Extra Materials for Acting and Life
... Extra Materials for Acting and Life We are learning to act all the time. We are trying to figure out how people want us to behave, what feeling to show or to hide, and what action will be rewarded or punished. In other words, we may spend our life in trying to impress other people, and so in every a ...
... Extra Materials for Acting and Life We are learning to act all the time. We are trying to figure out how people want us to behave, what feeling to show or to hide, and what action will be rewarded or punished. In other words, we may spend our life in trying to impress other people, and so in every a ...
Read Sarah K. Scott`s essay about the production
... white crayon, separated the two camps. The area was perhaps used most stunningly when an utterly astonished Cleopatra grieved for the death of Antony. After dragging her fingers through the map’s smeared remains, she committed suicide using a live snake. This recurring focus on dying ...
... white crayon, separated the two camps. The area was perhaps used most stunningly when an utterly astonished Cleopatra grieved for the death of Antony. After dragging her fingers through the map’s smeared remains, she committed suicide using a live snake. This recurring focus on dying ...
Three Eras, Two Men, One Value
... • Presenter’s translation • The most courageous Romans had fallen by the sword or by proscription, and the rest of the nobility – who were more ready for servility – were raised to wealth and honors, and so the rich preferred the safe and present things arising from the new ways over the old and dan ...
... • Presenter’s translation • The most courageous Romans had fallen by the sword or by proscription, and the rest of the nobility – who were more ready for servility – were raised to wealth and honors, and so the rich preferred the safe and present things arising from the new ways over the old and dan ...
Shakespeare and Personality Development
... previous favourite, and sets him ‘on the rack’ of emotional turbulence, forcing him to leave behind the values of the old Roman world for ever, and to undergo the type of personality change imaged again by death – or love. The daring goal of this play is to establish that the world will be a better ...
... previous favourite, and sets him ‘on the rack’ of emotional turbulence, forcing him to leave behind the values of the old Roman world for ever, and to undergo the type of personality change imaged again by death – or love. The daring goal of this play is to establish that the world will be a better ...
HW - henrylm
... Antony’s Big Speech O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy,-Which, like dumb mouths, do ope ...
... Antony’s Big Speech O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy,-Which, like dumb mouths, do ope ...
All for Love (play)
All for Love or, the World Well Lost, is a heroic drama by John Dryden written in 1677. Today, it is Dryden's best-known and most performed play. It is a tragedy written in blank verse and is an attempt on Dryden's part to reinvigorate serious drama. It is an acknowledged imitation of Shakespeare’s Antony and Cleopatra, and focuses on the last hours of the lives of its hero and heroine.
