this PDF file - Open Journal Systems
... Stanislavsky might be a theatrical hero, but his pure thoughts on the process of acting were not introduced by the American Tour, the Group Theatre, or even through his own writing. Instead, a series of mimics were used as the foundation of the System in America, and the final creation developed a n ...
... Stanislavsky might be a theatrical hero, but his pure thoughts on the process of acting were not introduced by the American Tour, the Group Theatre, or even through his own writing. Instead, a series of mimics were used as the foundation of the System in America, and the final creation developed a n ...
WHAT`S ON - Eden Court
... danger escape the war in a place called Bosnia. He brought fifty of them over here on big coaches. We moved into an old boarding school with these refugees, to help them settle in. We lived there for four months. It was brilliant - there was a playground in my front garden, we had lots of visitors, ...
... danger escape the war in a place called Bosnia. He brought fifty of them over here on big coaches. We moved into an old boarding school with these refugees, to help them settle in. We lived there for four months. It was brilliant - there was a playground in my front garden, we had lots of visitors, ...
Special Topics in Theatre
... presentation. Don’t cloud the story with too many details. Accuracy in pantomime makes the presentation believable and precise. Consistency keeps all the items in a pantomime the same size, shape, weight, and in the same place. Exaggeration makes the actions in pantomime bigger than life, helping th ...
... presentation. Don’t cloud the story with too many details. Accuracy in pantomime makes the presentation believable and precise. Consistency keeps all the items in a pantomime the same size, shape, weight, and in the same place. Exaggeration makes the actions in pantomime bigger than life, helping th ...
full text - Ghent University Academic Bibliography
... This issue of Theater Topics takes the theme of mutating and adapting media as a starting point for an inquiry of so-called contemporary performing arts in a twofold way. On the one hand, we take it as an opportunity to discuss what makes its diversity specific. Some underlying mapping questions ar ...
... This issue of Theater Topics takes the theme of mutating and adapting media as a starting point for an inquiry of so-called contemporary performing arts in a twofold way. On the one hand, we take it as an opportunity to discuss what makes its diversity specific. Some underlying mapping questions ar ...
American Theatre Twentieth Century
... decade of the century, dramatists disputed the notion that biology was destiny and created female characters, who abjured passive, maternal roles. By the end of the century, bold and open discussions of lesbianism had become part of the established dramatic canon. In the 1930s playwrights, directors ...
... decade of the century, dramatists disputed the notion that biology was destiny and created female characters, who abjured passive, maternal roles. By the end of the century, bold and open discussions of lesbianism had become part of the established dramatic canon. In the 1930s playwrights, directors ...
69 Luis Valdez`s Zoot Suit: A New Direction for
... groups each summer in the early 1970's, Valdez had shared his expertise with these representatives who were supposed to return to their respective groups and teach the members at home what they had learned. The exercise proved fruitful for both the Teatro Campesino as well as the representative grou ...
... groups each summer in the early 1970's, Valdez had shared his expertise with these representatives who were supposed to return to their respective groups and teach the members at home what they had learned. The exercise proved fruitful for both the Teatro Campesino as well as the representative grou ...
NVS 2-1-7 B-Poore - Neo
... dramatic form of the human condition as we all experience it most of the time” (11), and suggested that the dramatic juxtaposition of situation and imagery in Brecht’s Mother Courage (1941) and Theatre Workshop’s Oh What A Lovely War (1963) is essentially melodramatic (Smith 1973: 12-13). With rathe ...
... dramatic form of the human condition as we all experience it most of the time” (11), and suggested that the dramatic juxtaposition of situation and imagery in Brecht’s Mother Courage (1941) and Theatre Workshop’s Oh What A Lovely War (1963) is essentially melodramatic (Smith 1973: 12-13). With rathe ...
Passing Show - Shubert Archive
... times during her long career. I immediately wanted to know more about this woman. I searched for other later articles, but found none, not even an obituary. The trail went completely cold. For a while I had thought that Mitzi was still alive, perhaps in a nursing home for aged actors, but with each ...
... times during her long career. I immediately wanted to know more about this woman. I searched for other later articles, but found none, not even an obituary. The trail went completely cold. For a while I had thought that Mitzi was still alive, perhaps in a nursing home for aged actors, but with each ...
