The Ballad of the Bridge Aristophanes’ Lysistrata
... The Theatrical Workshop of the University of Cyprus (THEPAK) was founded in 1997 by the then Dean of the School of Letters, Prof. Michalis Pieris, a scholar of Modern Greek who also has a training in drama. It brings together undergraduate and graduate students, members of the academic staff, and al ...
... The Theatrical Workshop of the University of Cyprus (THEPAK) was founded in 1997 by the then Dean of the School of Letters, Prof. Michalis Pieris, a scholar of Modern Greek who also has a training in drama. It brings together undergraduate and graduate students, members of the academic staff, and al ...
The Seagull Study Guide - Goodman Theatre Education
... costumes, scenery. Tech is the period when all of these elements finally come together on the stage. This period – usually lasting a week – is as much a rehearsal for the technicians and stage crew as it is a final rehearsal period for the actors. This will be the actors’ first time on stage in cost ...
... costumes, scenery. Tech is the period when all of these elements finally come together on the stage. This period – usually lasting a week – is as much a rehearsal for the technicians and stage crew as it is a final rehearsal period for the actors. This will be the actors’ first time on stage in cost ...
- UEA Digital Repository
... Radio drama has been experimenting with verbatim techniques in its plays and features for many years, from the original BBC Radio Ballads (1958-1964, to Spoiled Papers (Greg Cullen, 1986), Sarah Woods’s A Love Song to the Buses, (1999) and Getting to Zero (2009). These plays are not included in this ...
... Radio drama has been experimenting with verbatim techniques in its plays and features for many years, from the original BBC Radio Ballads (1958-1964, to Spoiled Papers (Greg Cullen, 1986), Sarah Woods’s A Love Song to the Buses, (1999) and Getting to Zero (2009). These plays are not included in this ...
Catalogue of the 7th Biennial of Puppetry Artists of Slovenia
... performances often carry the burden of dramatic rigidity and an unconscious perception of the characters through tinted acting-dramatic lenses. This problem has been tormenting Slovene puppetry since its very beginnings. There is an aspect to Slovene puppetry, however, which hasn’t been as modernize ...
... performances often carry the burden of dramatic rigidity and an unconscious perception of the characters through tinted acting-dramatic lenses. This problem has been tormenting Slovene puppetry since its very beginnings. There is an aspect to Slovene puppetry, however, which hasn’t been as modernize ...
thEAtrE ExpEriEncE thEAtEr ExpEriEncE
... it was written. Beijing Opera: The dominant style of theater in China, which first appeared in 1790, when performers came from all over China to Beijing to celebrate the eighteenth birthday of Emperor Ch’ien-lung. This gathering of performers created a highly stylized form of theater that emphasized ...
... it was written. Beijing Opera: The dominant style of theater in China, which first appeared in 1790, when performers came from all over China to Beijing to celebrate the eighteenth birthday of Emperor Ch’ien-lung. This gathering of performers created a highly stylized form of theater that emphasized ...
Shakespeare Among the Saints - Office of the Academic Vice
... the Salt Lake Theatre but itself stands as a grand monument to the playhouse, having been built upon the plan of the Salt Lake Theatre. When one looks at its exterior, one sees the shape of a now vanished romantic “Old Playhouse.” Likewise, the Pioneer Memorial Theatre on the University of Utah camp ...
... the Salt Lake Theatre but itself stands as a grand monument to the playhouse, having been built upon the plan of the Salt Lake Theatre. When one looks at its exterior, one sees the shape of a now vanished romantic “Old Playhouse.” Likewise, the Pioneer Memorial Theatre on the University of Utah camp ...
The Grand Ballroom of the Waldorf Astoria New York City
... Stephanie and Ron Kramer, and Johs Worsoe for making this ...
... Stephanie and Ron Kramer, and Johs Worsoe for making this ...
Jean-François Ducis - The University of Akron
... novelist Alexander Dumas translated Hamlet. Dumas had “seen a performance of the Ducis imitation in his youth, and he claimed to have been so deeply impressed that he learnt the leading role by heart and never forgot it” (109). Monaco examines other versions of Shakespeare’s Macbeth: impressed by a ...
... novelist Alexander Dumas translated Hamlet. Dumas had “seen a performance of the Ducis imitation in his youth, and he claimed to have been so deeply impressed that he learnt the leading role by heart and never forgot it” (109). Monaco examines other versions of Shakespeare’s Macbeth: impressed by a ...
