A History of Modernist Poetry
... Arizona State University. In addition to essays on Joyce, Yeats, Wilde, and other Irish writers, he has published Modernism and the Celtic Revival (2001), Reading the Modernist Bildungsroman (2006), Guide to Literary Theory (2007), and The Literary Theory Handbook (2013). He has also edited Postcolo ...
... Arizona State University. In addition to essays on Joyce, Yeats, Wilde, and other Irish writers, he has published Modernism and the Celtic Revival (2001), Reading the Modernist Bildungsroman (2006), Guide to Literary Theory (2007), and The Literary Theory Handbook (2013). He has also edited Postcolo ...
Introduction: Renegade Poetics (Or, Would Black Aesthetics by An[y
... signifying, typically a men's linguistic practice, these approaches also incorporate a masculine bias not unlike that found in BAM theories and no less potent for being implicit rather than overt. Harryette Mullen identified the problem of these exclusionary constructions of the tradition about ten ...
... signifying, typically a men's linguistic practice, these approaches also incorporate a masculine bias not unlike that found in BAM theories and no less potent for being implicit rather than overt. Harryette Mullen identified the problem of these exclusionary constructions of the tradition about ten ...
“The Romantic Period, 1820-1860: Essayists and Poets” Kathryn
... Thoreau consciously shapes this time into one year, and the book is carefully constructed so the seasons are subtly evoked in order. The book also is organized so that the simplest earthly concerns come first (in the section called "Economy," he describes the expenses of building a cabin); by the en ...
... Thoreau consciously shapes this time into one year, and the book is carefully constructed so the seasons are subtly evoked in order. The book also is organized so that the simplest earthly concerns come first (in the section called "Economy," he describes the expenses of building a cabin); by the en ...
Translation - Princeton University Press
... mod. poem springs from a work available to him only through the ling. mediation of others, and such mediation, when successful, provides the immediate shock of the new that catalyzes further poetic creation. This paradox is key not just to the hist. of verse trans. but to its analysis and reception. ...
... mod. poem springs from a work available to him only through the ling. mediation of others, and such mediation, when successful, provides the immediate shock of the new that catalyzes further poetic creation. This paradox is key not just to the hist. of verse trans. but to its analysis and reception. ...
MFA Reading List
... -A subversive, sly, and funny book that shows why Forster had such a large audience but doesn't explain why he never wrote another novel! The Friday Book, by John Barth -Has some great discussion about how narrative works. United States, essay collection by Gore Vidal -Watching a really keen mind at ...
... -A subversive, sly, and funny book that shows why Forster had such a large audience but doesn't explain why he never wrote another novel! The Friday Book, by John Barth -Has some great discussion about how narrative works. United States, essay collection by Gore Vidal -Watching a really keen mind at ...
American Modernism
... While white authors such as T.S. Eliot and Ernest Hemingway were forging new literary ground, African-American writers in Harlem and other U.S. cities were involved in their own artistic flowering. Countee Cullen, James Weldon Johnson, Jean Toomer, and others expressed the new racial pride of the 19 ...
... While white authors such as T.S. Eliot and Ernest Hemingway were forging new literary ground, African-American writers in Harlem and other U.S. cities were involved in their own artistic flowering. Countee Cullen, James Weldon Johnson, Jean Toomer, and others expressed the new racial pride of the 19 ...
English 3A
... _____ Writing Prompt #1 _____ p.26-28, The Iroquois Constitution/United States Constitution (T) _____ p.56-57, Defining Narrative Accounts (*) _____ p.58-62, Journal of the First Voyage to America (Columbus) -CR 2,3,5 _____ p.70-75, The General History of Virginia Activity (T) _____ Writing Prompt # ...
... _____ Writing Prompt #1 _____ p.26-28, The Iroquois Constitution/United States Constitution (T) _____ p.56-57, Defining Narrative Accounts (*) _____ p.58-62, Journal of the First Voyage to America (Columbus) -CR 2,3,5 _____ p.70-75, The General History of Virginia Activity (T) _____ Writing Prompt # ...
Reading List - York University
... Candidates should read texts by approximately 10-15 authors from each time period below, selected in consultation with their supervisors. A total of approximately 45-55 prose texts by as many authors is appropriate. Overall, the selected texts should reflect a range and diversity of form, theme, sty ...
... Candidates should read texts by approximately 10-15 authors from each time period below, selected in consultation with their supervisors. A total of approximately 45-55 prose texts by as many authors is appropriate. Overall, the selected texts should reflect a range and diversity of form, theme, sty ...
The Romantic Period - Henry County Schools
... They took on causes in their poetry, such as the abolition of slavery, which brought the issues to the forefront. ...
... They took on causes in their poetry, such as the abolition of slavery, which brought the issues to the forefront. ...
American poetry
American poetry, the poetry of the United States, arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the thirteen colonies (although before this unification, a strong oral tradition often likened to poetry existed among Native American societies). Unsurprisingly, most of the early colonists' work relied on contemporary British models of poetic form, diction, and theme. However, in the 19th century, a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad, poets from the United States had begun to take their place at the forefront of the English-language avant-garde.The history of American poetry is not easy to know. Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. The received narrative of Modernism proposes that Ezra Pound and T. S. Eliot were perhaps the most influential modernist English-language poets in the period during World War I. But this narrative leaves out African American and women poets who were published and read widely in the first half of the twentieth century. By the 1960s, the young poets of the British Poetry Revival looked to their American contemporaries and predecessors as models for the kind of poetry they wanted to write. Toward the end of the millennium, consideration of American poetry had diversified, as scholars placed an increased emphasis on poetry by women, African Americans, Hispanics, Chicanos and other cultural groupings.