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Charles Ives
Charles Ives

... impersonal test will show that when a new or unfamiliar work is accepted as beautiful on its first hearing, its fundamental quality is one that tends to put the mind to sleep." American composer. Ives's music was little appreciated in his lifetime, but has since been recognized for its quality and i ...
Dowmnload booklet as a PDF
Dowmnload booklet as a PDF

... Thanks: I would like to thank Paul Witt and Tony Faulkner, without whose hard work this CD would not have been possible. I’d also like to thank all the friends who gave support through the project, many of whom also took part. Many thanks to those from whom I’ve learned. I would also like to thank m ...
AHI - Christian-Charles de Plicque
AHI - Christian-Charles de Plicque

... Johnny Winter and blues guitarist Robert Cray and it shows that there have been many doors for Christian-Charles to announce the Gospel with shouting joy! Finlands’ legendary blues/gospel guitarist, Jarkka Rissanen is his guitarist for over 30 years as well and has played on all his recordings in Fi ...
1 “CHOO CHOO CH` BOOGIE”: THE POSTWAR ERA, 1946–1954
1 “CHOO CHOO CH` BOOGIE”: THE POSTWAR ERA, 1946–1954

Show Segment Song Name Artist/Composer Opening Happy
Show Segment Song Name Artist/Composer Opening Happy

... Who Wouldn’t Want To Be Me ...
David Wilde - Evolution Music Partners
David Wilde - Evolution Music Partners

... Marion Recording Studio. In that first year, while starting work on his jazz record a young hip-hop band asked Dave if he would work with them on their debut record for Tommy Boy Records. Dave produced, wrote, played, programmed and recorded the entire record in his home built N.J. studio with the s ...
The Washington Post
The Washington Post

... then has performed with the National Symphony under Mstislav Rostropovitch, as well as the Japan Philharmonic, the Concerto Soloists of Philadelphia, the Philharmonic Orchestra of Bogota (Columbia), the National Repertory Orchestra, the Orchestra Nacional de Mexico, the Symphony Orchestra of the Cur ...
MUSIC-THE HOPE RAISER
MUSIC-THE HOPE RAISER

... TWIN TOWER - TRAGEDY - USA ...
Original Liner Notes to Atroefy
Original Liner Notes to Atroefy

... him looked a little too minimalist. I informed him that was my bio. “That may be, Ryan. But you can’t just have two blank pages on your CD,” he said. “Fine,” I pouted. “I’ll write something.” There came a point in my first few years in New York where I started to get very cynical about jazz. I was v ...
Composer/Songwriter/Producer
Composer/Songwriter/Producer

... Ability to deal with artists, record companies and managers Ability to get the best performance out of an act Has a thorough knowledge of recording studio and techniques Ability and willingness to work unsociable hours ...
1

What'd I Say

""What'd I Say"" (or ""What I Say"") is an American Rhythm and blues song, by Ray Charles released in 1959. As single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded ""I Got a Woman"" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and ranked at number 10 in Rolling Stone‍ '​s ""The 500 Greatest Songs of All Time"".
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