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Review: Three Beckett Plays at the Harold Clurman Theatre, New
Review: Three Beckett Plays at the Harold Clurman Theatre, New

... often the victim is the author himself; there are many “in” theatrical jokes. The director’s assistant coolly carries out her instructions, and it matters little if we are in a concentration camp or a film studio: all humane considerations are ruled out to achieve the ultimate work of art. The twop ...
Radio Student Deconstructing the Design of Capitalism Nenad
Radio Student Deconstructing the Design of Capitalism Nenad

... Repeating and creating Beckett here and now, in the time and space of stifling capitalism, is more than welcome, especially by way of collective creative input as is presented by Beton Ltd. From the edge of its own production this performance is telling us that the emancipatory art has said what it ...
Writer - Arts Online
Writer - Arts Online

...  As a class, discuss the ideas in the play. What is the point of writing a play where nothing really happens?  Read the document entitled ‘About the play’.  Hotseating Becket: In groups, hotseat Samuel Beckett. The context is a forum after the performance of the play. You will need people to play ...
Lisa Dwan in Beckett Trilogy: Not I / Footfalls / Rockaby
Lisa Dwan in Beckett Trilogy: Not I / Footfalls / Rockaby

... Lisa Dwan said, “This is late Beckett. He distilled and distilled and pared away all the fat and you are left with something very potent. In these plays, I play womb to tomb, a country, a continent; I travel vast differences of age. I think he gets closer writing a sort of truth about the human ...
Report on AHRC One-Day Symposium - supported by HRC September 18
Report on AHRC One-Day Symposium - supported by HRC September 18

... research. Angela Woods, a philosopher based at Durham’s Centre for Medical Humanities, later said of the workshop on her blog: “I’m not sure that I know what an ‘average’ medical humanities theatre workshop might be, but I can say with certainty that this was truly exceptional. […] By inhabiting Bec ...
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Play (play)

Play is a one-act play by Samuel Beckett. It was written between 1962 and 1963 and first produced in German as Spiel on 14 June 1963 at the Ulmer Theatre in Ulm-Donau, Germany, directed by Deryk Mendel, with Nancy Illig (W1), Sigfrid Pfeiffer (W2) and Gerhard Winter (M). The first performance in English was on 7 April 1964 at the Old Vic in London.
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