Attic protogeometric cup late c11th
... The inventor of the red-figure technique is thought to have been an artist known as the Andokides Painter, after the name of the potter who made a number of his vases. He was a pupil of Exekias in Athens, so he was still influenced by the black-figure technique. ...
... The inventor of the red-figure technique is thought to have been an artist known as the Andokides Painter, after the name of the potter who made a number of his vases. He was a pupil of Exekias in Athens, so he was still influenced by the black-figure technique. ...
Greek Dark Ages And Protogeometric Pottery
... – Largest produces: Attica, S. Italy – Attic red figure Vases exported to many areas. • Produced in Athens: 40,000 specimens survive today. • S. Italy: more than 20,000 survive today. ...
... – Largest produces: Attica, S. Italy – Attic red figure Vases exported to many areas. • Produced in Athens: 40,000 specimens survive today. • S. Italy: more than 20,000 survive today. ...
Two Red Figure Vases and the Stories They Tell
... lives of the ancient people, and the way their goods are produced and traded. There are approximately 65,000 samples of red figure pottery that has been found to date, which, if taken into context, is only a small fraction of what actually was used (ancient.eu1). It all begins in ancient Corinth whe ...
... lives of the ancient people, and the way their goods are produced and traded. There are approximately 65,000 samples of red figure pottery that has been found to date, which, if taken into context, is only a small fraction of what actually was used (ancient.eu1). It all begins in ancient Corinth whe ...
Unit 02 - Athenian vase painting
... takes the eye in a different way, stressing by its excess the emptiness below – even the area covered by the picture seems dominated by the spaces between the figures rather than by the figures themselves. How are the central characters positioned a) individually; b) with regard to one another; c) w ...
... takes the eye in a different way, stressing by its excess the emptiness below – even the area covered by the picture seems dominated by the spaces between the figures rather than by the figures themselves. How are the central characters positioned a) individually; b) with regard to one another; c) w ...
Abstracts
... The Mourning Niobe motif, one of the most popular amongst the various indigenous cultures of Southern Italy, has been recognized in nine Apulian vases: five are without context, while the other four were found at Canosa (2), Ruvo and Arpi, all dated across the middle and second half of the fourth ce ...
... The Mourning Niobe motif, one of the most popular amongst the various indigenous cultures of Southern Italy, has been recognized in nine Apulian vases: five are without context, while the other four were found at Canosa (2), Ruvo and Arpi, all dated across the middle and second half of the fourth ce ...
Geometric/Archaic Vases
... Eastern metal vases (c 625 BC, GFA241) Corinthian pots with human figures, while not numerous, were important contributions to narrative art, and probably reflect a major school of monumental painting which is known from documents to have been active in the city. ...
... Eastern metal vases (c 625 BC, GFA241) Corinthian pots with human figures, while not numerous, were important contributions to narrative art, and probably reflect a major school of monumental painting which is known from documents to have been active in the city. ...
Euphronios
Euphronios (circa 535 - after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called ""Pioneer Group,"" ( a modern name given to a group of vase painters who were instrumental in effecting the change from Black-figure pottery to Red figure), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art.