The Potential of Theatre Web Sites for Fostering Active Audience
... Performance Studies scholar Philip Auslander reports that there exists a “strong tendency in performance theory to place live performance and mediatized or technologized forms in opposition to one another” (1). Often, Auslander suggests, analyses of live performance in relation to digital and mechan ...
... Performance Studies scholar Philip Auslander reports that there exists a “strong tendency in performance theory to place live performance and mediatized or technologized forms in opposition to one another” (1). Often, Auslander suggests, analyses of live performance in relation to digital and mechan ...
mr. popper`s penguins - South Coast Repertory
... It was a stout little fellow about two and a half feet high. Although it was about the size of a small child, it looked much more like a little gentleman, with its smooth white waistcoat in front and its long black tailcoat dragging a little behind. Its eyes were set in two white circles in its blac ...
... It was a stout little fellow about two and a half feet high. Although it was about the size of a small child, it looked much more like a little gentleman, with its smooth white waistcoat in front and its long black tailcoat dragging a little behind. Its eyes were set in two white circles in its blac ...
German Opera and Operetta at the New Orleans National Theatre
... prom inent European opera composers, including those of Giacomo M eyerbeer (1791-1864), Gioacchino Rossini (1792-1868), Gaetano Donizetti (1797-1848), and Jacques Fromental Halevy (1799-1862), were staged in N ew Orleans, particularly in the twenty years th a t preceded the War between the States.1 ...
... prom inent European opera composers, including those of Giacomo M eyerbeer (1791-1864), Gioacchino Rossini (1792-1868), Gaetano Donizetti (1797-1848), and Jacques Fromental Halevy (1799-1862), were staged in N ew Orleans, particularly in the twenty years th a t preceded the War between the States.1 ...
newsletter 4 - The Liverpool Institute for Performing Arts
... Mathias Grunwaldt (Music 2003), who is pictured above on the right, worked on the sound effects of both the car and the game’s environment with two other audiodesigners and a programmer. He started with Bizarre Creations in January 2003 during his last semester, taking over from another LIPA graduat ...
... Mathias Grunwaldt (Music 2003), who is pictured above on the right, worked on the sound effects of both the car and the game’s environment with two other audiodesigners and a programmer. He started with Bizarre Creations in January 2003 during his last semester, taking over from another LIPA graduat ...
Text in Contemporary Theatre
... However, if the creative team of the production can constantly discuss and analyse even the classics, introducing amendments to them, then, if I am a playwright, practising in real time and space, why should I keep an offended silence as regards my own work? I assume that many playwrights do not wis ...
... However, if the creative team of the production can constantly discuss and analyse even the classics, introducing amendments to them, then, if I am a playwright, practising in real time and space, why should I keep an offended silence as regards my own work? I assume that many playwrights do not wis ...
Mr. D`Oyly Carte`s “A” (Princess Ida No. 2) Company
... same eminent men. The peculiar vein of humour and melody which runs through “Pinafore,” “Patience,” and other works from the same source is again worked with admirable effect. The vein is becoming thin from constant use; the humour is rather forced; the fun is somewhat mechanical; and the story lac ...
... same eminent men. The peculiar vein of humour and melody which runs through “Pinafore,” “Patience,” and other works from the same source is again worked with admirable effect. The vein is becoming thin from constant use; the humour is rather forced; the fun is somewhat mechanical; and the story lac ...
winter 2016 - Twin Cities TOSCA
... Exploring TOSCA is the Metro Area’s only arts by category magazine. Published four times a year by Twin Cities TOSCA, this magazine provides the most comprehensive listing of arts events that take place in the metro and surrounding areas. Exploring TOSCA also features ...
... Exploring TOSCA is the Metro Area’s only arts by category magazine. Published four times a year by Twin Cities TOSCA, this magazine provides the most comprehensive listing of arts events that take place in the metro and surrounding areas. Exploring TOSCA also features ...
RADA Issue 25
... ne hundred years and forty-two days after Herbert Beerbohm Tree launched his Academy of Dramatic Art in his own His Majesty’s Theatre, Her Majesty Queen Elizabeth II rose to her feet in the Mansion House, grandest of the City of London’s historic venues, and herself proposed the toast to the Royal A ...
