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`The Reality of Doing`: Meisner Technique and British Actor
`The Reality of Doing`: Meisner Technique and British Actor

... the dramatic relationships, the reality of each individual moment and the actual behaviour of the characters themselves. Famously declaring that ‘an Ounce of BEHAVIOUR is Worth a Pound of WORDS’ (Meisner and Longwell 1987, p. 4), Meisner believed that it is only through the ‘reality of doing’ (ibid. ...
who`s who in research
who`s who in research

... rights and through writing about issues pertaining to the mental health community. He is currently working on a book about mental health recovery, as well as a number of musical compositions. He is an active participant on Twitter where he can often be found as @CrazyComposer or, on a whimsical side ...
Group Sales - City of Brampton
Group Sales - City of Brampton

... Each year brings a new challenge to present the right variety of programming to suit our diverse audiences. As I began programming, I looked at your feedback, your requests and at box office returns. I asked myself, how can I make the Rose more accessible to a broader portion of this community, main ...
SELECTED PERSPECTIVES ON THE PUPPETRY OF THEODORA
SELECTED PERSPECTIVES ON THE PUPPETRY OF THEODORA

... form found throughout history and across many cultures. It is a form of expression that, depending on the culture, can be considered high art, popular, folk entertainment, or a bridge between these categories. This dissertation will not attempt to address all forms of puppetry in either a historic-g ...
Study Guide: Harper Regan
Study Guide: Harper Regan

... World, The Curious Incident of the Dog in the Night-Time), and the Critics` Awards for Theatre in Scotland prize for Best New Play in 2008 (Pornography). Often commissioned to compose new versions of classic pieces, or adaptations for the stage, his most recent work is a stage version of Mark Haddoc ...
Staging Quakerism in American Theatre and Film
Staging Quakerism in American Theatre and Film

... the play did not deal directly with the lives ofFriends, as in English poet/playwright Moses Mendez's comedy The Chaplet (1749), which in its 4 June 1767 performance at the Southwark Theatre in Philadelphia included a scene called simply 'Quaker Man and Quaker Woman'.15 Even the Irish stage had take ...
theatre biography - Samuel French, Ltd.
theatre biography - Samuel French, Ltd.

... invaluable insight into his views on the many works of art that he saw as he travelled through the country, but, as Mark Nixon reveals in this outstanding work of literary scholarship, also gesture towards a new kind of writing that would find its full realization only after the Second World War. Th ...
Act I - Theatres of Action
Act I - Theatres of Action

... McTheatre was first erected and performed in Pasadena, California, in 1937, under the inventive direction of the McDonald brothers, Richard and Maurice (Dick and Mac). The brothers are icons of the American dream, role models of the capitalist entrepreneurial spirit, risk-takers who went into busine ...
David Garrick - Paideia
David Garrick - Paideia

... sought to reform audience behaviour. While this led to some discontent among the theatre-going public, many of his reforms eventually did take hold. In addition to audiences, Garrick sought reform in production matters, bringing an over-arching consistency to productions that included scenery, costu ...
- ERA - University of Alberta
- ERA - University of Alberta

... In my search for productions that effectively transpose Müller’s texts to a non-European cultural situation, I also actively looked for examples of postdramatic theatre that do not try to textually adapt Müller’s work. This led to my discovery of the Buenos Aires based company El Periférico de Objet ...
Plays in Translation on the London Stage: Visibility, Celebrity
Plays in Translation on the London Stage: Visibility, Celebrity

... production? This thesis conducts an empirical study on a time-based sample of eight translated plays performed on the mainstream London stage during a three-month period in 2005. The sample comprises direct, indirect and literal translators from a variety of professional backgrounds, and the plays r ...
Passing Show - Shubert Archive
Passing Show - Shubert Archive

... to Pittsburgh to wrest the Duquesne Theatre from Syndicate control, disaster struck. The train that Sam traveled on sideswiped another transporting dynamite, and the resulting explosion and fire were catastrophic. Twentytwo passengers, including Sam Shubert, died on that fateful day in May 1905. The ...
The Influence of Dalcroze Eurhythmics in the Contemporary Theatre.
The Influence of Dalcroze Eurhythmics in the Contemporary Theatre.

