Presenting the French Master to American
... famous scene in which young Agnès seems to hint that she and Horace had been together intimately, though in the end she claims that he had “taken her ribbon.”7 These instances made Molière’s critics beg Louis XIV to put an end to the play, though the king would not comply. The critics did, however, ...
... famous scene in which young Agnès seems to hint that she and Horace had been together intimately, though in the end she claims that he had “taken her ribbon.”7 These instances made Molière’s critics beg Louis XIV to put an end to the play, though the king would not comply. The critics did, however, ...
breaking tradition: reaching for the avant-garde in theatre
... genres led me to specialized research studies in avant- garde theatre and puppetry, where I explored the world and art of historical avant- garde theatre in Europe, historical styles of puppetry used in performance art, along with theory and methodology based in interdisciplinary performance, as wel ...
... genres led me to specialized research studies in avant- garde theatre and puppetry, where I explored the world and art of historical avant- garde theatre in Europe, historical styles of puppetry used in performance art, along with theory and methodology based in interdisciplinary performance, as wel ...
stiffy and mo - Australian Variety Theatre Archive
... of Fun, the material comprised a combination of original jokes and some that had been published in English and American collections over the previous years.11 1923 also saw the company travel to New Zealand for the first time. The 16 months Dominion tour began on 28 March 1923 in Auckland and ended ...
... of Fun, the material comprised a combination of original jokes and some that had been published in English and American collections over the previous years.11 1923 also saw the company travel to New Zealand for the first time. The 16 months Dominion tour began on 28 March 1923 in Auckland and ended ...
The implantation of Western theatre in Korea: Hong Hae
... “modernization,” even to the extent of complying with the Japanese imperialism. While only “culture” remained (and nationalism disappeared in their rhetoric), many former cultural nationalists turned into “collaborators” who relied on Japanese power for the success of their activities. Hong Hae-sŏn ...
... “modernization,” even to the extent of complying with the Japanese imperialism. While only “culture” remained (and nationalism disappeared in their rhetoric), many former cultural nationalists turned into “collaborators” who relied on Japanese power for the success of their activities. Hong Hae-sŏn ...
Icon - University of Texas Libraries
... and perhaps even abolishing their own (as well as collective) Southern identities. Locating popular performance as the site of Southern identity construction and preservation demonstrates the political potential of theatre and other cultural forms to spark public conversations. In addition, popular ...
... and perhaps even abolishing their own (as well as collective) Southern identities. Locating popular performance as the site of Southern identity construction and preservation demonstrates the political potential of theatre and other cultural forms to spark public conversations. In addition, popular ...
legal theatre - Law and Justice Foundation
... solicitors on several occasions to verify the accuracy of legal information presented in the scenario. Three actors with professional theatre experience were employed on the project (they were also, themselves from migrant/refugee backgrounds and had worked before on community development projects). ...
... solicitors on several occasions to verify the accuracy of legal information presented in the scenario. Three actors with professional theatre experience were employed on the project (they were also, themselves from migrant/refugee backgrounds and had worked before on community development projects). ...
Coping with Not-knowing by Co-confidencing in Theatre Teacher
... teaching theatre. Although I felt that during this workshop at the congress I did not quite manage to get across my ideas about theatre teaching, the participants were active and pleased with what they experienced. This left me wondering what had been going on during this workshop that I had not und ...
... teaching theatre. Although I felt that during this workshop at the congress I did not quite manage to get across my ideas about theatre teaching, the participants were active and pleased with what they experienced. This left me wondering what had been going on during this workshop that I had not und ...
Narration and dialogue in contemporary British and German
... Arcola Theatre, 2011). However, these have mostly been isolated incidences, often realised by smaller theatres or companies with a specific interest in European theatre. More importantly, there was a noticeable tendency to stage only those plays that could comfortably be slotted into a still largely ...
... Arcola Theatre, 2011). However, these have mostly been isolated incidences, often realised by smaller theatres or companies with a specific interest in European theatre. More importantly, there was a noticeable tendency to stage only those plays that could comfortably be slotted into a still largely ...
