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1 - eSocialSciences
1 - eSocialSciences

... experience (s)he is in a position to help newer members develop themselves both artistically and politically. More senior actors can then concentrate on other tasks of organization building. Thus, can be set in motion a cycle of renewal of skills and commitment. But a high turnover rate induced by t ...
Language, Character and History in Postmodern
Language, Character and History in Postmodern

... leading French poststructuralists including Derrida, Foucault, Barthes and Lyotard, in her discussion of postmodern literary theory and practice. But what is very striking about Hutcheon is her firm stance, cogently defended, that postmodernism is neither ahistorical nor apolitical, instead it retai ...
Peter Shaffer. A Casebook, By CJ Gianakaris. New
Peter Shaffer. A Casebook, By CJ Gianakaris. New

... Although Shaffer has his detractors, some of whom find his work too impersonal and detached from the central passions of his characters, his work emerges in this collection as infinitely varied, challenging, and singular. As a dramatist Shaffer has experienced enviable commercial success while also ...
PERFORMING SELECTED SCENES FROM A PLAY BY
PERFORMING SELECTED SCENES FROM A PLAY BY

... scrutinizes the relation between looking like, which is a question of identity as conferred by others, and looking at, which is an authentic act of perceiving and composing one's world. The play explores this distinction, investigating the way that the pressure to perform can interfere with a sense ...
See the program - EncoreArtsSeattle.com
See the program - EncoreArtsSeattle.com

... history of the theatre. William Shakespeare, once an emerging writing talent, had his plays developed in 16th century England by the companies with whom he worked as a playwright and actor. The plays of Russian dramatist Anton Chekhov were developed by the Moscow Art Theatre in the 19th century, and ...
The Chorus in Ancient Greek Theatre
The Chorus in Ancient Greek Theatre

... This
dichotomy
between
directly
plunging
into
the
play
versus
watching
and
 commenting
 on
 it
 creates
 an
 interesting
 dynamic,
 catching
 the
 audience
 between
 two
opposing
forces.
Sometimes
the
imagery,
rhythm,
and
music
of
the
chorus
pull
 the
 audience
 into
 the
 piece
 on
 a
 sensory
 lev ...
Dear Friends - The Pasadena Playhouse
Dear Friends - The Pasadena Playhouse

... presents here, all cloaked and enhanced by a story that is highly personal and full of fascinating characters. With dazzling wit and stunning humor, Shaw addresses issues that include sexual politics, the value and importance of language, and class disparities. Deep and complex issues to be sure. Bu ...
Greek theatre scenography 7
Greek theatre scenography 7

... Theatre, we do not know for sure what his theatre looked like or how his plays were originally produced. How quickly anecdote and apocrypha become received fact; how easily current theatrical practices are assumed for those of an earlier era! Archaeological excavations on the Theatre of Dionysus beg ...
Be a part of the experience...right here in Lincoln Park.
Be a part of the experience...right here in Lincoln Park.

... New Hampshire, an artist’s retreat. It was there that he finally began to write what would be the first of many prominent plays and novels, The Cabala, about Samuele, an American student who spends a year exploring post-World War I Rome; ...
Abstracts Conference - Goldsmiths, University of London
Abstracts Conference - Goldsmiths, University of London

... Dance is an integral part of the African life. Its very nature (model of performance, functions and aesthetics) whether in secular or ritual form, makes it, perhaps, the most popular socio-aesthetic cultural institution for facilitating both personal well-being and communal welfare; for it is one ar ...
Dear Friends, This production of Sizwe Banzi is
Dear Friends, This production of Sizwe Banzi is

... in handling them drew on Brecht by way of [Fugard’s earlier play] The Coat. The pace and tone of the performance was, however, shaped by the actors’ life-histories, especially Kani’s seven years with Ford. Kani’s expansive impersonation of different characters, set off by Ntshona’s straight-man port ...
a PDF of the program
a PDF of the program

... being the only person out there telling your own story; you thought it might be fun to have a couple of bandmates and from that came the question of, well okay, what would they do? And because it was a Sundance lab, there were other projects rehearsing at the same time and so we were able to just go ...
INTO THE WOODS - Victorian Opera
INTO THE WOODS - Victorian Opera

... individual's responsibility to the community. The witch isn't just a scowling old hag, but a key symbol of moral ambivalence. James Lapine said that the most unpleasant person (the Witch) would have the truest things to say and the "nicer" people would be less honest. In the Witch's words: "I'm not ...
What Brecht did for theater [sic]
What Brecht did for theater [sic]