Intoxicating Rhythms: Or, Shakespeare, Literary Drama
... reading of Shakespeare and the Power of Performance by noting the “swing of the critical pendulum” toward a “renewed stress on the page,” and Richard Dutton groups Kastan’s Shakespeare and the Book alongside Shakespeare as Literary Dramatist and Patrick Cheney’s Shakespeare, National Poet-Playwright ...
... reading of Shakespeare and the Power of Performance by noting the “swing of the critical pendulum” toward a “renewed stress on the page,” and Richard Dutton groups Kastan’s Shakespeare and the Book alongside Shakespeare as Literary Dramatist and Patrick Cheney’s Shakespeare, National Poet-Playwright ...
full text - Ghent University Academic Bibliography
... This issue of Theater Topics takes the theme of mutating and adapting media as a starting point for an inquiry of so-called contemporary performing arts in a twofold way. On the one hand, we take it as an opportunity to discuss what makes its diversity specific. Some underlying mapping questions ar ...
... This issue of Theater Topics takes the theme of mutating and adapting media as a starting point for an inquiry of so-called contemporary performing arts in a twofold way. On the one hand, we take it as an opportunity to discuss what makes its diversity specific. Some underlying mapping questions ar ...
Narration and dialogue in contemporary British and German
... Arcola Theatre, 2011). However, these have mostly been isolated incidences, often realised by smaller theatres or companies with a specific interest in European theatre. More importantly, there was a noticeable tendency to stage only those plays that could comfortably be slotted into a still largely ...
... Arcola Theatre, 2011). However, these have mostly been isolated incidences, often realised by smaller theatres or companies with a specific interest in European theatre. More importantly, there was a noticeable tendency to stage only those plays that could comfortably be slotted into a still largely ...
Chapter 5: Acting
... Acting is “one of the elements that’s often left out when people talk theoretically about the movies. They forget it’s the human material we go to see” [Pauline Kael]. The power of some actors to draw an audience is frequently more important to a movie’s financial success than any other factor. Ther ...
... Acting is “one of the elements that’s often left out when people talk theoretically about the movies. They forget it’s the human material we go to see” [Pauline Kael]. The power of some actors to draw an audience is frequently more important to a movie’s financial success than any other factor. Ther ...
UPSTAGE GUIDE
... SG: I developed a relationship with Roundabout when I was working at the Royal Court in London, directing new plays. Later Todd Haimes came to see my work at the National Theatre and suggested that I direct a play for Roundabout. We talked about titles, and we realized that The Cherry Orchard hadn’t ...
... SG: I developed a relationship with Roundabout when I was working at the Royal Court in London, directing new plays. Later Todd Haimes came to see my work at the National Theatre and suggested that I direct a play for Roundabout. We talked about titles, and we realized that The Cherry Orchard hadn’t ...
From `Made in Greece` to `Made in China`: a 21st Century
... Fig 1 Golfo, n.d., Gakidis troupe (boulouki), 7 Imeres –I Kathimerini (12.9.1999, p. 22) ...
... Fig 1 Golfo, n.d., Gakidis troupe (boulouki), 7 Imeres –I Kathimerini (12.9.1999, p. 22) ...
- D-Scholarship@Pitt
... Michael Schwartz B.A. in English, Georgetown University, 1985 M.A. in English, Long Island University, Brooklyn Campus, 1992 ...
... Michael Schwartz B.A. in English, Georgetown University, 1985 M.A. in English, Long Island University, Brooklyn Campus, 1992 ...
the berkeley rep magazIne - Berkeley Repertory Theatre
... spill onto our own. And, at the end of the evening, the question of whether or not the play is a classic will have become a moot point. Because it’s my firm belief that people don’t really care about that. They ultimately don’t care how many classics Berkeley Rep does or doesn’t produce. What they c ...
... spill onto our own. And, at the end of the evening, the question of whether or not the play is a classic will have become a moot point. Because it’s my firm belief that people don’t really care about that. They ultimately don’t care how many classics Berkeley Rep does or doesn’t produce. What they c ...
Theatre of the Oppressed
... but he was the first public man to set up red-light districts for public women. In fact, a large part of Greece was turned into just such a district. Solon the all-powerful came to see the play. Solon in the audience: Zeus help us! There were shivers of excitement. Would he enjoy it? Solon came in l ...
... but he was the first public man to set up red-light districts for public women. In fact, a large part of Greece was turned into just such a district. Solon the all-powerful came to see the play. Solon in the audience: Zeus help us! There were shivers of excitement. Would he enjoy it? Solon came in l ...
Resources for Teachers PDF Document
... but I do have some language skills (I read ancient Greek and Latin) so was able to follow the text using a dictionary, and unpick anything knotty. Our director Walter Meierjohann is of course German, and he has been incredibly helpful with the language, particularly in teaching me how direct Brecht ...
