Mr. D`Oyly Carte`s “D” (Princess Ida No. 1) Company
... D’Oyly Carte’s auspices had been stronger in vocal talent. They form, however, a very good company of actors, and they give the piece as intelligent and expressive a representation as is likely to be seen anywhere away from the boards on which it was first produced. [Manchester Times, 1 Mar. 1884, p ...
... D’Oyly Carte’s auspices had been stronger in vocal talent. They form, however, a very good company of actors, and they give the piece as intelligent and expressive a representation as is likely to be seen anywhere away from the boards on which it was first produced. [Manchester Times, 1 Mar. 1884, p ...
Mr. D`Oyly Carte`s “A” (Princess Ida No. 2) Company
... a piece at the Olympic Theatre entitled “The Princess,” and it was described at the time as a “respectful perversion of Tennyson’s poem.” It was not a success; but Mr. Gilbert, recognising that the piece contained some merit, has made additions, cuts, and alterations, and the “Princess Ida” as witne ...
... a piece at the Olympic Theatre entitled “The Princess,” and it was described at the time as a “respectful perversion of Tennyson’s poem.” It was not a success; but Mr. Gilbert, recognising that the piece contained some merit, has made additions, cuts, and alterations, and the “Princess Ida” as witne ...
No. 1 Iolanthe Company 1883 - The Gilbert and Sullivan Archive
... his happy working up of commonplace expressions. Mr. Sullivan brings his wellknown powers to bear upon Mr. Gilbert's work, and his melodies are at once caught up and become public property. It may be said by severe critics that Mr. Sullivan's facility and certainty of success occasionally lead him i ...
... his happy working up of commonplace expressions. Mr. Sullivan brings his wellknown powers to bear upon Mr. Gilbert's work, and his melodies are at once caught up and become public property. It may be said by severe critics that Mr. Sullivan's facility and certainty of success occasionally lead him i ...
food for joyous laughter
... writer of humor and criticism for the London magazine, Fun. In 1871, after convincing the two to work together, John Hollingshead produced the first Gilbert and Sullivan collaboration, Thespis at the Gaiety Theatre (Traubner 153). It was not until their second work that the partners would find succe ...
... writer of humor and criticism for the London magazine, Fun. In 1871, after convincing the two to work together, John Hollingshead produced the first Gilbert and Sullivan collaboration, Thespis at the Gaiety Theatre (Traubner 153). It was not until their second work that the partners would find succe ...
Mr. D`Oyly Carte`s "B" Company 1881 ("C" from 7th March)
... ROYAL ALEXANDRA THEATRE. – Lessee, Mr. E. Saker. – The six weeks' comic opera season promised by Mr. Saker at the "Alexandra" opened most auspiciously and hopefully on Monday evening, when The Pirates of Penzance was performed in the hearing and presence of an audience which nearly filled the Theatr ...
... ROYAL ALEXANDRA THEATRE. – Lessee, Mr. E. Saker. – The six weeks' comic opera season promised by Mr. Saker at the "Alexandra" opened most auspiciously and hopefully on Monday evening, when The Pirates of Penzance was performed in the hearing and presence of an audience which nearly filled the Theatr ...
this PDF file - NOVA: The University of Newcastle
... made on behalf of the Opéra Comique’s Children’s Pinafore that it was a startling new development in theatre innovation. ...
... made on behalf of the Opéra Comique’s Children’s Pinafore that it was a startling new development in theatre innovation. ...
Mr. D`Oyly Carte`s “B” Company 2 Jan. – 31 Dec. 1882
... On Saturday night last one of Mr D’Oyly Carte’s Opera Companies performed, for the second time in Falkirk, Messrs Gilbert and Sullivan’s nautical comic opera, “H.M.S. Pinafore.” The popularity of this opera is now so well known, and its merits so fully recognised, that any description of it would be ...
... On Saturday night last one of Mr D’Oyly Carte’s Opera Companies performed, for the second time in Falkirk, Messrs Gilbert and Sullivan’s nautical comic opera, “H.M.S. Pinafore.” The popularity of this opera is now so well known, and its merits so fully recognised, that any description of it would be ...
Princess Ida - Madison Savoyards Ltd.
... “Gently, gently” are simply hard not to like. Princess Ida also contains the usual winks to the music aficionados in the audience: “Mighty maiden,” where the students affirm their confidence in Ida’s educational leadership, employs the characteristic rhythm of the traditional student hymn “Gaudeamus ...
