- SOAS Research Online
... After my dearest grandfather, Ngôo (Wu) Bīng-Tin, left us, I suddenly found that I knew too little about his past, just as I knew too little about my homeland’s history. My experience in fact reflects the experiences of the colonized in Taiwan. Our education prevented us Taiwanese to know Taiwanese ...
... After my dearest grandfather, Ngôo (Wu) Bīng-Tin, left us, I suddenly found that I knew too little about his past, just as I knew too little about my homeland’s history. My experience in fact reflects the experiences of the colonized in Taiwan. Our education prevented us Taiwanese to know Taiwanese ...
Melodrama on and off the stage
... steam-bats, waterfalls, bridges, and even fire-engines’.7 The real, as Swindells implies, goes deeper than the pictorial representations criticised by Donne and Fitzgerald. A number of studies have demonstrated that melodrama was often rooted in the everyday experience of its spectators and it was e ...
... steam-bats, waterfalls, bridges, and even fire-engines’.7 The real, as Swindells implies, goes deeper than the pictorial representations criticised by Donne and Fitzgerald. A number of studies have demonstrated that melodrama was often rooted in the everyday experience of its spectators and it was e ...
Herr Daniel Bandmann and Shakespeare vs. the World
... on the London stage in plays such as The Corsican Brothers. Fechter’s 1861 portrayal of Hamlet had been greatly lauded by the London critics, and as John A. Mills notes was "remarkable, not merely for its influence on the subsequent history of Shakespearean production, but for its own inherent value ...
... on the London stage in plays such as The Corsican Brothers. Fechter’s 1861 portrayal of Hamlet had been greatly lauded by the London critics, and as John A. Mills notes was "remarkable, not merely for its influence on the subsequent history of Shakespearean production, but for its own inherent value ...
chapter one introduction
... dramatist, is A Month in the Country. The great Russian critic Belinsky had an important influence on his development. Turgenev's play, Penniless or Scenes from the Life of a Young Nobleman, is a satirical comedy in the style of Gogol's Inspector General. He wrote another play for Shchepkin, a delic ...
... dramatist, is A Month in the Country. The great Russian critic Belinsky had an important influence on his development. Turgenev's play, Penniless or Scenes from the Life of a Young Nobleman, is a satirical comedy in the style of Gogol's Inspector General. He wrote another play for Shchepkin, a delic ...
Performing (Post)Colonial Historiography in Le Théâtre de Neptune
... merely one of likeness; Lescarbot’s spectacle is the intercultural act itself. In other words, the play does not perform a narrative of the colonial project but rather is the colonial project. Even the process of creating Le Théâtre de Neptune contributed to the colonial project. Because the French ...
... merely one of likeness; Lescarbot’s spectacle is the intercultural act itself. In other words, the play does not perform a narrative of the colonial project but rather is the colonial project. Even the process of creating Le Théâtre de Neptune contributed to the colonial project. Because the French ...
Papers of the playwright Séamus De Búrca
... outfitting concern of P.J. Bourke, which closed in 1994. The arrangement of the Papers is evident from the Table of Contents. Photographic material included in this Collection List has been transferred to the National Photographic Archive. The substantial series of playbills, also listed here, is st ...
... outfitting concern of P.J. Bourke, which closed in 1994. The arrangement of the Papers is evident from the Table of Contents. Photographic material included in this Collection List has been transferred to the National Photographic Archive. The substantial series of playbills, also listed here, is st ...
Shakespeare Productions in England 1909
... visual arts as a means of developing an individual and distinctive style in sympathy with elements of the New Stagecraft and how this in turn influenced their interpretation of scenic designs and costumes. This study foregrounds archival research as a means of understanding the ideas which informed ...
... visual arts as a means of developing an individual and distinctive style in sympathy with elements of the New Stagecraft and how this in turn influenced their interpretation of scenic designs and costumes. This study foregrounds archival research as a means of understanding the ideas which informed ...
Thesis title - Manchester eScholar
... of Warlikowski’s theatre-making that lies in the relationship between actors and spectators. This thesis brings creative processes that inform this specific actor-audience relationship to the centre of its investigation, arguing that the shift from more traditional approaches enables us to see Warl ...
... of Warlikowski’s theatre-making that lies in the relationship between actors and spectators. This thesis brings creative processes that inform this specific actor-audience relationship to the centre of its investigation, arguing that the shift from more traditional approaches enables us to see Warl ...
KIMBRO-THESIS
... Chicago/Northwestern adaptation tradition “Staging Paradox”, describes how Breen’s productions at Northwestern were much freer in their treatment of the source text than his instructions to other adaptors in his book Chamber Theatre.6 And Kleinau in her 1980 Theatres for Literature seems to deny tha ...