... but I do have some language skills (I read ancient Greek and Latin) so was able to follow the text using a dictionary, and unpick anything knotty. Our director Walter Meierjohann is of course German, and he has been incredibly helpful with the language, particularly in teaching me how direct Brecht ...
American Theatre Twentieth Century
... in the process of significant change. Rarely does the collective mind of a community encountering such transformations embrace them as a natural, evolutionary process. Rather, it attempts to halt or reverse these shifts by reverting to the rituals or philosophy of a purer, Golden Age. Such behavior i ...
... in the process of significant change. Rarely does the collective mind of a community encountering such transformations embrace them as a natural, evolutionary process. Rather, it attempts to halt or reverse these shifts by reverting to the rituals or philosophy of a purer, Golden Age. Such behavior i ...
Changing scenes and ying machines: re
... completion of this thesis. I am extremely grateful for each conversation, point in the right direction, and moment of encouragement that has been gifted to me. Firstly, I would like to offer my thanks to Loughborough University and the English and Drama department for their interest in my area of st ...
... completion of this thesis. I am extremely grateful for each conversation, point in the right direction, and moment of encouragement that has been gifted to me. Firstly, I would like to offer my thanks to Loughborough University and the English and Drama department for their interest in my area of st ...
press release - Lewisham Youth Theatre
... promenade theatrical event through the historic Broadway Theatre, Catford shopping centre and council buildings on 24th & 25th July 2015. Catford, South East London, June 2015 Today’s Catford in South East London is often best known as the place one drives through on the South Circular. But the area ...
... promenade theatrical event through the historic Broadway Theatre, Catford shopping centre and council buildings on 24th & 25th July 2015. Catford, South East London, June 2015 Today’s Catford in South East London is often best known as the place one drives through on the South Circular. But the area ...
Brief presentation Of activities
... & digital audio/video files. (1996 - 2010) [CD audio] - [DVD Video] - [CD-Rom] - [multimedia: Enhanced CD-Multisession CD ] [audio / video files (all O.S. systems, utube-vimeo, etc.) ] 1996 (May) - [CD audio] "The Tales of the Brothers Gkrimm" in collaboration with George Koumentakis and Olia Lazari ...
... & digital audio/video files. (1996 - 2010) [CD audio] - [DVD Video] - [CD-Rom] - [multimedia: Enhanced CD-Multisession CD ] [audio / video files (all O.S. systems, utube-vimeo, etc.) ] 1996 (May) - [CD audio] "The Tales of the Brothers Gkrimm" in collaboration with George Koumentakis and Olia Lazari ...
A Guide to Spencer`s Boston Theatre
... major cities, they sold each other's publications, and they encouraged direct retail, including mail-order, sales. This guide to Spencer's series illustrates some of the bibliographical and textual problems created by the play publishers. They seldom announced their activities in trade papers, and t ...
... major cities, they sold each other's publications, and they encouraged direct retail, including mail-order, sales. This guide to Spencer's series illustrates some of the bibliographical and textual problems created by the play publishers. They seldom announced their activities in trade papers, and t ...
Historical and Institutional Literacy Sponsors: A Love Story
... However, it then teaches the emotional memory technique, which when both a personal instead chargers the actor to use personal emotion memory as a substitute for the character’s. Benedetti writes, “Emo ...
... However, it then teaches the emotional memory technique, which when both a personal instead chargers the actor to use personal emotion memory as a substitute for the character’s. Benedetti writes, “Emo ...
Theatre and the Drama of Law: A `Theatrical
... him from the dramatic realm (1994: 287). However, the two paragraphs serve different parts of her argument that should not be confused. The quote from the postscript is meant to metaphorically support Arendt’s thesis concerning the ‘banality of evil’, whereas the other can be read as a defense of dr ...
... him from the dramatic realm (1994: 287). However, the two paragraphs serve different parts of her argument that should not be confused. The quote from the postscript is meant to metaphorically support Arendt’s thesis concerning the ‘banality of evil’, whereas the other can be read as a defense of dr ...
Medieval theatre
Medieval theatre refers to the theatre in the period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. Medieval theatre covers all drama produced in Europe over that thousand-year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrosvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions. The most famous examples of Medieval plays are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays and the N-Town Plays, as well as the morality play, Everyman.Due to a lack of surviving records and texts, a low literacy rate of the general population, and the opposition of the clergy to some types of performance, there are few surviving sources on Medieval drama of the Early and High Medieval periods. However, by the late period, drama and theatre began to become more secularized and a larger number of records survive documenting plays and performances.