... “Gently, gently” are simply hard not to like. Princess Ida also contains the usual winks to the music aficionados in the audience: “Mighty maiden,” where the students affirm their confidence in Ida’s educational leadership, employs the characteristic rhythm of the traditional student hymn “Gaudeamus ...
Mr. D`Oyly Carte`s "D" Company 1881 ("E" from 7th March)
... greater portion, the mere amusement-seeking public, curiosity to see what new combination could be made out of the old forms of jingle, glitter and fun – for, as we pointed out on Monday, there is little of novelty about this latest opera. It is merely a réchauffé of materials that some think have b ...
... greater portion, the mere amusement-seeking public, curiosity to see what new combination could be made out of the old forms of jingle, glitter and fun – for, as we pointed out on Monday, there is little of novelty about this latest opera. It is merely a réchauffé of materials that some think have b ...
Comedy Opera Company Ltd. - The Gilbert and Sullivan Archive
... THEATRE ROYAL. – Lessee, Mr. J. B. Howard. – Messrs. Gilbert and Sullivan’s comic opera The Sorcerer, supported by the company under the direction ...
... THEATRE ROYAL. – Lessee, Mr. J. B. Howard. – Messrs. Gilbert and Sullivan’s comic opera The Sorcerer, supported by the company under the direction ...
The Pirates of Penzance - Durham Savoyards, Ltd. (Unofficial)
... behind in case of any difficulty, while the actors and actresses take over the divinities’ powers and identities. Predictably, the results are disasterous. — from H. M. Walbrook’s 1922 book, Gilbert & Sullivan Opera Thespis was the first product of the long and fabulous collaboration between librett ...
... behind in case of any difficulty, while the actors and actresses take over the divinities’ powers and identities. Predictably, the results are disasterous. — from H. M. Walbrook’s 1922 book, Gilbert & Sullivan Opera Thespis was the first product of the long and fabulous collaboration between librett ...
Mr. D`Oyly Carte`s "B" Company 1880
... opportunity of witnessing it out of the metropolis; and, although it has been for some weeks past rehearsed by the selected company at the Opera Comique, it was deemed advisable, before its presentation to a Bristol audience this (Monday) evening, to have a couple of rehearsals, with full chorus, or ...
... opportunity of witnessing it out of the metropolis; and, although it has been for some weeks past rehearsed by the selected company at the Opera Comique, it was deemed advisable, before its presentation to a Bristol audience this (Monday) evening, to have a couple of rehearsals, with full chorus, or ...
description
... Mikado. He then assumed the role as his own from the 1920/21 Season onwards until the 1953 season. “It would seem that Gilbert himself had a particular affection for THE YEOMEN OF THE GUARD, since in a letter addressed to Mrs Carte in 1891 he asked if he might have as a keepsake the original executi ...
... Mikado. He then assumed the role as his own from the 1920/21 Season onwards until the 1953 season. “It would seem that Gilbert himself had a particular affection for THE YEOMEN OF THE GUARD, since in a letter addressed to Mrs Carte in 1891 he asked if he might have as a keepsake the original executi ...
Musical Theatre
... The Mikado was influenced by an 1880s craze for “all things Japanese.” The complicated plot centers on what happens when the Emperor of Japan decrees that flirting is punishable by death. Because no one in the town of Titipu is willing to enforce this horrible law, a condemned tailor (Koko) is appoi ...
... The Mikado was influenced by an 1880s craze for “all things Japanese.” The complicated plot centers on what happens when the Emperor of Japan decrees that flirting is punishable by death. Because no one in the town of Titipu is willing to enforce this horrible law, a condemned tailor (Koko) is appoi ...
Gilbert Blin - Académie Desprez
... Training Program Director, studied Theater History and Stage Direction at the Sorbonne in Paris. Upon graduating in 1986, he concentrated on Rameau’s operas and their relation to the stage, an interest that has since broadened to encompass French opera and its relationship to Baroque theater, his fi ...
... Training Program Director, studied Theater History and Stage Direction at the Sorbonne in Paris. Upon graduating in 1986, he concentrated on Rameau’s operas and their relation to the stage, an interest that has since broadened to encompass French opera and its relationship to Baroque theater, his fi ...
A Dull Enigma: Historians` Analysis of Gilbert and Sullivan`s Impact
... emollient to the earnest middle-class, ever ambitious for further education to facilitate advancement up the ladder towards the Elysium of the American dream. Yet a Gilbert and Sullivan show never presumed to appear in an opera house—that anti-democratic temple of highbrowdom where the middle class ...
... emollient to the earnest middle-class, ever ambitious for further education to facilitate advancement up the ladder towards the Elysium of the American dream. Yet a Gilbert and Sullivan show never presumed to appear in an opera house—that anti-democratic temple of highbrowdom where the middle class ...
