Prolongation of Seventh Chords in Tonal Music, by Yosef Goldenberg
... octave; inversions of V7; and enharmonic parentheses (“EP”), which normally exploit enharmonic equivalence with the German augmented-sixth chord (a topic more fully explored in chapter 10). The subject of large-scale formal prolongations of V7 brings up Schenker’s own most famous examples, from Free ...
... octave; inversions of V7; and enharmonic parentheses (“EP”), which normally exploit enharmonic equivalence with the German augmented-sixth chord (a topic more fully explored in chapter 10). The subject of large-scale formal prolongations of V7 brings up Schenker’s own most famous examples, from Free ...
Jeffrey Perry
... Elements of Tonal Evolution in the Music of Franz Liszt," Music Theory Spectrum 8 ...
... Elements of Tonal Evolution in the Music of Franz Liszt," Music Theory Spectrum 8 ...
the schenkerian analysis in the modern context of the
... only potentially old-fashioned (because of its origins in nineteenth-century organicism) but also orientated towards the concerns of composers rather than performers. Finally, it focused on those aspects ...
... only potentially old-fashioned (because of its origins in nineteenth-century organicism) but also orientated towards the concerns of composers rather than performers. Finally, it focused on those aspects ...
MU2201 : Analysing Western Art Music
... Heinrich Schenker : Der freie Satz (1935) In the following examples, taken from his first chapter dealing with the middleground, Schenker systematically shows the various possibilities for elaborating each of these three patterns at the first middleground level (i.e. the level closest to the backgr ...
... Heinrich Schenker : Der freie Satz (1935) In the following examples, taken from his first chapter dealing with the middleground, Schenker systematically shows the various possibilities for elaborating each of these three patterns at the first middleground level (i.e. the level closest to the backgr ...