No. 1 Iolanthe Company 1883 - The Gilbert and Sullivan Archive
... the arms of a god-like sentry on duty in the yard. The peers, overwhelmed with the consciousness that their House is to be recruited entirely from persons of intelligence admit that they can be of no use whatever "down here.'' Wings sprout from their shoulders, and they change "House of Peers" for " ...
... the arms of a god-like sentry on duty in the yard. The peers, overwhelmed with the consciousness that their House is to be recruited entirely from persons of intelligence admit that they can be of no use whatever "down here.'' Wings sprout from their shoulders, and they change "House of Peers" for " ...
A Dull Enigma: Historians` Analysis of Gilbert and Sullivan`s Impact
... thereafter. Let us examine first the reasons why American audiences responded so warmly to Gilbert and Sullivan. Post-Civil War Americans felt stirrings of Anglophilia after decades of Anglophobia fostered by the American Rebellion. When viewing Gilbert and Sullivan’s shows Americans could appreciat ...
... thereafter. Let us examine first the reasons why American audiences responded so warmly to Gilbert and Sullivan. Post-Civil War Americans felt stirrings of Anglophilia after decades of Anglophobia fostered by the American Rebellion. When viewing Gilbert and Sullivan’s shows Americans could appreciat ...
A Dull Engima: Historians` Analysis of Gilbert and
... So, the Savoy triumvirate withdrew from the American market after 1890. Their positive impact on operetta’s popularity was evident, but American theatre practitioners in the early 20C had little chance to observe, absorb and copy the Savoy system for creating a polished, professional production of ...
... So, the Savoy triumvirate withdrew from the American market after 1890. Their positive impact on operetta’s popularity was evident, but American theatre practitioners in the early 20C had little chance to observe, absorb and copy the Savoy system for creating a polished, professional production of ...
Gilbert Blin - Académie Desprez
... Training Program Director, studied Theater History and Stage Direction at the Sorbonne in Paris. Upon graduating in 1986, he concentrated on Rameau’s operas and their relation to the stage, an interest that has since broadened to encompass French opera and its relationship to Baroque theater, his fi ...
... Training Program Director, studied Theater History and Stage Direction at the Sorbonne in Paris. Upon graduating in 1986, he concentrated on Rameau’s operas and their relation to the stage, an interest that has since broadened to encompass French opera and its relationship to Baroque theater, his fi ...
The Lamplighters Announce their 59th Season
... A third production will be offered in March – a The Pirates of Penzance SingAlong. The Pirates Of Penzance follows the story of an orphan boy who was mistakenly apprenticed to a pirate instead of a pilot. A hilarious farce featuring sentimental pirates, bumbling policemen, dewyeyed daughters, and an ...
... A third production will be offered in March – a The Pirates of Penzance SingAlong. The Pirates Of Penzance follows the story of an orphan boy who was mistakenly apprenticed to a pirate instead of a pilot. A hilarious farce featuring sentimental pirates, bumbling policemen, dewyeyed daughters, and an ...
Musical Theatre
... comic poems appeared in popular magazines. This opened the way to a career as a playwright and director. Sullivan was Britain's most promising serious composer, but he woud compose lighter pieces to cover the expenses of his high-society lifestyle. In the 1860s, British musical theatre consisted of ...
... comic poems appeared in popular magazines. This opened the way to a career as a playwright and director. Sullivan was Britain's most promising serious composer, but he woud compose lighter pieces to cover the expenses of his high-society lifestyle. In the 1860s, British musical theatre consisted of ...
View the programme in PDF format.
... Let me start with a non-contentious statement!! W.S. Gilbert and Arthur Sullivan wrote a series of comic operas the like of which had never been seen before and, despite the fact that over a century has passed since the collaboration ended, has never been seen since. Of their fourteen operas, at lea ...
... Let me start with a non-contentious statement!! W.S. Gilbert and Arthur Sullivan wrote a series of comic operas the like of which had never been seen before and, despite the fact that over a century has passed since the collaboration ended, has never been seen since. Of their fourteen operas, at lea ...
Lamplighters Present an Original Musical Comedy/Fundraiser… Thing
... Lamplighters Present an Original Musical Comedy/Fundraiser… Thing SAN FRANCISCO, California (23 August, 2016) – Each year Lamplighters Music Theatre presents an original musical comedy as the main course at their 2016 Annual Fundraising Gala and Auction. The company, known for its prowess in Gilbert ...
... Lamplighters Present an Original Musical Comedy/Fundraiser… Thing SAN FRANCISCO, California (23 August, 2016) – Each year Lamplighters Music Theatre presents an original musical comedy as the main course at their 2016 Annual Fundraising Gala and Auction. The company, known for its prowess in Gilbert ...
