PhD thesis_Tamara Aberle
... transition. Each of these chapters is preceded by an introduction about the wider historical and socio-political context of its respective discourse and is followed by an analysis of selected plays. Chapter 2 focuses on historical trauma and memory, and relates the work of two theatre artists, Paper ...
... transition. Each of these chapters is preceded by an introduction about the wider historical and socio-political context of its respective discourse and is followed by an analysis of selected plays. Chapter 2 focuses on historical trauma and memory, and relates the work of two theatre artists, Paper ...
2014 Programme for the Edinburgh International Book Festival
... Iron, and artistic director Zinnie Harris, we have commissioned four writers to produce brand new pieces of short fiction. Using four different directors, the stories have been adapted into a promenade theatre production with performances every evening in and around Charlotte Square Gardens. See pag ...
... Iron, and artistic director Zinnie Harris, we have commissioned four writers to produce brand new pieces of short fiction. Using four different directors, the stories have been adapted into a promenade theatre production with performances every evening in and around Charlotte Square Gardens. See pag ...
A Boal Companion
... Deborah Mutnick is a Professor of English at the Brooklyn campus of Long Island University. Her book Writing in an Alien World: Basic writing and the struggle for equality in higher education received the W. Ross Winterowd Award for the most outstanding book published that year on composition theory ...
... Deborah Mutnick is a Professor of English at the Brooklyn campus of Long Island University. Her book Writing in an Alien World: Basic writing and the struggle for equality in higher education received the W. Ross Winterowd Award for the most outstanding book published that year on composition theory ...
katalin szacsvai kim erkel workshop supervisor: dr. tibor tallián
... three operas: added to the composer’s full score, the musical parts that Erkel himself used, amended and annotated for stage performances at the National Theatre are considered as the most relevant sources, complemented by copied guide books as reference sources for the critical editions. The genre ...
... three operas: added to the composer’s full score, the musical parts that Erkel himself used, amended and annotated for stage performances at the National Theatre are considered as the most relevant sources, complemented by copied guide books as reference sources for the critical editions. The genre ...
The Semiotics of Theatre and Drama
... Czechoslovakia which radically changed the prospects for the scientific analysis of theatre and drama: Otakar Zich’s Aesthetics of the Art of Drama and Jan Mukařovský’s ‘An Attempted Structural Analysis of the Phenomenon of the Actor’. The two pioneering works laid the foundations for what is probab ...
... Czechoslovakia which radically changed the prospects for the scientific analysis of theatre and drama: Otakar Zich’s Aesthetics of the Art of Drama and Jan Mukařovský’s ‘An Attempted Structural Analysis of the Phenomenon of the Actor’. The two pioneering works laid the foundations for what is probab ...
STAGING THE PEOPLE - DRUM
... Project inspired much of my own interest and provided a model for my own work. Brian Richardson stepped in at the last moment, generously giving his time and energy. And special thanks to Heather Nathans, who seemed to sense when I needed to be pushed, left alone, or sent out into the world. Her ene ...
... Project inspired much of my own interest and provided a model for my own work. Brian Richardson stepped in at the last moment, generously giving his time and energy. And special thanks to Heather Nathans, who seemed to sense when I needed to be pushed, left alone, or sent out into the world. Her ene ...
History of Drama in Provo, 1853-1897
... I built that theatre to attract the young of our community and to provide amusement for the boys and girls. . . Is there evil in the theatre; in the ballroom; in the place of worship; in the dwelling; in the world? Yes, when men are inclined to do evil in any of these places. . .the stage can be mad ...
... I built that theatre to attract the young of our community and to provide amusement for the boys and girls. . . Is there evil in the theatre; in the ballroom; in the place of worship; in the dwelling; in the world? Yes, when men are inclined to do evil in any of these places. . .the stage can be mad ...
POSTMODERN TIPPING POINTS
... his own self-identity, Gilpin overpowers the original text in just such a way that he self-consciously fashions his own identity as an actor even as he refashions Brutus Jones’ into a character of his own making. And in this self-conscious appropriation, the production of the play tips over into an ...
... his own self-identity, Gilpin overpowers the original text in just such a way that he self-consciously fashions his own identity as an actor even as he refashions Brutus Jones’ into a character of his own making. And in this self-conscious appropriation, the production of the play tips over into an ...
SWANSEA | THEATR Y THEATRE | ABERTAWE
... broken buildings, a broken town” February 1941. Elsie works at the Ben Evans department store and lives on Teilo Crescent. World War II continues to be fought on the continent, but Elsie’s pressing on with her wedding plans regardless because it’s nice for everyone to have something to look forward ...