... dancers were important for the theatre because they produced "a genuine phenomenon of our re-awakening sense of the beauty of r h y t h m . A p p i a himself explained in 1923 that under the influence of the physical culture movement, the dance gradually freed itself cfrom labored and mechanical tec ...
THE THEATRE LOBBY EXPERIENCE: THE
THE THEATRE LOBBY EXPERIENCE: THE

... physical buildings including all interior audience social areas, from the outside entrance of the theatre building to the auditorium, as well as restrooms, the box office, concession stands, and any adjoining rooms. Duration was any time spent in the audience social areas, including prior to the per ...
Page 2 Twentieth Century Actor Training Actor training is arguably
Page 2 Twentieth Century Actor Training Actor training is arguably

... The early pioneers in the development of Western training methods are represented by the work of four Europeans: Konstantin Stanislavsky, Vsevolod Meyerhold, Michael Chekhov and Jacques Copeau. From the mid century the central aspects of Bertolt Brecht’s epic acting and the ensemble work of Joan Lit ...
PhD thesis_Tamara Aberle
PhD thesis_Tamara Aberle

... of the twenty-first-century climate of change with new temporalities, materialities, and ontologies” (Shaughnessy 3). Distance no longer matters so much in the context of the internet and Skype. Events are no longer restricted to particular times and places, as their impacts can be virtually accesse ...
Corporeal Returns: Theatrical Embodiment and Spectator Response
Corporeal Returns: Theatrical Embodiment and Spectator Response

... time intimated that by imaginatively participating in the theatrical exploration of the body’s capabilities and limits—an exploration that was often violently articulated— early modern spectators could attain the knowledge and power Renaissance culture so often invested in the physical human form. R ...
The Accident and the Account: Towards a
The Accident and the Account: Towards a

... 1996), while others have described it in terms of ‘performing testimony’ (Salverson, 2001b). Within performance studies, however, the term has been associated with performance art and its spectators. Together, the two disciplines have used the term to describe practically every participant involved ...
Roman Republican Theatre
Roman Republican Theatre

... political, social and cultural relevance: for instance, the introduction of dramatic performances changed the set-up of public festivals with their specific religious rituals and their role within the political community; theatrical events gained relevance as a public institution. Within this framew ...
Performing synergy: the use of Playback Theatre in exploring personal...  by Odia Jordaan
Performing synergy: the use of Playback Theatre in exploring personal... by Odia Jordaan

... study and that I needed no one's help. I could not have been more wrong. Firstly, I must thank my study leader, Prof Marié-Heleen Coetzee, my guide throughout this study. Thank you for putting up with me, especially in troubled times. I have come to understand that through all of my turmoil and diff ...
Ghanaian Theatre. A Bibliography (up to 2009) - Jahn
Ghanaian Theatre. A Bibliography (up to 2009) - Jahn

... ‘editions’ have been prepared. These have been issued by Nolisment Publications and made available on disc to some of those researching Ghanaian theatre. Distribution continues and the initiative taken by Dr Anja Oed in November 2011 has led to the document being made available on line through http ...
KafKa`s MoNKey - Theatre for a New Audience
KafKa`s MoNKey - Theatre for a New Audience

... of ‘the average European.’ He has made (a name for) himself in the image of man, and he is thus privileged to reveal his adopted civilization as a barbarian masquerade. This, as one would imagine, is not what the assembly of the Academy wants to hear. As Red Peter states at the outset, he is incapab ...
The Country Girl - The American Century Theater
The Country Girl - The American Century Theater

... brings to the role. Casting changes everything, and this was especially true when The Country Girl travelled from Broadway to Hollywood. The script was adapted to the screen by someone other than the playwright, despite Odets’s extensive experience as a screenwriter: George Seaton, who also took ove ...
TABLE OF CONTENTS - Theatre
TABLE OF CONTENTS - Theatre

... The Department of Theatre offers comprehensive undergraduate programs, which are accredited by the National Association of Schools of Theatre. The department offers the Bachelor of Fine Arts (BFA) in Performance and the Bachelor of Fine Arts (BFA) in Theatre Design and Technology which provide a con ...
ACTING AND ITS REFUSAL IN THEATRE AND FILM
ACTING AND ITS REFUSAL IN THEATRE AND FILM

... As an actor with Free Theatre Christchurch under the artistic direction of Peter Falkenberg, I have been able to examine both my own and other people’s desires to refuse acting. In the film Remake (2009), directed by Falkenberg, a confusion of acting and living was deliberately explored as an attemp ...
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History of theatre



The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 6th century BC, vibrant traditions of theatre have flourished in cultures across the world.
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