July issue of DownBeat
... Spearheaded by the Thelonious Monk Institute of Jazz and the United Nations Educational, Scientific and Cultural Organization (UNESCO), International Jazz Day is a celebration in which cities around the globe host jazz concerts and educational events. This year, 196 countries participated, with Soma ...
... Spearheaded by the Thelonious Monk Institute of Jazz and the United Nations Educational, Scientific and Cultural Organization (UNESCO), International Jazz Day is a celebration in which cities around the globe host jazz concerts and educational events. This year, 196 countries participated, with Soma ...
6 Schoenberg`s `second melody`, or, `Meyer
... formal authentic cadence, the dominant leaps back to the tonic, thus creating a harmonic connection linking the two streams and purging the bass of all melodic tendencies that might generate further continuation. The simplest manifestation of this process is shown in Example 6.5, which I offer as a ...
... formal authentic cadence, the dominant leaps back to the tonic, thus creating a harmonic connection linking the two streams and purging the bass of all melodic tendencies that might generate further continuation. The simplest manifestation of this process is shown in Example 6.5, which I offer as a ...
Giorgio Sanguinetti, The Art of Partimento
... has to look. For example, when two successive segments of a partimento are in an ‘interestingboring’ relation, chances are that they are in double counterpoint (p. 195). A particularly valuable feature of Sanguinetti’s volume are the original realizations by Greco, Leo, Durante and Catelani, given i ...
... has to look. For example, when two successive segments of a partimento are in an ‘interestingboring’ relation, chances are that they are in double counterpoint (p. 195). A particularly valuable feature of Sanguinetti’s volume are the original realizations by Greco, Leo, Durante and Catelani, given i ...
Is it a bass track?
... • Global statistical features and RFC have proven to be useful for other kind of tracks other than melody. • In fact, it works better (+24.4 %) for bass than for melody (seems to be easier). • Bass track characterization depends on the music genre. • Using bass information improved significantly the ...
... • Global statistical features and RFC have proven to be useful for other kind of tracks other than melody. • In fact, it works better (+24.4 %) for bass than for melody (seems to be easier). • Bass track characterization depends on the music genre. • Using bass information improved significantly the ...
C:\Documents and Settings\Borys Medicky\My Documents\Basso
... These situations generally correspond to the modern “plagal” cadence. b. It is permissible to connect the two chords discussed above with one or two passing notes: either a major sixth alone, or a major sixth and augmented fourth (the fifth from the first chord moves to the sixth; the third from the ...
... These situations generally correspond to the modern “plagal” cadence. b. It is permissible to connect the two chords discussed above with one or two passing notes: either a major sixth alone, or a major sixth and augmented fourth (the fifth from the first chord moves to the sixth; the third from the ...
Introduction to Figured Bass
... Initially, basso continuo players would look at just the bass line, with no additional information. The keyboard player’s choice of notes was left up to good taste and his or her understanding of the musical language and context of the piece. As tonal music became more complex, it became common to p ...
... Initially, basso continuo players would look at just the bass line, with no additional information. The keyboard player’s choice of notes was left up to good taste and his or her understanding of the musical language and context of the piece. As tonal music became more complex, it became common to p ...
Music of the Caribbean - Pan
... year's calypsos for Carnival performance; rarely will a calypso from a previous year be heard at Carnival or Panorama. Bands that perform all year round (both in Trinidad and in the so-called 'pan diaspora') have long prided themselves on being able to perform many types of music, particularly Latin ...
... year's calypsos for Carnival performance; rarely will a calypso from a previous year be heard at Carnival or Panorama. Bands that perform all year round (both in Trinidad and in the so-called 'pan diaspora') have long prided themselves on being able to perform many types of music, particularly Latin ...
Chapter 9 - eacfaculty.org
... arpeggiation of the same chord. – Pedal Bass – Also known as stationary bass or neighboring tone chords, the bass is preceded and followed by the same tone and is placed between two root positions of the same triad. ...
... arpeggiation of the same chord. – Pedal Bass – Also known as stationary bass or neighboring tone chords, the bass is preceded and followed by the same tone and is placed between two root positions of the same triad. ...
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR
... and Steven Mooney [5] lead the student through a series of these licks, covering most common harmonic progressions, in order to provide the student with the basic formulae that can then be adapted to any song. As the walking bass player develops his technique and gains more experience, however, he w ...
... and Steven Mooney [5] lead the student through a series of these licks, covering most common harmonic progressions, in order to provide the student with the basic formulae that can then be adapted to any song. As the walking bass player develops his technique and gains more experience, however, he w ...
Intro to Figured Bass
... The bass is the foundation of harmonic structure. Figured bass symbols are used to indicate the bass positions of chords. The practice is derived from Baroque keyboard music where the player read from a part consisting of a bass line and some numerical symbols that indicated what chord was to be pla ...
... The bass is the foundation of harmonic structure. Figured bass symbols are used to indicate the bass positions of chords. The practice is derived from Baroque keyboard music where the player read from a part consisting of a bass line and some numerical symbols that indicated what chord was to be pla ...
Falstrom Bass Guitars
... An Upright Bass - Playing an Upright bass is definitely a lot different than playing a electric type bass guitar. The notes and bass parts are definitely the same for both instruments, but the size, angles, and hand technique is greatly different - What I did to (finally) learn the upright bass was ...
... An Upright Bass - Playing an Upright bass is definitely a lot different than playing a electric type bass guitar. The notes and bass parts are definitely the same for both instruments, but the size, angles, and hand technique is greatly different - What I did to (finally) learn the upright bass was ...
Voice-Leading Guidelines:
... chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at a cadence. Passing: The bass steps up (or down) over the three notes. Therefore, the 6-4 ...
... chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at a cadence. Passing: The bass steps up (or down) over the three notes. Therefore, the 6-4 ...
FIGURED BASS Figured bass symbols indicate intervals above the
... 2. Key signatures apply to figures as well as notes. ...
... 2. Key signatures apply to figures as well as notes. ...
Jazz bass
Jazz bass is the use of the double bass or bass guitar, to improvise accompaniment (""comping"") and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s, to supply the low-pitched walking basslines that outlined the harmony of the music. From the 1920s and 1930s Swing and big band era, through Bebop and Hard Bop, to the 1960s-era ""free jazz"" movement, the resonant, woody sound of the double bass anchored everything from small jazz combos to large jazz groups.Beginning in the early 1950s, some jazz bass players began to use the electric bass guitar in place of the double bass. The electric bass gained particular prominence in the late 1960s and early 1970s type of jazz known as jazz fusion.Most jazz bassists specialize in either the double bass or the electric bass. Some players, such as Stanley Clarke and John Patitucci, achieve virtuosity on both instruments. Whether a jazz bassist is comping (accompanying) or soloing, or playing on a double bass or an electric bass, they usually aim to create a rhythmic drive and ""timefeel"" that creates a sense of swing and groove.