... broken buildings, a broken town” February 1941. Elsie works at the Ben Evans department store and lives on Teilo Crescent. World War II continues to be fought on the continent, but Elsie’s pressing on with her wedding plans regardless because it’s nice for everyone to have something to look forward ...
ACTING AND ITS REFUSAL IN THEATRE AND FILM
... linked to actors, because they disguise themselves and pretend to be what they are not. Actors are considered “evil because they try to substitute a self of their own contriving for the one given them by God” (Barish 93). This attitude is illustrated in one of the most famous stories from the Bible ...
... linked to actors, because they disguise themselves and pretend to be what they are not. Actors are considered “evil because they try to substitute a self of their own contriving for the one given them by God” (Barish 93). This attitude is illustrated in one of the most famous stories from the Bible ...
Shakespeare Productions in England 1909
... I would like to thank Professor Russell Jackson for his supervision of this thesis. It would not have been attempted or completed without his support and guidance. I am grateful for the following awards which made the work possible: Shakespeare Birthplace Trust Jubilee Education Fund award; Society ...
... I would like to thank Professor Russell Jackson for his supervision of this thesis. It would not have been attempted or completed without his support and guidance. I am grateful for the following awards which made the work possible: Shakespeare Birthplace Trust Jubilee Education Fund award; Society ...
Group Sales - City of Brampton
... All purchases are final. Payments will not be refunded except if a show is cancelled. A processing fee of $1.00 per ticket is applied to all single ticket purchases. A processing fee of $5.00 per order is applied to all subscription purchases. Ticket exchanges are possible subject to availability. T ...
... All purchases are final. Payments will not be refunded except if a show is cancelled. A processing fee of $1.00 per ticket is applied to all single ticket purchases. A processing fee of $5.00 per order is applied to all subscription purchases. Ticket exchanges are possible subject to availability. T ...
Trans-formative Theatre Living Further Realities Esther Belvis Pons
... symposium that took place in the Museum of Contemporary Arts in Zagreb, for their 10th anniversary. BADCo. are strongly present in this thesis as they inspired me through their ideas, questions and readings that appear throughout the text. I would also like to thank the other participants in the sym ...
... symposium that took place in the Museum of Contemporary Arts in Zagreb, for their 10th anniversary. BADCo. are strongly present in this thesis as they inspired me through their ideas, questions and readings that appear throughout the text. I would also like to thank the other participants in the sym ...
Theatre Standards - Illinois Arts Learning Standards
... characters in dramatic that there are play or a guided drama multiple choices experience (for example, for every drama/ process drama, story drama, creative drama). theatre work ...
... characters in dramatic that there are play or a guided drama multiple choices experience (for example, for every drama/ process drama, story drama, creative drama). theatre work ...
PROLOGUE: CUSTOMS—A CASE STUDY
... theatre—representational, narrative, psychologically-based—was set up as a straw man. Text, therefore, if it is to be used in avant-garde “theatre” or contemporary “performance”, is required to have a non-representational function and is positioned within the performance as just one element in a con ...
... theatre—representational, narrative, psychologically-based—was set up as a straw man. Text, therefore, if it is to be used in avant-garde “theatre” or contemporary “performance”, is required to have a non-representational function and is positioned within the performance as just one element in a con ...
Acting Tragedy in Twentieth Century Greece
... on the stage. Koun did not dismiss the meaning of the text, even though the text was not his primary concern. He focused on emotion and the way it could be transmitted to the audience, while neglecting pronunciation and recitation (interview with Konstantarou, 11 February 2008; interview with Rittak ...
... on the stage. Koun did not dismiss the meaning of the text, even though the text was not his primary concern. He focused on emotion and the way it could be transmitted to the audience, while neglecting pronunciation and recitation (interview with Konstantarou, 11 February 2008; interview with Rittak ...
The Value and Significance of Cultural and Historical Heritage:
... protect. How and why were some buildings considered to be of value and significance, and not others. My role as a participant observer began during Auckland Arts Festival early 2005 when I first discovered that, Victoria Theatre was under the threat of demolition. ...
... protect. How and why were some buildings considered to be of value and significance, and not others. My role as a participant observer began during Auckland Arts Festival early 2005 when I first discovered that, Victoria Theatre was under the threat of demolition. ...
