
Master Musicians of Jajouka
... Gysin was a master myth-maker, and as well as providing the musicians with some financial support, he set about constructing a Jajouka mythology that lasts to this day, centred around Boujeloud being a shadow in ritual form of the Pan and the pastoral feast of Lupercalia. In 1954, he brought Abdesal ...
... Gysin was a master myth-maker, and as well as providing the musicians with some financial support, he set about constructing a Jajouka mythology that lasts to this day, centred around Boujeloud being a shadow in ritual form of the Pan and the pastoral feast of Lupercalia. In 1954, he brought Abdesal ...
With a fourth critically-acclaimed album and expanded touring
... must have the word tone branded on their instruments and microphones. It’s evident in the pure, full, rich sound they get as players and singers….a total package that represents this quintet at it’s finest. Lovers of tone and tunes will fine this a CD well worth checking out.” – Bluegrass Unlimited ...
... must have the word tone branded on their instruments and microphones. It’s evident in the pure, full, rich sound they get as players and singers….a total package that represents this quintet at it’s finest. Lovers of tone and tunes will fine this a CD well worth checking out.” – Bluegrass Unlimited ...
10 // ANNENBERG CENTER LIVE Lead Vocals/Fiddle Mairéad Ní
... promote the music that she inherited from her late father Francie. Ní Mhaonaigh founded Altan along with her late husband, Frankie Kennedy; from humble beginnings they brought their music to the world arena without compromising the deep musical tradition they loved. Ní Mhaonaigh has recorded with ot ...
... promote the music that she inherited from her late father Francie. Ní Mhaonaigh founded Altan along with her late husband, Frankie Kennedy; from humble beginnings they brought their music to the world arena without compromising the deep musical tradition they loved. Ní Mhaonaigh has recorded with ot ...
Program Notes - Mark O`Connor
... Appalachians, the Great Smokey Mountains, the Alleghenies and looking westward, surveying the journey ahead. The bravest set off in search of a better way of life. Some knew the hardships getting there, and many more knew they might never see their loved ones again. Many had already endured much to ...
... Appalachians, the Great Smokey Mountains, the Alleghenies and looking westward, surveying the journey ahead. The bravest set off in search of a better way of life. Some knew the hardships getting there, and many more knew they might never see their loved ones again. Many had already endured much to ...
Aaron Copland
... In the early 19th century an increasing number of black musicians learned to play European instruments. Begin with a basic melodies and musicians take turns improvising or “taking a solo” on the melody. ...
... In the early 19th century an increasing number of black musicians learned to play European instruments. Begin with a basic melodies and musicians take turns improvising or “taking a solo” on the melody. ...
Here - Opal Flutes
... arr. Phyllis Avidan Louke This well known tune has been adapted as a school hymn (Lord of the Dance) and also by Aaron Copland in Appalachian Spring. Here we have several variations on the theme: a simple setting, a chromatic accompaniment, an “ethereal” variation, a march-like variation with piccol ...
... arr. Phyllis Avidan Louke This well known tune has been adapted as a school hymn (Lord of the Dance) and also by Aaron Copland in Appalachian Spring. Here we have several variations on the theme: a simple setting, a chromatic accompaniment, an “ethereal” variation, a march-like variation with piccol ...
Appalachian music

Appalachian music is the traditional music of the region of Appalachia in the Eastern United States. It is derived from various European and African influences, including English ballads, Irish and Scottish traditional music (especially fiddle music), hymns, and African-American blues. First recorded in the 1920s, Appalachian musicians were a key influence on the early development of Old-time music, country music, and bluegrass, and were an important part of the American folk music revival of the 1960s. Instruments typically used to perform Appalachian music include the banjo, American fiddle, fretted dulcimer, and guitar.Early recorded Appalachian musicians include Fiddlin' John Carson, G. B. Grayson & Henry Whitter, Bascom Lamar Lunsford, the Carter Family, Clarence Ashley, Frank Proffitt, and Dock Boggs, all of whom were initially recorded in the 1920s and 1930s. Several Appalachian musicians obtained renown during the folk revival of the 1950s and 1960s, including Jean Ritchie, Roscoe Holcomb, Ola Belle Reed, Lily May Ledford, Hedy West and Doc Watson. Country and bluegrass artists such as Loretta Lynn, Roy Acuff, Dolly Parton, Earl Scruggs, Chet Atkins, The Stanley Brothers and Don Reno were heavily influenced by traditional Appalachian music. Artists such as Bob Dylan, Jerry Garcia, and Bruce Springsteen have performed Appalachian songs or rewritten versions of Appalachian songs.