TABLE OF CONTENTS - Theatre
... experience plays from a range of periods and genres presented in a variety of production styles for both adult and young audiences. The CSU Department of Theatre seeks to enhance the quality of life for the university and metropolitan communities by sharing our student’s growth and development throu ...
... experience plays from a range of periods and genres presented in a variety of production styles for both adult and young audiences. The CSU Department of Theatre seeks to enhance the quality of life for the university and metropolitan communities by sharing our student’s growth and development throu ...
View - OhioLINK ETD
... director, adapted the directing techniques of German directors Max Behrend and Max Reinhardt for his English productions. In a similar fashion, Bernard Shaw adapted the structure and character of Richard Wagner’s operas for his own plays; thusly, Shaw’s plays should be understood, at least in some k ...
... director, adapted the directing techniques of German directors Max Behrend and Max Reinhardt for his English productions. In a similar fashion, Bernard Shaw adapted the structure and character of Richard Wagner’s operas for his own plays; thusly, Shaw’s plays should be understood, at least in some k ...
THE COMPLETE STUDENT HANDBOOK, 2014-2015
... experience plays from a range of periods and genres presented in a variety of production styles for both adult and young audiences. The CSU Department of Theatre seeks to enhance the quality of life for the university and metropolitan communities by sharing our student’s growth and development throu ...
... experience plays from a range of periods and genres presented in a variety of production styles for both adult and young audiences. The CSU Department of Theatre seeks to enhance the quality of life for the university and metropolitan communities by sharing our student’s growth and development throu ...
2014 Annual General Report
... Substation in Newport and regionally to Upper Yarra, Stratford, Cororooke and St Andrews. These tours are accompanied by a La Mama staff member who re-creates the well-known La Mama inclusive and welcoming style. We worked with Palestinian playwright Samah Sabawi to further the life of her play Tale ...
... Substation in Newport and regionally to Upper Yarra, Stratford, Cororooke and St Andrews. These tours are accompanied by a La Mama staff member who re-creates the well-known La Mama inclusive and welcoming style. We worked with Palestinian playwright Samah Sabawi to further the life of her play Tale ...
06_61_2_de bruijn_347-370.indd
... of politics, of poetry, etc.” (p. 174). According to Ong, these titles with the word “theatre” in them are indicative of an epistemological shift in European culture whereby the transmission, communication, and storage of knowledge came to rely increasingly on vision: “An older primary oral world is ...
... of politics, of poetry, etc.” (p. 174). According to Ong, these titles with the word “theatre” in them are indicative of an epistemological shift in European culture whereby the transmission, communication, and storage of knowledge came to rely increasingly on vision: “An older primary oral world is ...
OF by Philip Booth A thesis submitted ta the Faculty of Graduate
... representing thirty-five different organizations. to these non-profit ...
... representing thirty-five different organizations. to these non-profit ...
Arrant Beggars: Staging the Atlantic Lumpenproletariat
... class who had betrayed a revolution; these types, Marx believed, constituted a group who “cannot represent themselves”; they must, instead, be represented.3 They found popular representation and misrepresentation on the stage. Marx, publishing transatlantically, finally named groups and social relat ...
... class who had betrayed a revolution; these types, Marx believed, constituted a group who “cannot represent themselves”; they must, instead, be represented.3 They found popular representation and misrepresentation on the stage. Marx, publishing transatlantically, finally named groups and social relat ...
PROLOGUE: CUSTOMS—A CASE STUDY
... Josephine Wilson’s text the tone, voices and bodies it needs” because, as he interprets the production, the putative urge to psychologically represent infiltrates the performances: “meaning is wrung out of every word, knowing looks are beyond knowing”. Gallasch critically positions Customs within a ...
... Josephine Wilson’s text the tone, voices and bodies it needs” because, as he interprets the production, the putative urge to psychologically represent infiltrates the performances: “meaning is wrung out of every word, knowing looks are beyond knowing”. Gallasch critically positions Customs within a ...
chapter one introduction
... Lermontov had no sympathy with the rules of French classical tragedy. His models were Schiller and Shakespeare whom he called 'that immeasurable genius'. His masterpiece, The Masquerade, deals with the problem of good and evil, which Lermontov had begun to realize is no longer the problem of an ind ...