... hieroglyphic signs which communicate ‘an exact meaning that only strikes one intuitively’33 and thus evokes an internal reaction within the spectator, Brecht argues that the ‘many symbols’ used in Chinese performance actually prevent the spectator ‘from feeling his way into the characters’34 by thei ...
this PDF file - Asia Pacific Journal of Arts and Cultural
this PDF file - Asia Pacific Journal of Arts and Cultural

... The club’s members were actively involved in organising two experimental theatre festivals in 1989 and 1993, which were very successful and ‘blowed a fresh energy into the scene of the city’s theatres’ (Ho Chi Minh Stage Newspaper 1989, p. 6). All the plays introduced in the festivals were then stag ...
Moby Dick Study Guide
Moby Dick Study Guide

... several voyages as a sailor but none as a whaler. He travels to New Bedford, Massachusetts, where he stays in a whalers’ inn. Since the inn is rather full, he has to share a bed with a harpooner from the South Pacific named Queequeg. At first repulsed by Queequeg’s strange habits and shocking appear ...
PACE.V4 Touring Conference 2016 – program
PACE.V4 Touring Conference 2016 – program

... water, in which there is a fragment of a stone façade with a torch: the evocation of the demolished National Theatre on Lujza Blaha Square. On the lawn around there are scattered sculptures of great actors from the second half of the 20th century. Since then, the Palace of Arts, a complex cultura ...
in the jungle PROOF JST
in the jungle PROOF JST

... What was Chicago to Brecht? Brecht’s Chicago is a city of crime, poverty, business deals and capitalist gains. It is the image of a city as Brecht had imagined it having never been there. Influenced by crime literature, Brecht uses his poetic license to elaborate aspects of this new emerging city, h ...
Indulkar_THEATRE2 - University of Central Missouri
Indulkar_THEATRE2 - University of Central Missouri

... In the field of early American Drama, Charleston, South Carolina’s theatrical history has an elaborate evidence of a rich theatrical culture in the fabric of this Southern city which was pioneering new ideas while constantly reflecting the attitudes and thoughts of its citizens. The theatre in Charl ...
Click here for the Good People Study Guide
Click here for the Good People Study Guide

... ... I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays. So a bitter, angry part of me was saying I could write one of those ...
Commedia 101 Teacher Resource Pack
Commedia 101 Teacher Resource Pack

... Performances  took  place  on  temporary  stages,  mostly  on  city  streets,  but  occasionally  even   in   court   venues.   Better   troupes,   such   as   I   Gelosi,   performed   in   palaces   and   became   internationally  famous  o ...
Re-imagining political theatre for the twenty‐first century
Re-imagining political theatre for the twenty‐first century

... In late 2008, as we commenced the research and development process for War Crimes, I was asked by the Torch Project to run a three week community cultural development project with Mooroopna Secondary College, just 4 kilometres west of Shepparton. Mooroopna Secondary College has been identified as o ...
The 39 Steps - State Theatre Company
The 39 Steps - State Theatre Company

... What was it about this particular story that made you want to adapt it to theatre? The original story by John Buchan is one of the great English thrillers. It was really a precursor of the genre and is still much beloved in Britain. But it was the Hitchcock movie version that most excited me and the ...
A Message from the Artistic Director
A Message from the Artistic Director

... seasons have been changed in response to a vaguely disguised fear. In backing away from the provocative, producers and theatre artists are violating my most sacred principles of art: we must shatter boundaries, we should provoke, we cannot be timid. ...
As You Like It - Denver Center for the Performing Arts
As You Like It - Denver Center for the Performing Arts

... and corruption, “tongues in trees, books in running brooks/Sermons in stones and good in everything.” (II, i, 12). Meanwhile, back at Frederick’s court, Orlando sees Duke Senior’s daughter, Rosalind, and falls head-over-heels in love. Duke Frederick exiles Rosalind from court, and she flees with her ...
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Theatre of the Absurd

The Theatre of the Absurd (French: Théâtre de l'Absurde) is a designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down, in fact alerting their audiences to pursue the opposite. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.Critic Martin Esslin coined the term in his 1960 essay ""Theatre of the Absurd."" He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, ""The Myth of Sisyphus"". The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to Vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the ""well-made play"".Playwrights commonly associated with the Theatre of the Absurd include Samuel Beckett, Eugène Ionesco, Jean Genet, Harold Pinter, Tom Stoppard, Friedrich Dürrenmatt, Miguel Mihura, Alejandro Jodorowsky, Fernando Arrabal, Václav Havel, and Edward Albee.
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