... Chicago/Northwestern adaptation tradition “Staging Paradox”, describes how Breen’s productions at Northwestern were much freer in their treatment of the source text than his instructions to other adaptors in his book Chamber Theatre.6 And Kleinau in her 1980 Theatres for Literature seems to deny tha ...
Volpone - State Theatre Company
... Nescha asked me to work on Volpone, and it was her idea to adapt it, so it’s been important from the beginning that my version of the script fits with her vision of the play. I’d go away and work on each draft and then send it to Nescha to see what she thought. We have disagreed about a few things, ...
... Nescha asked me to work on Volpone, and it was her idea to adapt it, so it’s been important from the beginning that my version of the script fits with her vision of the play. I’d go away and work on each draft and then send it to Nescha to see what she thought. We have disagreed about a few things, ...
ACTING STYLES OF KATHAKALI AND KABUKI
... It is combined with the appearance of feelings, attitudes and an idea which takes us to the deepest and most significant aspects of mans nature. Simplicity, humor, sardonic and a naturalistic side is maintained in each of these theatrical genres. Several of India‟s fine arts like dance, music and ar ...
... It is combined with the appearance of feelings, attitudes and an idea which takes us to the deepest and most significant aspects of mans nature. Simplicity, humor, sardonic and a naturalistic side is maintained in each of these theatrical genres. Several of India‟s fine arts like dance, music and ar ...
LORT Rulebook 13-17
... (D) In New York, a permanent board of four arbitrators, mutually acceptable to Equity and LORT, shall be selected to hear and determine disputes. Each arbitrator shall hear such disputes on a rotating basis; however, in the event a member of the board is not available to hear a dispute in his proper ...
... (D) In New York, a permanent board of four arbitrators, mutually acceptable to Equity and LORT, shall be selected to hear and determine disputes. Each arbitrator shall hear such disputes on a rotating basis; however, in the event a member of the board is not available to hear a dispute in his proper ...
Festivals - What`s On Live
... mindreading act but also for the fact that he openly admits it has nothing whatsoever to do with psychic or paranormal practices. Instead, he says that his successes are down to a combination of ‘magic, suggestion, psychology, misdirection and showmanship’. Derren this month returns to the Midlands ...
... mindreading act but also for the fact that he openly admits it has nothing whatsoever to do with psychic or paranormal practices. Instead, he says that his successes are down to a combination of ‘magic, suggestion, psychology, misdirection and showmanship’. Derren this month returns to the Midlands ...
Finding Futurist Fashion: Lost Links to Haute Couture
... Futurists, significantly impacted and altered the manufacturing technique of fashion. Even though lower costs of production allowed every class of people the luxuries of style, the very concept of fashion as a means to express luxury and wealth was now challenged by the ideas of self-expression and ...
... Futurists, significantly impacted and altered the manufacturing technique of fashion. Even though lower costs of production allowed every class of people the luxuries of style, the very concept of fashion as a means to express luxury and wealth was now challenged by the ideas of self-expression and ...
Re-routing traditional circus performance: towards a
... that informed the movements for social change from which it sprang. A primary focus upon children, youth, and those who are disenfranchised either physically or socially has continued to sustain the guiding imperatives of the sector, as well as the utopian belief that creative engagement can be c ...
... that informed the movements for social change from which it sprang. A primary focus upon children, youth, and those who are disenfranchised either physically or socially has continued to sustain the guiding imperatives of the sector, as well as the utopian belief that creative engagement can be c ...
voices - Backstage
... Asked how aspiring writers can reach the point where their plays are receiving full productions at the Humana Festival, Waters advised, “See as much as possible and identify the theater you think is interesting. There are so many different theater festivals or groups producing work.” Theater is abou ...
... Asked how aspiring writers can reach the point where their plays are receiving full productions at the Humana Festival, Waters advised, “See as much as possible and identify the theater you think is interesting. There are so many different theater festivals or groups producing work.” Theater is abou ...
Walk-Ins Accepted Monday, Sept. 8 at SETC Fall Professional
... auditionees and company representatives Saturday evening for Monologue Slam!! This mixer provides an opportunity for you to network with fellow actors and theatre reps before your audition – and you might even be chosen to showcase your talent. All auditionees attending will be invited to place thei ...
... auditionees and company representatives Saturday evening for Monologue Slam!! This mixer provides an opportunity for you to network with fellow actors and theatre reps before your audition – and you might even be chosen to showcase your talent. All auditionees attending will be invited to place thei ...