... Lermontov had no sympathy with the rules of French classical tragedy. His models were Schiller and Shakespeare whom he called 'that immeasurable genius'. His masterpiece, The Masquerade, deals with the problem of good and evil, which Lermontov had begun to realize is no longer the problem of an ind ...
(Im)possibilities of Theatre and Transgression
... spectators, performers, et al. with tools for questioning the status quo. By drawing attention to the pedagogical functions of performance, Naomi Wallace marks theatre as a site of historical, political, and social importance where the construction of individual and cultural identity is rehearsed an ...
... spectators, performers, et al. with tools for questioning the status quo. By drawing attention to the pedagogical functions of performance, Naomi Wallace marks theatre as a site of historical, political, and social importance where the construction of individual and cultural identity is rehearsed an ...
“antic dispositions?” the representation of madness in modern british
... In order to trace these interplays, these theatrical interactions between the popular and the clinical, the first task was to identify a period broad enough to yield insights about continuity and change in approaches to staging madness, yet narrow enough to be feasibly covered within the confines o ...
... In order to trace these interplays, these theatrical interactions between the popular and the clinical, the first task was to identify a period broad enough to yield insights about continuity and change in approaches to staging madness, yet narrow enough to be feasibly covered within the confines o ...
A Boal Companion
... among other things, the work of Paulo Freire and Bertolt Brecht, carnival and circus, the Brazilian theatrical avant-garde of the mid-twentieth century, the influences of political theorists such as Hegel and of aesthetic theorists such as Aristotle. Boal’s work has spread to seven continents and is ...
... among other things, the work of Paulo Freire and Bertolt Brecht, carnival and circus, the Brazilian theatrical avant-garde of the mid-twentieth century, the influences of political theorists such as Hegel and of aesthetic theorists such as Aristotle. Boal’s work has spread to seven continents and is ...
TCG BOOKS AurOrA MeTrO BOOKS LeAGue Of PrOfeSSiOnAL
... of the 60s-era New York Off-Off Broadway movement, when European theatrical influences merged with a jazz-inspired, American sensibility to produce a new brand of transformative theatre. ...
... of the 60s-era New York Off-Off Broadway movement, when European theatrical influences merged with a jazz-inspired, American sensibility to produce a new brand of transformative theatre. ...
The Theatre of Drottningholm – Then and Now Sauter & W
... Drottningholm is both unique and typical. It is unique because the history of Drottningholm separates it from the history of any other European theatre building. There is no other surviving building just like it. Part of the challenge we face is to understand and appreciate the details and nature of ...
... Drottningholm is both unique and typical. It is unique because the history of Drottningholm separates it from the history of any other European theatre building. There is no other surviving building just like it. Part of the challenge we face is to understand and appreciate the details and nature of ...
issn 1846-0860
... against the competition from faster and more modern media. In a country in which culture has always been financed by government sources, the awareness of the necessity of a shift in the organizational paradigm is still in its infancy, so the theatrical program is currently on life support: there is ...
... against the competition from faster and more modern media. In a country in which culture has always been financed by government sources, the awareness of the necessity of a shift in the organizational paradigm is still in its infancy, so the theatrical program is currently on life support: there is ...
Tanzanian Theatre, Neoliberalism and Foreign
... development partners (a euphemism for donors) provide funding in order to either facilitate the final theatre production (product) or to form the conception of the idea itself (process). This practice of pouring foreign aid and donor participation into theatre and development projects has created wh ...
... development partners (a euphemism for donors) provide funding in order to either facilitate the final theatre production (product) or to form the conception of the idea itself (process). This practice of pouring foreign aid and donor participation into theatre and development projects has created wh ...
Theatre
Theatre or theater is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art and stagecraft are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word ""theatre"" as derived from the Ancient Greek θέατρον (théatron, ""a place for viewing""), itself from θεάομαι (theáomai, ""to see"", ""to watch"", ""to observe"").Modern Western theatre comes, in large measure, from ancient Greek drama, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing, and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature, and the arts in general.Theatre today, broadly defined, includes performances of plays and musicals. There are connections between theatre and the art forms of ballet, opera (which uses staged, costumed performances with singing and orchestral accompaniment) and various other forms.