The Cowboy Song as Art Song Daniel M. Raessler 44
... When viewed against the panorama of early twentiethcentury American classical composers and their works, or, for that matter, American composers of pop, jazz, ragtime, or other popular genres of this time period, this group is quite small, indeed.10 Before suggesting reasons for so little interest a ...
... When viewed against the panorama of early twentiethcentury American classical composers and their works, or, for that matter, American composers of pop, jazz, ragtime, or other popular genres of this time period, this group is quite small, indeed.10 Before suggesting reasons for so little interest a ...
View/Open - Digital Collections Home
... When viewed against the panorama of early twentiethcentury American classical composers and their works, or, for that matter, American composers of pop, jazz, ragtime, or other popular genres of this time period, this group is quite small, indeed.10 Before suggesting reasons for so little interest a ...
... When viewed against the panorama of early twentiethcentury American classical composers and their works, or, for that matter, American composers of pop, jazz, ragtime, or other popular genres of this time period, this group is quite small, indeed.10 Before suggesting reasons for so little interest a ...
Approaching Jazz-Influenced Wind Music
... heading for convenience, they are in fact very disparate, as they represent both American and European responses to jazz in the 1920s, when jazz was a relatively new style, and the 1940s, when it was far more developed. Thus, the nature of the jazz influence on the composers and the way this manifes ...
... heading for convenience, they are in fact very disparate, as they represent both American and European responses to jazz in the 1920s, when jazz was a relatively new style, and the 1940s, when it was far more developed. Thus, the nature of the jazz influence on the composers and the way this manifes ...
Popular Music: The Key Concepts: Second Edition
... The ‘Business’ section of the paper includes stories on how music discounting by local retail chain the Warehouse is squeezing out traditional music retail outlets; the strength of the New Zealand rap scene and the associated merchandising possibilities being explored, especially through clothing li ...
... The ‘Business’ section of the paper includes stories on how music discounting by local retail chain the Warehouse is squeezing out traditional music retail outlets; the strength of the New Zealand rap scene and the associated merchandising possibilities being explored, especially through clothing li ...
Area of Study 4
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
... It keeps a sense of tuning/ intonation as a reference point for the melodic parts. ...
An Investigation of Music Genres and Their Rhythmic Motifs Debora C. Correa
... and volume and it is more related to the melody or the form the rap is sung. This may explain why rap has the second highest quantity of rhythmic motifs, differing from tonal motifs, since the tonal motifs mainly represents the spoken characteristic of the genre. The delivery may contain more irregu ...
... and volume and it is more related to the melody or the form the rap is sung. This may explain why rap has the second highest quantity of rhythmic motifs, differing from tonal motifs, since the tonal motifs mainly represents the spoken characteristic of the genre. The delivery may contain more irregu ...
AN 34307 TOPICS IN US HISTORY:
... for more than sixty years. Head. The melody statement of the tune; usually played as the first and last chorus. Head arrangement. A band arrangement that was extemporaneously by the musicians and is not written down. Improvisation. The spontaneous creating of an original piece of music. It requires ...
... for more than sixty years. Head. The melody statement of the tune; usually played as the first and last chorus. Head arrangement. A band arrangement that was extemporaneously by the musicians and is not written down. Improvisation. The spontaneous creating of an original piece of music. It requires ...
Lewis excerpts
... real-time musical discourse, often approaching an explicitly improvisative sensibility. Along with his associates, Cage was responsible for the entrance into musical history of the term "indeterminacy." Cage's essay on indeterminacy from Silence (Cage 1961, 35-40) presents examples of "indeterminate ...
... real-time musical discourse, often approaching an explicitly improvisative sensibility. Along with his associates, Cage was responsible for the entrance into musical history of the term "indeterminacy." Cage's essay on indeterminacy from Silence (Cage 1961, 35-40) presents examples of "indeterminate ...
AN 34307 TOPICS IN US HISTORY:
... for more than sixty years. Head. The melody statement of the tune; usually played as the first and last chorus. Head arrangement. A band arrangement that was extemporaneously by the musicians and is not written down. Improvisation. The spontaneous creating of an original piece of music. It requires ...
... for more than sixty years. Head. The melody statement of the tune; usually played as the first and last chorus. Head arrangement. A band arrangement that was extemporaneously by the musicians and is not written down. Improvisation. The spontaneous creating of an original piece of music. It requires ...
The Weavers For many of us who “came of age”
... where I grew up, there was a wonderful mixture of music that represented the cultural mosaic of the people who worked and lived in the city. From tin pan alley to motown, and from country western to traditional folk, there was a musical genre for everyone. Of all the genres, folk music was more obsc ...
... where I grew up, there was a wonderful mixture of music that represented the cultural mosaic of the people who worked and lived in the city. From tin pan alley to motown, and from country western to traditional folk, there was a musical genre for everyone. Of all the genres, folk music was more obsc ...
Aspects of Raga in North Indian Classical Music
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...
Overview - West Ada
... according to the given performance style. Assess performances, as both performer and audience member. Describe the use of body language, facial expression, and other visual and sensory elements of performance. ...
... according to the given performance style. Assess performances, as both performer and audience member. Describe the use of body language, facial expression, and other visual and sensory elements of performance. ...
What`s in Cuesheet? - Wenatchee Jazz Workshop
... Dr. Taylor has been an arts commentator on the CBS television Horace Silver, Tony Bennett, Woody Herman, and Joe Henderson. His multifaceted career program Sunday Morning since 1980. Dr. Taylor’s composition, I includes writing, leading, and arranging for his Wish I Knew (How It Would Feel To Be Fre ...