Fulfillment of the Requirements
... Casa Mafiana's roof, a trend-setting geodesic dome made up of 575 shiny, diamond-shaped aluminum panels and designed by architect-philosopher Richard Buckminster Fuller, had sprung several leaks on the very eve of the opening, endangering the brand new, red plush seats. ...
... Casa Mafiana's roof, a trend-setting geodesic dome made up of 575 shiny, diamond-shaped aluminum panels and designed by architect-philosopher Richard Buckminster Fuller, had sprung several leaks on the very eve of the opening, endangering the brand new, red plush seats. ...
TITLE: The Sound and Music of Ibsen
... acquire the necessary information to follow the plot and action. However, a significant aspect of the aural experience is that which is heard beyond the spoken word: sound and music. In Ibsen’s prose plays he utilized sound and music as fully integrated theatrical elements of communication, supporti ...
... acquire the necessary information to follow the plot and action. However, a significant aspect of the aural experience is that which is heard beyond the spoken word: sound and music. In Ibsen’s prose plays he utilized sound and music as fully integrated theatrical elements of communication, supporti ...
Steven Berkoff, Choral Unity, and Modes of Governance
... While Berkoff maintained versions of these scenes, he redistributed the chorus’s dramatic weight by moving them back and forth in time. In place of singing extended choral odes, they acted out the passages that are spoken as memory in the Aeschylus; in place of attempts at ‘right utterance’ they ena ...
... While Berkoff maintained versions of these scenes, he redistributed the chorus’s dramatic weight by moving them back and forth in time. In place of singing extended choral odes, they acted out the passages that are spoken as memory in the Aeschylus; in place of attempts at ‘right utterance’ they ena ...
to read report.
... The workshops followed several stages with the first four weeks involving Marie McNamara, the drama facilitator, introducing the actors to forum theatre. A long with developing the group, it was also essential that trust was developed between them and this was done through games and exercises. Story ...
... The workshops followed several stages with the first four weeks involving Marie McNamara, the drama facilitator, introducing the actors to forum theatre. A long with developing the group, it was also essential that trust was developed between them and this was done through games and exercises. Story ...
tragedy as “an augury of a happy life” - Fine Arts
... of how things turned out for individual characters within the first three acts: fifth-century tragedy always ended with satyric revelry and drunken worship of the god of wine.20 Furthermore, as Griffith (2002.214) and George W. M. Harrison (2005.xi) remind us, the satyr play, which likely gave its f ...
... of how things turned out for individual characters within the first three acts: fifth-century tragedy always ended with satyric revelry and drunken worship of the god of wine.20 Furthermore, as Griffith (2002.214) and George W. M. Harrison (2005.xi) remind us, the satyr play, which likely gave its f ...
EUGENE VAKHTANGOV`S INFLUENCE UPON
... how Rosmer finally tears himself away from the dead Rosmersholm. Therefore, Vakhtangov focused on the story, not the metaphor that could be drawn from it. Both Vakhtangov's and Nemirovich-Danchenko's work on Rosmersholm ...
... how Rosmer finally tears himself away from the dead Rosmersholm. Therefore, Vakhtangov focused on the story, not the metaphor that could be drawn from it. Both Vakhtangov's and Nemirovich-Danchenko's work on Rosmersholm ...
Performing the Legacy of War in Uganda
... Murder, Rebellion, Repression, Revolution, Violence, and War—about my homeland that I have been wrestling with for many years in different ways and places: within the family, in the neighborhood, on the stage in Uganda and beyond, at public presentations abroad, and via relevant websites. The Intern ...
... Murder, Rebellion, Repression, Revolution, Violence, and War—about my homeland that I have been wrestling with for many years in different ways and places: within the family, in the neighborhood, on the stage in Uganda and beyond, at public presentations abroad, and via relevant websites. The Intern ...
Parker Starbuck (2011) Cyborg Theatre
... my dad, Bruce Parker, didn’t make it to see the book completed, his strength, courage, encouragement, and engagement with my work kept me going at difficult times. I wish he could share in its emergence. Finally, this book is dedicated to the two people in my life without whom the book would not be ...
... my dad, Bruce Parker, didn’t make it to see the book completed, his strength, courage, encouragement, and engagement with my work kept me going at difficult times. I wish he could share in its emergence. Finally, this book is dedicated to the two people in my life without whom the book would not be ...
Theatre of the Oppressed
The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1960s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist Paulo Freire. Boal's techniques use theatre as means of promoting social and political change. In the Theatre of the Oppressed, the audience becomes active, such that as ""spect-actors"" they explore, show, analyse and transform the reality in which they are living.