1 - Julianne Baird
... d. a shift from one key to another within the same composition 35. Improvisation is a. a technique used only in jazz and non western music b. music created at the same time it is performed c. the addition of ornaments not indicated in the printed music d. all of the above 36. A song in which several ...
... d. a shift from one key to another within the same composition 35. Improvisation is a. a technique used only in jazz and non western music b. music created at the same time it is performed c. the addition of ornaments not indicated in the printed music d. all of the above 36. A song in which several ...
PowerPoint Lecture Slides
... There are a number of different minor scales - listen to Online Musical Illustration #6 for an illustration of a major scale, a harmonic minor scale, and a melodic minor scale. An interval is a name for the distance between two notes of a scale - instead of a whole step between the second and third ...
... There are a number of different minor scales - listen to Online Musical Illustration #6 for an illustration of a major scale, a harmonic minor scale, and a melodic minor scale. An interval is a name for the distance between two notes of a scale - instead of a whole step between the second and third ...
Basic Musical Notation: Help Sheet
... A dot beside a note increases its duration by half its original value. For example, half notes, in 4/4 time, are worth 2 beats. When a dot is placed next to the half note, the resulting duration is three beats. The curved line in the picture is a tie. Ties connect notes that are the same pitch toget ...
... A dot beside a note increases its duration by half its original value. For example, half notes, in 4/4 time, are worth 2 beats. When a dot is placed next to the half note, the resulting duration is three beats. The curved line in the picture is a tie. Ties connect notes that are the same pitch toget ...
Benward Chapter 6
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
... order that does not lay particular emphasis on any one pitch in the composition as a whole. This method of composing is based on a twelvetone row rather than on a scale. Music that avoids the feelings of a tonal center by this means or by any other means is said to be atonal. Most electronic music d ...
Guidelines for the Analysis of Twentieth
... emphasize continual transformation and change rather than return to formal stability. Material is often radically transformed, compressed, or expanded if it reappears at all. C. Traditional forms do occur rather frequently, but often their articulation depends not on tonal criteria, as before, but o ...
... emphasize continual transformation and change rather than return to formal stability. Material is often radically transformed, compressed, or expanded if it reappears at all. C. Traditional forms do occur rather frequently, but often their articulation depends not on tonal criteria, as before, but o ...
Background Tone Test Interval Test Hypotheses Procedure Findings
... Stimuli recorded from 4 Native Mandarin speakers from China (3 female, 1 male). Words: monosyllables (‘ka’, ‘ma’, ‘di’) spoken with each of four tones (Figure 1). • Some were real Mandarin words, some were not. Trials: two words with the same syllable (e.g., ‘ka’). • Same tone (40%) or different ton ...
... Stimuli recorded from 4 Native Mandarin speakers from China (3 female, 1 male). Words: monosyllables (‘ka’, ‘ma’, ‘di’) spoken with each of four tones (Figure 1). • Some were real Mandarin words, some were not. Trials: two words with the same syllable (e.g., ‘ka’). • Same tone (40%) or different ton ...
TONE VS. MODE by Stan Takis More than once I have been
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
... the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chromaticism. While all tonal music may technically be described as modal, music that is called modal often ha ...
Perception and Psychoacoustics of Tuning
... Future research on microtonal music/perception Perception of microtonal music • Effect of computer-contolled tuning deviations on composer’s and listener’s evaluations • Expressive tuning versus microtonality ...
... Future research on microtonal music/perception Perception of microtonal music • Effect of computer-contolled tuning deviations on composer’s and listener’s evaluations • Expressive tuning versus microtonality ...
AP THEORY_files/Notation
... Count the note you start on and the one you finish on Take the key you’re in into consideration ...
... Count the note you start on and the one you finish on Take the key you’re in into consideration ...
Musicianship notes - University High School 2014
... # sharp- raises pitch one half step x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches tha ...
... # sharp- raises pitch one half step x double sharp- raises pitch two half steps, or one full step b flat- lowers pitch one half step bb double flat- lowers pitch two half steps, or one full step natural- cancels out all sharps and flats, including key signature Enharmonic Equivalence Two pitches tha ...
Sequential Chorus Curriculum for grades 6-8
... background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Conte ...
... background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Conte ...
Week 3 Pitch Class
... Scales: differ from pitch class in that they are ordered Chromatic Scale: made up entirely of half steps Start on given pitch If no key signature, use sharps ascending and flats descending ...