Clarence Alphonse Lambert, aka Lou Vernon
... Vernon'. Vernon was born Clarence Alphonse Lambert June 26, 1888 to Frenchman Louis Lambert and Eliza Colton of Newport, Wales. The birth took place in Fortitude Valley where his father ran a store in Brunswick Street. Vernon was the seventh child out of eight. There were four girls and four boys in ...
... Vernon'. Vernon was born Clarence Alphonse Lambert June 26, 1888 to Frenchman Louis Lambert and Eliza Colton of Newport, Wales. The birth took place in Fortitude Valley where his father ran a store in Brunswick Street. Vernon was the seventh child out of eight. There were four girls and four boys in ...
WE ARE ALL ACTORS IN THE PANTOMIME OF
... of his age. The pantomime historian Richard Findlater comments that from '1800 onwards, within a year of his first appearance in the role, Grimaldi was recognised as one of London's leading clowns', as he reinvented the role from the more Shakespearean fool or country bumpkin.7 His theatrical collab ...
... of his age. The pantomime historian Richard Findlater comments that from '1800 onwards, within a year of his first appearance in the role, Grimaldi was recognised as one of London's leading clowns', as he reinvented the role from the more Shakespearean fool or country bumpkin.7 His theatrical collab ...
THE CAUCASIAN CHALK CIRCLE
... World War. Brecht had fled his native Germany when Hitler came to power in 1933, and was stripped of German citizenship by the Nazi regime in 1935. Brecht needs to be understood in relation to the times he lived in: the desperate poverty of Germany post World War One, hyper inflation and the depress ...
... World War. Brecht had fled his native Germany when Hitler came to power in 1933, and was stripped of German citizenship by the Nazi regime in 1935. Brecht needs to be understood in relation to the times he lived in: the desperate poverty of Germany post World War One, hyper inflation and the depress ...
Musical Dramaturgy In Late Nineteenth And Early Twentieth
... therefore provides a more complete record of the artistic work carried out by everyone involved in the project. Or to put it another way, although new technology, cinema facilities and financial factors may have an impact upon how a film is presented and received, the filmic text reveals more about ...
... therefore provides a more complete record of the artistic work carried out by everyone involved in the project. Or to put it another way, although new technology, cinema facilities and financial factors may have an impact upon how a film is presented and received, the filmic text reveals more about ...
Staging Quakerism in American Theatre and Film
... nary decades. By 1790, though, Federalists and other Philadelphia elites gave their support so that stage productions could be mounted without serious objection. Indeed, the difficulties faced by Murdock in staging The Triumphs of Love, with its inclusion of the first slave emancipation scene in Ame ...
... nary decades. By 1790, though, Federalists and other Philadelphia elites gave their support so that stage productions could be mounted without serious objection. Indeed, the difficulties faced by Murdock in staging The Triumphs of Love, with its inclusion of the first slave emancipation scene in Ame ...
Act I - Theatres of Action
... When Raymond Albert Kroc (1902-1984) took over the direction of McDonald Theatre, there were important script and stagecraft changes. He was the new director, ready to take the show on the road. In 1954, Kroc pitched the idea of opening up several restaurants to the brothers, Dick and Mac McDonald. ...
... When Raymond Albert Kroc (1902-1984) took over the direction of McDonald Theatre, there were important script and stagecraft changes. He was the new director, ready to take the show on the road. In 1954, Kroc pitched the idea of opening up several restaurants to the brothers, Dick and Mac McDonald. ...
Performance Research: A Journal of the Performing Arts The
... along with the ruinous metaphysics that emerge from it, illuminate the crux of Castellucci’s iconoclasm. His intention to strip theatrical representation to the point where straightforward meaning or easy interpretation are thwarted, constitutes a voided space where, on the ruins of traditional dram ...
... along with the ruinous metaphysics that emerge from it, illuminate the crux of Castellucci’s iconoclasm. His intention to strip theatrical representation to the point where straightforward meaning or easy interpretation are thwarted, constitutes a voided space where, on the ruins of traditional dram ...
Augsburger Puppenkiste
The Augsburger Puppenkiste is a marionette theater in Augsburg, Germany.It is located at the former Heilig-Geist-Spital in the historic center of Augsburg. Since 1948, the ""Augsburger Puppenkiste"" had been producing theatrical adaptations of fairy tales and serious pieces. In 1953, it began producing television series and gained nationwide prominence with productions, such as Jim Knopf und Lukas der Lokomotivführer and Urmel aus dem Eis.