A Dull Engima: Historians` Analysis of Gilbert and
... “There was no tradition; ways of doing things evolved without a guiding intelligence; shows were thrown together in slapdash fashion” (Grant 53). No one in the American musical theatre world would reassemble all the pieces of the Savoy model of creating integrated shows till the 1940s (Bargainnier 1 ...
... “There was no tradition; ways of doing things evolved without a guiding intelligence; shows were thrown together in slapdash fashion” (Grant 53). No one in the American musical theatre world would reassemble all the pieces of the Savoy model of creating integrated shows till the 1940s (Bargainnier 1 ...
Musical Theatre
... The Mikado was influenced by an 1880s craze for “all things Japanese.” The complicated plot centers on what happens when the Emperor of Japan decrees that flirting is punishable by death. Because no one in the town of Titipu is willing to enforce this horrible law, a condemned tailor (Koko) is appoi ...
... The Mikado was influenced by an 1880s craze for “all things Japanese.” The complicated plot centers on what happens when the Emperor of Japan decrees that flirting is punishable by death. Because no one in the town of Titipu is willing to enforce this horrible law, a condemned tailor (Koko) is appoi ...
View the programme in PDF format.
... “desperately dull” and the theatre-going public agreed with his reaction against the opera's unusual three-act form and the obsolescence of its satire. By the end of its moderate run of 246 performances, a new work from the undisputed masters of the British musical stage should have been well under ...
... “desperately dull” and the theatre-going public agreed with his reaction against the opera's unusual three-act form and the obsolescence of its satire. By the end of its moderate run of 246 performances, a new work from the undisputed masters of the British musical stage should have been well under ...
The Lamplighters Announce their 59th Season
... will board one of England’s great Navy ships, the H.M.S. Pinafore, where the beautiful Josephine must choose between marrying the First Lord of the Admiralty - with all of the wealth, prestige and power his title affords - or the “simple sailor, lowly born” who has won her heart. Gilbert devised the ...
... will board one of England’s great Navy ships, the H.M.S. Pinafore, where the beautiful Josephine must choose between marrying the First Lord of the Admiralty - with all of the wealth, prestige and power his title affords - or the “simple sailor, lowly born” who has won her heart. Gilbert devised the ...
Gilbert and Sullivan tour - Aug 2017
... museum here, which covers the history of the Academy and has artifacts bequested by Arthur Sullivan. We then visit the Savoy Theatre, the symbol of their artistic collaboration. Producer Richard D’Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy t ...
... museum here, which covers the history of the Academy and has artifacts bequested by Arthur Sullivan. We then visit the Savoy Theatre, the symbol of their artistic collaboration. Producer Richard D’Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy t ...
Gilbert and Sullivan tour - Aug 2017
... museum here, which covers the history of the Academy and has artifacts bequested by Arthur Sullivan. We then visit the Savoy Theatre, the symbol of their artistic collaboration. Producer Richard D’Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy t ...
... museum here, which covers the history of the Academy and has artifacts bequested by Arthur Sullivan. We then visit the Savoy Theatre, the symbol of their artistic collaboration. Producer Richard D’Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy t ...
Lamplighters Present an Original Musical Comedy/Fundraiser… Thing
... Music Director/Conductors: Baker Peeples and Monroe Kanouse ...
... Music Director/Conductors: Baker Peeples and Monroe Kanouse ...
the mikado - Lamplighters Music Theatre
... 1863, he wrote his first professional play, Uncle Baby, which ran for seven weeks. In 1871, John Hollingshead commissioned Gilbert to work with Sullivan to create the operetta Thespis, or The Gods Grown Old for the Christmas season at the Gaiety Theatre. It would be another four years before the men ...
... 1863, he wrote his first professional play, Uncle Baby, which ran for seven weeks. In 1871, John Hollingshead commissioned Gilbert to work with Sullivan to create the operetta Thespis, or The Gods Grown Old for the Christmas season at the Gaiety Theatre. It would be another four years before the men ...
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.Gilbert, who wrote the words, created fanciful ""topsy-turvy"" worlds for these operas where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates turn out to be noblemen who have gone wrong. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos.Their operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world. Gilbert and Sullivan introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century. The operas have also influenced political discourse, literature, film and television and have been widely parodied and pastiched by humourists. Producer Richard D'Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy Theatre in 1881 to present their joint works (which came to be known as the Savoy Operas) and founded the D'Oyly Carte Opera Company, which performed and promoted Gilbert and Sullivan's works for over a century.