... ne hundred years and forty-two days after Herbert Beerbohm Tree launched his Academy of Dramatic Art in his own His Majesty’s Theatre, Her Majesty Queen Elizabeth II rose to her feet in the Mansion House, grandest of the City of London’s historic venues, and herself proposed the toast to the Royal A ...
ensemble theatre conference - Directors Guild of Great Britain
... companies. However, in the twentieth century with the advent of director-led theatre, this changed and the ensemble principle was largely abandoned. There are notable exceptions to this - such as Joan Littlewood’s Theatre Workshop, Laurence Olivier’s National Theatre Company, the early years of the ...
... companies. However, in the twentieth century with the advent of director-led theatre, this changed and the ensemble principle was largely abandoned. There are notable exceptions to this - such as Joan Littlewood’s Theatre Workshop, Laurence Olivier’s National Theatre Company, the early years of the ...
ABSTRACT Developments in Viennese Operetta in Johann Strauss
... Laurel Zeiss, Jean Boyd, and Deborah Williamson. Their guidance and encouragement have made this project possible. They have all gone above and beyond in helping me to develop both as a scholar and as a person. They have not only given me the benefit of their incredible knowledge, and have also demo ...
... Laurel Zeiss, Jean Boyd, and Deborah Williamson. Their guidance and encouragement have made this project possible. They have all gone above and beyond in helping me to develop both as a scholar and as a person. They have not only given me the benefit of their incredible knowledge, and have also demo ...
Musical Rhetoric and Sonic Composing Processes
... the use of forms and careful predictions about an audience’s reactions to certain genres and influences, other composers express a comfort with audiences composing their own meanings from musical sounds, perhaps eschewing or transforming traditional forms and traditional performance practices. Throu ...
... the use of forms and careful predictions about an audience’s reactions to certain genres and influences, other composers express a comfort with audiences composing their own meanings from musical sounds, perhaps eschewing or transforming traditional forms and traditional performance practices. Throu ...
The National Theatre Ballets of František Zelenka
... was enhanced by Zelenka’s design. The stage design for Scene One is identical to that of Scene Four. It is painted (as each rendering is) in watercolour on grey paper. The names the painting has received characterise it: the production’s poster calls it Okno (The Window), while Zelenka’s notes to th ...
... was enhanced by Zelenka’s design. The stage design for Scene One is identical to that of Scene Four. It is painted (as each rendering is) in watercolour on grey paper. The names the painting has received characterise it: the production’s poster calls it Okno (The Window), while Zelenka’s notes to th ...
full text pdf
... Film display serves to interrogate the power of the spectators’ gaze as structured through the technology of each medium” (Moorjani 2008, 125). Film (1964) is the only film Beckett ever made, and much like Play, indeed, it deals with perceiving, being perceived and being mediated. The film’s protago ...
... Film display serves to interrogate the power of the spectators’ gaze as structured through the technology of each medium” (Moorjani 2008, 125). Film (1964) is the only film Beckett ever made, and much like Play, indeed, it deals with perceiving, being perceived and being mediated. The film’s protago ...
Physical theatre as an approach to contemporary stagings
... How could they be modernized in order to become more immediate and familiar to a contemporary audience? How could modern elements be incorporated to the mise-en-scene, if in fact they could at ...
... How could they be modernized in order to become more immediate and familiar to a contemporary audience? How could modern elements be incorporated to the mise-en-scene, if in fact they could at ...
PDF of this page
... arts time periods culminating in their ability to adapt and modify them for the various types of historically known theatre staging. Focus is on the European, early American worlds 1500-1900's, the architecture, decorative arts, and the economic and social conditions out of which they sprang. Pre / ...
... arts time periods culminating in their ability to adapt and modify them for the various types of historically known theatre staging. Focus is on the European, early American worlds 1500-1900's, the architecture, decorative arts, and the economic and social conditions out of which they sprang. Pre / ...
Arts - Southeastern Theatre Conference
... a brand new flexible performance space opening fall 2009 newly renovated teaching studios and classroom facilities innovative theatre/cinema studies, production and practice ...
... a brand new flexible performance space opening fall 2009 newly renovated teaching studios and classroom facilities innovative theatre/cinema studies, production and practice ...