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Program - Aberdeen Community Theatre
Program - Aberdeen Community Theatre

... Heidi Jenson, Technical Assistant ...
Camelot Resource Guide - Pittsburgh Public Theater
Camelot Resource Guide - Pittsburgh Public Theater

... DUSTIN BUTORYAK (Tom) is 13 years old and proud to be making his Pittsburgh Public Theater debut. However, he is no stranger to this stage, performing each year in the Shakespeare Monologue & Scene Contest held here annually. He has also appeared in local performance at the Gemini Theater and Carneg ...
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Camelot is presented with special permission from Tams Witmark
Camelot is presented with special permission from Tams Witmark

... Lancelot, and Mordred is in his mid 20's when he first meets his father. The anachronism of knights in armour, wrenched from the Medieval Ages and squaring off at each other in the Dark, fashions our rendition of Camelot too. And still there is conjecture as to the actual who, what, where, and why o ...
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Ruddigore Program - Light Opera of Portland

2016 Season Announcement
2016 Season Announcement

... installment of the August Wilson Century Cycle, a play based on an Alfred Hitchcock classic and a production by the Tony Award-winning writer of Billy Elliot. Their 2015-2016 season will be a season of awakenings! The Interim Artistic Director, Meg Heimstead said this about their upcoming season and ...
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Spamalot

Monty Python's Spamalot is a musical comedy adapted from the 1975 film Monty Python and the Holy Grail. Like the film, it is a highly irreverent parody of the Arthurian Legend, but it differs from the film in many ways.One of the musical's creators, Eric Idle, explained the title in a February 2004 press release:I like the title Spamalot a lot. We tested it with audiences on my recent US tour and they liked it as much as I did, which is gratifying. After all, they are the ones who will be paying Broadway prices to see the show. It comes from a line in the movie which goes: ""we eat ham, and jam, and Spam a lot.""The original 2005 Broadway production, directed by Mike Nichols, won three Tony Awards, including the Tony Award for Best Musical of the 2004–2005 season and received 14 Tony Award nominations. During its initial run of over 1,500 performances it was seen by more than two million people and grossed over $175 million.
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