Gilbert and Sullivan tour - Aug 2017
... Gilbert and Sullivan collaborated on fourteen comic operas, which were written between 1871 and 1896. Their most famous works are H.M.S. Pinafore, Pirates of Penzance, and The Mikado, all of which showcase their characteristically eccentric humour and sumptuous musical numbers. This small group tour ...
... Gilbert and Sullivan collaborated on fourteen comic operas, which were written between 1871 and 1896. Their most famous works are H.M.S. Pinafore, Pirates of Penzance, and The Mikado, all of which showcase their characteristically eccentric humour and sumptuous musical numbers. This small group tour ...
Gilbert and Sullivan tour - Aug 2017
... Gilbert and Sullivan collaborated on fourteen comic operas, which were written between 1871 and 1896. Their most famous works are H.M.S. Pinafore, Pirates of Penzance, and The Mikado, all of which showcase their characteristically eccentric humour and sumptuous musical numbers. This small group tour ...
... Gilbert and Sullivan collaborated on fourteen comic operas, which were written between 1871 and 1896. Their most famous works are H.M.S. Pinafore, Pirates of Penzance, and The Mikado, all of which showcase their characteristically eccentric humour and sumptuous musical numbers. This small group tour ...
Comedy Opera Company Ltd. - The Gilbert and Sullivan Archive
... that given by a Metropolitan audience, about the middle of November last. A firstclass company, strong chorus, and capable band were brought to give the work its first representation here; and, as usual, Mr. Emery left not a stone unturned to give it an effective and imposing place on the stage. The ...
... that given by a Metropolitan audience, about the middle of November last. A firstclass company, strong chorus, and capable band were brought to give the work its first representation here; and, as usual, Mr. Emery left not a stone unturned to give it an effective and imposing place on the stage. The ...
the mikado - Lamplighters Music Theatre
... the magazine Fun, using the childhood nickname “Bab” as his pen name, and creating the popular Bab Ballads. In 1863, he wrote his first professional play, Uncle Baby, which ran for seven weeks. In 1871, John Hollingshead commissioned Gilbert to work with Sullivan to create the operetta Thespis, or T ...
... the magazine Fun, using the childhood nickname “Bab” as his pen name, and creating the popular Bab Ballads. In 1863, he wrote his first professional play, Uncle Baby, which ran for seven weeks. In 1871, John Hollingshead commissioned Gilbert to work with Sullivan to create the operetta Thespis, or T ...
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... sets and costumes for H. M. S. Pinafore had enormous style and glamour, as well as great wit and intelligence. Both the Pinafore ' s quarter deck, which served for most of the action, and the glorious final tableau of Trafalgar Square brimmed with inventiveness and highly skilled practicality, and h ...
... sets and costumes for H. M. S. Pinafore had enormous style and glamour, as well as great wit and intelligence. Both the Pinafore ' s quarter deck, which served for most of the action, and the glorious final tableau of Trafalgar Square brimmed with inventiveness and highly skilled practicality, and h ...
Gilbert and Sullivan - Emporia State University
... take a vacation to earth while a group of traveling actors take their place. Most of the music for this opera has been lost, so it is played today only in reconstructions using either other Sullivan music, or original music. The general theme was used again in Grand Duke. Trial by Jury, (March 25, 1 ...
... take a vacation to earth while a group of traveling actors take their place. Most of the music for this opera has been lost, so it is played today only in reconstructions using either other Sullivan music, or original music. The general theme was used again in Grand Duke. Trial by Jury, (March 25, 1 ...
The Sorcerer
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The Sorcerer is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of The Sorcerer is based on a Christmas story, An Elixir of Love, that Gilbert wrote for The Graphic magazine in 1876. A young man, Alexis, is obsessed with idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell.The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, H.M.S. Pinafore. The Sorcerer was revised for an 1884 revival, and it is in that version that it is usually performed today. The Sorcerer was the first Savoy opera for which the author and composer had nearly total control over the production and the selection of cast. Several of the actors chosen went on to create principal roles in most of the later Gilbert and Sullivan operas. It was their first opera to use all the major character types and typical range of songs that would appear in their later collaborations, such as comic duets, a patter song, a contrapuntal double chorus, a tenor and soprano love duet, a soprano showpiece and so forth.The modest success of The Sorcerer was overshadowed by the extraordinary popularity of Gilbert and Sullivan's later collaborations, and the opera remains one of the team's less popular ones. The satire in the piece concerns Victorian-era class distinctions and operatic conventions with which modern audiences are less familiar. Nevertheless, the opera was important to the development of the Gilbert and Sullivan collaboration and is still regularly played.