... Scales: differ from pitch class in that they are ordered Chromatic Scale: made up entirely of half steps Start on given pitch If no key signature, use sharps ascending and flats descending ...
Lecture 06 Part II a little more history of science
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
power point for Chapter 21
... • The quality of a tone is determined by the presence and relative intensity of the various partials. • The sound produced by a certain tone from the piano and a clarinet of the same pitch have different qualities that the ear can recognize because their partials are different. • A pair of tones of ...
... • The quality of a tone is determined by the presence and relative intensity of the various partials. • The sound produced by a certain tone from the piano and a clarinet of the same pitch have different qualities that the ear can recognize because their partials are different. • A pair of tones of ...
MUL 2010 “Enjoyment of Music
... • Timbre = tone color (the source of the sound, i.e., instrument, voice, other) • Dynamics = Loudness/Softness ...
... • Timbre = tone color (the source of the sound, i.e., instrument, voice, other) • Dynamics = Loudness/Softness ...
Advanced_HS_Band_Benchmarks
... Execute refined tone on their primary instrument (A.ML.1.1) Execute consistent pitch individually and within ensembles of various sizes and instrumentations (A.ML.1.1) Illustrate appropriate posture, breath support, hand position, and fingerings or stick control while performing an 8 measure musical ...
... Execute refined tone on their primary instrument (A.ML.1.1) Execute consistent pitch individually and within ensembles of various sizes and instrumentations (A.ML.1.1) Illustrate appropriate posture, breath support, hand position, and fingerings or stick control while performing an 8 measure musical ...
A Wonderful Savior
... That shadows a dry, thirsty land; He hideth my life in the depths of His love, And covers me there with His hand, And covers me there with His hand. ...
... That shadows a dry, thirsty land; He hideth my life in the depths of His love, And covers me there with His hand, And covers me there with His hand. ...
course content - Walker County Schools
... Level I Instrumental Music is designed for the beginning instrumental music student in Grades 6 - 12. This course allows students to begin instrumental music instruction in middle school or in high school. Level I Instrumental Music standards emphasize the essential elements needed for playing a mus ...
... Level I Instrumental Music is designed for the beginning instrumental music student in Grades 6 - 12. This course allows students to begin instrumental music instruction in middle school or in high school. Level I Instrumental Music standards emphasize the essential elements needed for playing a mus ...
Mr Allen`s Final Review
... -------------------------------Chromatic Scale – Moving by ½ steps. Please know your chromatic fingers, two octaves extra credit! ...
... -------------------------------Chromatic Scale – Moving by ½ steps. Please know your chromatic fingers, two octaves extra credit! ...
Music Theory Terms
... key as they begin, with the exception that works in minor may end in the parallel major. A work’s key is often used as a descriptor in its title (e.g. Beethoven’s Symphony No. 5 in C minor). 6. Transposition: Instruments that are in concert pitch, or “in C,” have their music written at the same pitc ...
... key as they begin, with the exception that works in minor may end in the parallel major. A work’s key is often used as a descriptor in its title (e.g. Beethoven’s Symphony No. 5 in C minor). 6. Transposition: Instruments that are in concert pitch, or “in C,” have their music written at the same pitc ...
Serial Music - Toot Hill School
... tone scale are also unconventional and colourful (different) sounding. A composer who used the whole tone scale quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a ...
... tone scale are also unconventional and colourful (different) sounding. A composer who used the whole tone scale quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a ...
The Physics of Sound
... The Perception of Pitch, con’t The frequency theory of pitch perception ...
... The Perception of Pitch, con’t The frequency theory of pitch perception ...
Quick Reference Guide to Music Notation
... Here are the durations of notes and rests. Whenever you see a dot ( · ) after a note or a rest, the note is 1.5 times the normal duration. For example, a dotted half note would be 3 beats. When two notes of the same pitch are tied together with a curved line, they are sung together as one note. ...
... Here are the durations of notes and rests. Whenever you see a dot ( · ) after a note or a rest, the note is 1.5 times the normal duration. For example, a dotted half note would be 3 beats. When two notes of the same pitch are tied together with a curved line, they are sung together as one note. ...
Document
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...
... Offering. The melody rises two half-tones each time the canon is repeated (this should illustrate the rising glory of Frederick the Great to whom the Musical Offering was dedicated). The canon starts in C minor. After the first run it ends in D minor, so the second turn begins two halftones higher t ...