentleman’s) concern that Ophelia’ ...
Restless in Thought, Disturb`d in Mind
... This thesis will examine how the portrayal and interpretation of two of Shakespeare’s most famously mentally disturbed characters – Hamlet and Ophelia – interacts with cultural preconceptions concerning madness and related issues. While current studies of Shakespearean madness usually either compare ...
... This thesis will examine how the portrayal and interpretation of two of Shakespeare’s most famously mentally disturbed characters – Hamlet and Ophelia – interacts with cultural preconceptions concerning madness and related issues. While current studies of Shakespearean madness usually either compare ...
The Taming of the Shrew
... also adds that in those times most of the Elizabethan plays with an induction did not provide a dramatic epilogue. As supporters of the opposite side we find scholars like Sir Walter Greg and Peter Alexander, who think that Shakespeare did provide a final frame that was even performed but then for ...
... also adds that in those times most of the Elizabethan plays with an induction did not provide a dramatic epilogue. As supporters of the opposite side we find scholars like Sir Walter Greg and Peter Alexander, who think that Shakespeare did provide a final frame that was even performed but then for ...
Virgin and Ape, Venetian and Infidel: Labellings of
... stranger / Of here and everywhere' [I.i.134-5]). Fishburne's half-snarling, halfmocking, powerfully physical screen presence makes him credible in such a role. His Othello adjusts his character as he adjusts his allegiances. In Venice, even while standing clearly distinct from its inhabitants, he mi ...
... stranger / Of here and everywhere' [I.i.134-5]). Fishburne's half-snarling, halfmocking, powerfully physical screen presence makes him credible in such a role. His Othello adjusts his character as he adjusts his allegiances. In Venice, even while standing clearly distinct from its inhabitants, he mi ...
THE IMPACT OF THE ACTING OF DAVID GARRICK AND SIR
... What are the most important qualities for a classical actor? Imagination, sensibility and power. Relaxation, repose and the art of listening. To speak well and move gracefully, these are elementary feats which can be mastered with hard work and practice, though some great actors, Irving in particula ...
... What are the most important qualities for a classical actor? Imagination, sensibility and power. Relaxation, repose and the art of listening. To speak well and move gracefully, these are elementary feats which can be mastered with hard work and practice, though some great actors, Irving in particula ...
“All`s Well that Ends Welles”: Orson Welles and the “Voodoo” Macbeth
... set out to research tropical vegetation, musical waltzes, and Napoleonic costumes from the Directoire time period (1795-1799), when Haiti had a colonial affiliation with Napoleon’s empire. Welles found his model for a Macbeth-like Haitian historical figure in Henri Christophe, a tyrant who ruled ove ...
... set out to research tropical vegetation, musical waltzes, and Napoleonic costumes from the Directoire time period (1795-1799), when Haiti had a colonial affiliation with Napoleon’s empire. Welles found his model for a Macbeth-like Haitian historical figure in Henri Christophe, a tyrant who ruled ove ...
THE NOVEL NOVEL: DICKENS
... author is essential to understanding the work. Bakhtin writes, “If one fails to sense this second level, the intentions and accents of the author himself, then one has failed to understand the work” (315). What Bakhtin states separates the novel from other genres more than these other aspects is the ...
... author is essential to understanding the work. Bakhtin writes, “If one fails to sense this second level, the intentions and accents of the author himself, then one has failed to understand the work” (315). What Bakhtin states separates the novel from other genres more than these other aspects is the ...
Is Hamlet a Weak Character?
... It would be sheer folly to attempt to solve so perplexing a problem as the above. unless we followed a definite system. ...
... It would be sheer folly to attempt to solve so perplexing a problem as the above. unless we followed a definite system. ...
A Midsummer Night`s Dream
... the Amazon queen, another Greek character. The two have been at war, but now that they have fallen in love, they are preparing to marry with feasting and merriment throughout the city. Their love has reversed the nature of the world around them, making strife into concord. When love runs smoothly, n ...