... Dr. Taylor has been an arts commentator on the CBS television Horace Silver, Tony Bennett, Woody Herman, and Joe Henderson. His multifaceted career program Sunday Morning since 1980. Dr. Taylor’s composition, I includes writing, leading, and arranging for his Wish I Knew (How It Would Feel To Be Fre ...
What Classical Music Is
... French horns. Only classical music sounds like that. A Bach piece would sound somewhat different—its rhythm would be more steadily propulsive, its separate strands would stand out more, layered on each other, even tugging at each other, rather than blending—but even so, if on a classical radio stati ...
... French horns. Only classical music sounds like that. A Bach piece would sound somewhat different—its rhythm would be more steadily propulsive, its separate strands would stand out more, layered on each other, even tugging at each other, rather than blending—but even so, if on a classical radio stati ...
Impact of the Blues on Other Forms of Popular Music
... Impact of the Blues on Other Forms of Popular Music Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music.[127] Prominent jazz, folk or rock performers, such as Louis Armstrong, Duke Elling ...
... Impact of the Blues on Other Forms of Popular Music Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music.[127] Prominent jazz, folk or rock performers, such as Louis Armstrong, Duke Elling ...
Asst. Professor - Christ University
... take the backseat. While the aspects of s¡hitya and bh¡va are accorded most importance. ...
... take the backseat. While the aspects of s¡hitya and bh¡va are accorded most importance. ...
Highlife Jazz: A Stylistic Analysis of the Music of Felá Anikulapo Kuti
... idiomatic concept is derived from folk music. A typical highlife band consists of western brass and wind instruments, guitars, tap drums, chimes, maracas and clappers. The woodwind and brass take dominance in the melodic section while the drums, chimes and clappers provide the rhythmic accompaniment ...
... idiomatic concept is derived from folk music. A typical highlife band consists of western brass and wind instruments, guitars, tap drums, chimes, maracas and clappers. The woodwind and brass take dominance in the melodic section while the drums, chimes and clappers provide the rhythmic accompaniment ...
Glossary of Jazz Terminology
... musician tries to top the others in the virtuosity of his playing Jazz: 1) a type of music created in New Orleans in the late 1910s early 1920s and characterized by improvised solos over a strong, usually 4/4 rhythm; 2) depending on the dictionary, jazz was originally a slang term for nonsense (all ...
... musician tries to top the others in the virtuosity of his playing Jazz: 1) a type of music created in New Orleans in the late 1910s early 1920s and characterized by improvised solos over a strong, usually 4/4 rhythm; 2) depending on the dictionary, jazz was originally a slang term for nonsense (all ...
Zoom Record Thesis
... The availability by the late 1950s of multi-track recording, in and of itself, transforms the very nature of the recording process, as well as of the perception and reception of the recorded musical track. The recording artist is now often required to perform, alone before a microphone in the artifi ...
... The availability by the late 1950s of multi-track recording, in and of itself, transforms the very nature of the recording process, as well as of the perception and reception of the recorded musical track. The recording artist is now often required to perform, alone before a microphone in the artifi ...
A famous Tang Dynasty guqin "Jiu Xiao Huan Pei
... the Renaissance and the Age of Discovery, the periods which ushered in the Modern Era. The medieval period thus is the mid-time of the traditional division of Western history into Classical, Medieval, and Modern periods; moreover, the Middle Ages usually is divided into theEarly Middle Ages, the Hig ...
... the Renaissance and the Age of Discovery, the periods which ushered in the Modern Era. The medieval period thus is the mid-time of the traditional division of Western history into Classical, Medieval, and Modern periods; moreover, the Middle Ages usually is divided into theEarly Middle Ages, the Hig ...
Master Musicians of Jajouka
... Coleman topped Burroughs’ quote about Jajouka being a “4,000 year-old rock band” by proclaiming it was “6,000 years old” – predating Stonehenge by a good way, then. The schism that opened following Abdesalam Attar’s death in 1982 pokes a gnarled and pointy stick in that epic history, and is a source ...
... Coleman topped Burroughs’ quote about Jajouka being a “4,000 year-old rock band” by proclaiming it was “6,000 years old” – predating Stonehenge by a good way, then. The schism that opened following Abdesalam Attar’s death in 1982 pokes a gnarled and pointy stick in that epic history, and is a source ...
Jason Theoharis thesis
... How do we distinguish between pop music and popular music? And how does such music become popular in the first place? Unfortunately, pop music does not have a firm definition or sound, for it constantly evolves and therefore can consist of differing characteristics of multiple genres. According to T ...
... How do we distinguish between pop music and popular music? And how does such music become popular in the first place? Unfortunately, pop music does not have a firm definition or sound, for it constantly evolves and therefore can consist of differing characteristics of multiple genres. According to T ...
Appropriation (music)
In music, appropriation is the use of borrowed elements (aspects or techniques) in the creation of a new piece, and is an example of cultural appropriation.Appropriation may be thought of as one of the placement of elements in new context, as for Gino Stefani who ""makes appropriation the chief criterion for his 'popular' definition of melody (Stefani 1987a). Melody, he argues, is music 'at hand'; it is that dimension which the common musical competence extracts (often with little respect for the integrity of the source), appropriates and uses for a variety of purposes: singing, whistling, dancing, and so on."" (Middleton, p. 96) Thus elements may be placed in a different form, placed with new elements, or varied.Thus musical genres may be distinguished by both elements and context. ""János Maróthy defines the 'folkloric' itself in terms of appropriation: the making, from whatever materials, of 'a music [or other folk art] of your own' (Maróthy 1981)."" (Middleton, p. 139)