... the Amazon queen, another Greek character. The two have been at war, but now that they have fallen in love, they are preparing to marry with feasting and merriment throughout the city. Their love has reversed the nature of the world around them, making strife into concord. When love runs smoothly, n ...
Sir Thomas More (play)
Sir Thomas More is an Elizabethan play and a dramatic biography based on particular events in the life of the Catholic martyr Thomas More, who rose to become the Lord Chancelor of England during the Reign of Henry VIII. The play is considered to be written by Anthony Munday and Henry Chettle and revised by several writers. It is particularly notable for a three page handwritten revision that is considered by many scholars to be by William Shakespeare.This play is not simply biographical, because, for example, significant facts of More’s life are not described: There is no mention of his literary career, his book Utopia, or the dispute between Henry VIII and the Pope in Rome. Also the life of More is at times expanded beyond what actually occurred and beyond the sources that were used, in order to suit the drama. What the play is about has been debated, but the issues revolve around obedience to the crown and rule of law, particularly when a populace becomes stirred up in an anti-alien fervor. Even More must obey; when he doesn’t he loses his life.There are three primary actions in the drama: First is the uprising of 1517 known as Ill May Day and More’s quelling of the rioters. Second is the portrayal of More’s private life, his family and friendships, demonstrating his generosity, kindness, and wit. Third is his service as Privy Councillor and Lord Chamberlain, and the principled stand he took in opposition to the king, which leads to More’s execution.The particular articles More refuses to sign are never described, so the play avoids the specific conflict that occurred between the church in Rome and the English Church, and so then the story can focus on the issue of freedom of an individual conscience from worldly authority. This explains why Munday, who fought against the Catholic Church, would be an author of a play that vindicates More, a Catholic martyr. Munday’s abiding interest, as demonstrated in his other plays, was in speaking out against attacks on an individual’s freedom, attacks that came from both church and state.Considered in terms of theatrical performance, it is seen as effective and dramatic in the scenes dealing with the rioting, it is warm and human when dealing with his private life, and it is sympathetic and admiring as More sticks to his principles in the conclusion of the play. It is considered to be the best of the dramatic biographies that were written in Elizabethan times. Even with these qualities it would not have attracted as much interest if it were not for the association this play has with Shakespeare.The original manuscript, involving so many revisions, has reinforced the incorrect idea that the play has been pieced together or is in poor condition. Instead, the revisions should be considered in recognizable theatrical terms as a script’s natural progression towards its being readied for production.The original manuscript is a handwritten text, now owned by the British Library. The manuscript is notable for the light it sheds on the collaborative nature of Elizabethan drama and theatrical censorship of the era. In 1871, Richard Simpson proposed that some additions to the play had been written by Shakespeare, and a year later James Spedding, editor of the works of Sir Francis Bacon, while rejecting some of Simpson's suggestions, supported the attribution to Shakespeare of the passage credited to Hand D. In 1916, the paleographer Sir Edward Maunde Thompson published a minute analysis of the handwriting of the addition and judged it to be Shakespeare's. The case was strengthened with the publication of Shakespeare's Hand in the Play of Sir Thomas More (1923) by five noted scholars who analysed the play from multiple perspectives, all of which led to the same affirmative conclusion. A second significant gathering of scholars to consider Sir Thomas More grew out of a seminar that was held during the meeting of the Shakespeare Association of America at Ashland, Oregon in 1983. It resulted in a second book of essays, eight by eight different authors, that was published as Shakespeare and Sir Thomas More; Essays on the Play and its Shakespearean Interest. It is a comprehensive study of the manuscript, and states that it appears more likely than ever that Shakespeare did indeed contribute to the revision of this play. This would make it the only surviving manuscript text written by Shakespeare. Although some dissenters remain, the attribution has been generally accepted since the mid-20th century and most authoritative editions of Shakespeare's works, including The Oxford Shakespeare, include the play. It was performed with Shakespeare's name included amongst the authors by the Royal Shakespeare Company in 2005.